MacLiammóir's minstrel and Johnston's morality: cultural memories of the Easter Rising at the Dublin Gate Theatre

This article explores how Micheál MacLiammóir and Denis Johnston attempted to perform cultural memories of the Easter Rising at the Dublin Gate Theatre and thereby articulated their respective views on a colonial past that had to be reassessed anew, on the one hand, and a postcolonial future that still had to be made possible, on the other. By analysing how these two prominent Gate Theatre playwrights sought to commemorate the Rising through mediated performances, this article argues that the Gate Theatre did not simply serve as a playground for disinterested aestheticists but also created a stylised forum where the perceived strain between Ireland's traumatic history and its uncertain future could be addressed and reconfigured into a meaningful teleology. In doing so, this article attempts to demonstrate that the Gate Theatre served as a cultural counterweight to the Abbey's ostensible hegemony as a theatrical force in Irish identity formation.     

The Future of Utopia

The widespread notion that the city is secular and that therefore society’s future is secular is in need of serious reconsideration. This paper argues that religion does not melt away but rather morphs into modern forms of aspiration, speculation, and contention. Religion is therefore crucial to social inquiry into the nature of the urban. The paper argues that in Asia the Christian modern is close to the secular modern with fragments of rational planning and calculation in constant interplay with fragments of the magic of speculative modernity. Both communism and market capitalism are ideological cousins of Christian millenarianism. In a comparison of India, China, and Singapore it argues that the Christian form of modernity has been much better able to penetrate and coalesce with Sinic civilizational traditions than with Indic civilizational traditions.     

Maritime Culture in the Netherlands: accessing the late medieval maritime cultural landscapes of the north‐eastern Zuiderzee

This paper examines the theory and practice of the maritime cultural landscape in general, and projects the theoretical concepts and aspects involved on the highly dynamic late medieval north‐eastern Zuiderzee region in the Netherlands. The cultivation of land and marine erosion (floods and rising sea level) are considered as the main factors that caused the transformation of the physical landscape of this region from peatlands with freshwater basins into a tidal lagoon. As a consequence, multiple settlements drowned, large areas of land submerged, and culture and the landscape gradually became more maritime, giving the research area a cultural identity and dimension.     

Godot’s Shakespeare

While the connection between Samuel Beckett’s Waiting for Godot and King Lear has become something of a critical commonplace, references to other Shakespeare plays can also be found throughout. This essay traces Godot’s debt to two plays in particular. First it argues how Godot not only draws on Hamlet’s graveyard scene for macabre imagery, but how it also construes an extended meta-theatrical parody of Hamlet’s soliloquies about the contrast between acting and talking/thinking. The second half of the essay proposes a number of connections with The Tempest, and specifically with its “salvage and deformed slave” Caliban. It argues how the figure of Caliban not merely functions as a model for a colonial power-dynamic that can be seen to operate here and elsewhere in Beckett, but how Caliban is equally significant as a lyrical figure whose great speech about sleeping, waking, and dreaming informs Beckett’s play in a number of ways.     

NEIGHBOURHOOD ETHNIC MIX AND THE FORMATION OF MIXED‐ETHNIC UNIONS IN BRITAIN: A LONGITUDINAL ANALYSIS

Although developed societies are becoming increasingly ethnically diverse, relatively little research has been conducted on geographies of mixed‐ethnic unions (married or cohabiting). There is some recent evidence from the US that mixed‐ethnic couples are more likely to be found in mixed‐ethnic neighbourhoods, but this research is based on cross‐sectional data. Therefore it is not possible to determine whether mixed‐ethnic couples are more likely to form in mixed‐ethnic neighbourhoods or whether they are more likely to move there. Our longitudinal analysis allows us to tease out the relative importance of these two processes, furthering our understanding of the formation of mixed‐ethnic unions. Using data from the Office for National Statistics Longitudinal Study we examine neighbourhood effects on the formation of mixed‐ethnic unions in England and Wales. We find that mixed‐ethnic unions are more likely to form in neighbourhoods with low concentrations of co‐ethnic population. The results from this study lend support to the contact theory that geographical proximity to other ethnic groups enhances mutual understanding between people from different ethnic groups and could lead to the development of intimate partnerships.