Some Evidence for 12th- and 13th-century Linen and Woollen Textile Processing

FLAX-RETTING POOLS, hitherto unrecognized, still survive in the landscape of NW. England, in close association with fulling-mill sites, tenter banks and simple potash pits. The retting-pool sites have common characteristics—usually on flat land; close to a river, but utilizing small streams which have been channelled to provide a controlled water supply; and raised banks for the drying of the retted flax. The field evidence occurs in documented contexts which show that a widespread linen industry was contemporary with, and often linked to, the 12th- and 13th-century demesne woollen industry.     

The Children of Africa in the Colonies

British Imperialism: Innovation and Expansion 1688–1914 by P.J. Cain and A.G. Hopkins. London and New York: Longman, 1993. Pp. xv + 504, tables, maps. £38 (hardback); £16.99 (paperback). ISBN 0–582–49175–4; 0–582–491762.

British Imperialism: Crisis and Deconstruction 1914–1990 by P.J. Cain and A.G. Hopkins. London and New York: Longman, 1993. Pp. xiv + 337, tables, maps. £30 (hardback); £11.99 (paperback). ISBN 0–582–20966–8; 0–582–20965‐X.     

Traditional and computed tomographic (CT) techniques link modern and Cenozoic fruits of Pleiogynium (Anacardiaceae) from Australia

Computed tomography (CT) and traditional techniques were used to study the internal morphology of modern fruits of Pleiogynium timoriense (DC.) Leenh., and phosphatized and silicified fruits that were considered to belong to the genus. The results demonstrate that phosphatized fruits from the Oligocene–Miocene Dunsinane site at Riversleigh and silicified fruits from the Oligocene Glencoe Site, which are both in Queensland, are referable to Pleiogynium. The Riversleigh material (Pleiogynium wannanii Rozefelds, Dettmann & Clifford sp. nov.) is very similar to extant P. timoriense (DC.) Leenh. Both possess locules that, in the vertical axial plane, are asymmetrically reniform and enclosed by a two-layered endocarp, the inner layer woody and resistant to decay, the outer of fibres and parenchyma, surrounded by a mesocarp of fibres and sclereids and a parenchymatous exocarp. The outer mesocarp is sculpted by meridionally arranged, elongate depressions (germination apertures) situated at the dorsal surface of each locule; erosion of the mesocarp and outer endocarp provides passage for emergence of the embryo’s radicle on germination. The silicified material from Glencoe (P. parvum Rozefelds, Dettmann & Clifford sp. nov.) is smaller in all its parts and has locules that are ovate in the vertical axial plane. Discrete, cap-like, opercula are not evident in the fruit wall of the fossil and extant fruits studied. The presence of Pleiogynium, and associated taxa, indicates the existence of rainforest communities at Glencoe, and mixed open forest/rainforest at Riversleigh during Oligocene–Miocene times. The multilocular, fossil fruit described as Pleiogynium mitchellii Collinson, Manchester and Wilde from the Eocene deposits at Messel Quarry, Germany, is not considered to belong in the genus, as evidence of elongate depressions on the dorsal surface of the fruit stones has not been demonstrated conclusively, and its internal morphology/anatomy differs significantly from that of Pleiogynium.     

Heroes and Political Communities in John Ford's Westerns: The Role of Wyatt Earp in My Darling Clementine

Abstract

Widespread moral corruption, particularly of the sort fostered by their internal security agencies, was a key feature of communist regimes. The Lives of Others provides a dramatic portrayal of this phenomenon as it occurred in East Germany. The film can appear, given its central story of the moral redemption of a Stasi officer through his becoming intrigued by the lives of artists, to be an overly idealistic or audience-pleasing testament to the humanizing power of art. But the film also reveals the possible moral corruption of the artists. This essay provides a typology of the sorts of moral corruption exemplified by the situations of different characters in the film and shows that the main artist is actually saved from his impending corruption by the Stasi officer's actions. This reciprocal rescue is the key feature of the film's plot; it teaches that while art can undermine and resist totalitarian corruption, it is also susceptible to its snares—especially when it apolitically relies upon its own resources.     

Here We Go Again: Presidential Elections and the National Media

The fear of death is a major preoccupation in the West. This is not surprising given the debt we owe to Hobbes, who encourages this fear and makes it a central feature of his account of human nature. Rousseau, in contrast, wishes to reduce this fear as much as possible. Amour propre and the humanity Rousseau encourages are incompatible with excessive concern for self-preservation. This accounts for his antipathy to doctors and the medical arts. Rousseau, through his presentation of Emile and the savage, initially claims that the fear of death is unnatural and that humans should take a stoic stance toward it and all human attachments that lead to our "feeling death twice." A closer reading reveals that humans always have an awareness of death and that modern humans cannot entirely avoid these attachments. We can, however, avoid making preservation our highest goal, and this is essential to our happiness and ability to have compassion for others.     

The Heritagescape: Looking at Landscapes of the Past

Heritage sites are one of the most visible, accessible and tangible manifestations of heritage and are also some of the essential building blocks of heritage. Yet we are still without a sense of how they operate over time and in relation to each other. This paper will introduce the notion of the ‘heritagescape’ as a means of interpreting and analysing heritage sites as unique social spaces that offer an experience of the past. In contrast to previous attempts to investigate these places, the heritagescape offers the means to focus both on the underlying similarities and also on the relationships of different sites to each other. As such, heritagescape offers a coherent and overarching methodology by which to identify the universal processes and elements that characterise heritage sites and will allow us to take our examination of heritage as a cultural phenomenon into the future.