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Mary Dobson 《Journal of Historical Geography》1980,6(4):357-389
The marshlands of Kent and Essex had exceptionally high levels of mortality from the sixteenth to the nineteenth century. The unhealthiness of the environment aroused frequent comment during this period and it was attributed to an endemic disease known as “marsh fever” or “ague”. Marsh parishes were perceived both as a danger to the local inhabitants and as a deterrent to potential settlers. This paper traces the geography and history of the “marsh fever” in England and shows that the disease was, in fact, plasmodium malaria transmitted by anopheline mosquitoes. Malaria, once indigenous in the coastal marshes of England, had a striking impact on regional patterns of disease and death. The discussion concludes with an examination of the reasons for the clinical disappearance of malaria during the nineteenth century, its reappearance after the First and Second World Wars and the possibility of new outbreaks of malaria in the future. 相似文献
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Throughout the war period and immediately thereafter, punitive measures were instituted against Jordanian nationals working in the Gulf; hundreds of thousands were dismissed from their jobs without compensation, and many more were expelled from the Gulf, leaving behind personal belongings, as well as bitter memories. The purpose of this study is to: (1) investigate the effects of the Gulf Crisis on the amount of annual contributions to Jordan's economy by Gulf workers; (2) measure the amount of property loss incurred by Gulf workers as a result of the displacement; (3) examine the duration of unemployment caused among the displaced workers; and (4) measure attitudinal changes among the displaced workers regarding their economic future and the future of Jordan's economy. 相似文献
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Catherine Mary Moore 《History & Anthropology》2015,26(4):437-457
In 1936 and 1937, Diana and Antoinette Powell-Cotton made a film that purported to show a healing practice involving possession. Over seventy years later, the film produced the start of a possession state in an audience from the same region in which the film was made. This paper uses the explanations given by those in the audience for this near possession to challenge some frequently cited thinking on the mimetic, magical power of film to possess. It offers an alternative approach to the viewing of archive film drawing on a form of mimesis rooted in habitual bodily memory. This mimetic relationship allows for an immanence of past in the present dependent on the past experience of the viewer rather than the power of the image. 相似文献