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Travel writers since the eighteenth century have sought to portray Wales as a place of «difference» with its own culture, history and legends woven into the landscape. Their texts were later to inspire twentieth-century travellers. These later travellers also drew on the academic work of geographers, anthropologists and archaeologists such as H.J. Fleure, Cyril Fox and E.G. Bowen who wrote extensively and influentially on their ideas of identity and race grounded in the landscapes of Wales. One recurrent theme throughout these popular travel narratives, like H.V. Morton'sIn Search of Wales , was that of a Celtic history and culture, evident both in landscape and in the people. Travellers» books recorded journeys punctuated by visits to the monuments of this Celtic past with its hill-forts and standing stones, and by encounters with the peoples of Wales. The literature of travellers and academics combined to create a particular form of text for Wales that in turn became the language for the promotion of tourism and for the images and experiences of Wales that could be taken away by those who came to visit. 相似文献
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David Lipset 《Oceania; a journal devoted to the study of the native peoples of Australia, New Guinea, and the Islands of the Pacific》2006,76(3):245-257
In the Murik Lakes at the mouth of the Sepik River, young men debated middle‐aged and senior men about the moral value of marijuana, and the moral status of their community as a whole, as they did. In part, their discourse had been absorbed into perduring, but shifting, genres that preceded the arrival of the drug. On the one hand, it had been assimilated into precapitalist views of trade and several dimensions of conflict discourse. On the other, it had given rise to a combined, partly market‐based, partly kinship‐based view of intertribal trade, as well as to a secular predilection for the drug's perceived effects. Marijuana talk, according to Lipset, comprised an important forum in which Murik men engaged one another, not conclusively, but open‐endedly, in uneasy, nervous dialogue about the increasingly limited efficacy of male agency in postcolonial PNG. 相似文献
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David Jabbari 《History of European Ideas》2013,39(4):555-556