Estimating the Number of Combatants during the Mixtón War in the Peñol de Nochistlán

Abstract

The objective of this article is to determine the number of combatants in the Mixtón War (1541–42), one of the most important military confrontations of the early years of the vice-royalty in Western Mexico, by analysing the Peñol de Nochistlán. To this end, information provided by historians has been compared with the population estimates established from the density of settlements known from archaeological evidence in order to define the area occupied by the armies involved in the conflict. This exercise resulted in a shifting array of spaces that could have been used by the combatants during confrontations. However, it will enable more intense archaeological prospecting in the area around the site of El Tuiche — the place identified as the Peñol of Nochistlán — revealing new evidence of the events that occurred on this battlefield.     

‘The Island Blazed’: A Blinding Light and Tiepolo's Hound

This essay is primarily a study of Derek Walcott's Tiepolo's Hound as an affirmation of Caribbean, tropical, blinding light through an engagement with the life and work of Camille Pissarro. Conceived as such, the poem, I argue, proposes an “adamic” vision and imagination attuned with “Time” rather than “History” (the concepts are Walcott's), as well as an intensification of sensory-perception beyond vision. In order to better appreciate the historical and contextual relevance of Tiepolo's Hound, the essay provides first a general introduction to: (1) a nuanced understanding of light and its “otherness” emerging from modern physics; (2) some of the ways in which western capitalism and Cartesian perspectivism, as a hegemonic aesthetic and philosophical tradition in the West, have attempted to capture and control light and its “otherness;” and (3) the blinding quality of light in the tropical context, which repositions light as a force against any and all exploitative capitalist desires.     

Isotopic evidence for the reconstruction of diet and mobility during village formation in the Early Middle Ages: Las Gobas (Burgos,northern Spain)

Strontium, carbon, and nitrogen isotopes of human bone and tooth remains have been used to reconstruct residential mobility and diet of early medieval populations at Las Gobas from the sixth to eleventh centuries. Most non-local individuals correspond to the tenth to eleventh centuries and were mostly women and infants. This residential mobility coincided with the formation of Laño village and the abandonment of artificial cave settlement. Carbon and nitrogen isotope ratios of bone collagen indicate an omnivorous homogenous diet based on terrestrial plant resources, with few animal-derived proteins from livestock. Millet consumption was restricted to an earlier period of time (seventh to ninth centuries); and in later periods (tenth to eleventh centuries), mainly C₃ plants such as wheat and barley were consumed. In general, there were no dietary differences between individuals according to sex or age. Sex-related dietary differences have only been observed in the tenth to eleventh centuries, when females consumed a more vegetarian diet and less animal protein. The higher δ ¹⁵N values in infants reflect the weaning effect, while the differences in δ ¹⁵N values between young adult men and young adult women can be explained as a physiological factor related to pregnancy or different origins. In a comparison with contemporaneous medieval populations in the northern Iberian Peninsula, both δ ¹³C and δ ¹⁵N values suggest similar foodstuff resources and diet among Christian and Muslim populations.     

Noah’s Grandson and St. James: Rewriting the Past in Eighteenth-Century Spain

ABSTRACT

In the late seventeenth century, when Spain gradually emerged from the general crisis that had afflicted the country, several members of the cultural elite became acquainted with the new sophisticated theories and methods of modern science. This newly acquired knowledge inspired these novatores (innovators) to examine Spain’s history and historiography. They intended in the first place to integrate and align Spain with European culture at large, since the religious and ideological obstacles of the past were supposedly no longer in force. Their second purpose was to establish a scientifically based historical discourse focused on the genuine achievements of Spain over the centuries and its contribution to European civilization. They were thus willing to confront the long-standing distortions arising from propaganda, either from the outside—such as the “black legend” forged by the enemies of Spain—or from inside—such as the “fake glories” forged by earlier historians. Diverse circumstances, however, limited their enlightened endeavour, and whoever was eager to resume it in the eighteenth century came up against the restrictions imposed on modern culture by Enlightened despotism.     

Opposing peace: English political pamphlets against the Treaty of Madrid in 1630

ABSTRACT

In November 1630 the Treaty of Madrid was signed between Philip IV, king of Spain, and Charles I, king of England. During the peace negotiations several pamphlets critical of the pro-Spanish policy of Charles I were printed in England. These publications contributed to the development of an increasing criticism of Charles I, by identifying his neutral European policy with pro-Spanish policies. The anti-Spanish and anti-Catholic rhetoric, which formed the basis of this criticism, was used to promote an aggressive foreign policy and consequently an active opposition to the king. The following pamphlets are discussed in this paper: Considerations T ouching a W arre with Spaine; The M erchandises of Popish P riests; The English Spanish Pilgrim; Further O bservations of the English Spanish Pilgrim; The P ractise of P rinces; The P resent E state of Spayne; and Three S everall T reatises C oncerning the T ruce.     

Implementing Artificial Intelligence in H-BIM Using the J48 Algorithm to Manage Historic Buildings

ABSTRACT

The preservation of the architectural heritage is characterized by the intervention of different technicians, who may disagree on decision-making criteria. In recent years, the H-BIM methodology has emerged to manage these buildings, although the multidisciplinary technical personnel make the decision-taking something of a challenge. In this regard, artificial intelligence may be an opportunity to establish automatic responses, thus optimizing the process. This article proposes a methodology to implement models of classification using the J48 algorithm in a H-BIM model. The case study was focused on a tiles panel from a building which belongs to the Real Alcazar of Seville. First, a model of classification was developed to estimate the degree of intervention with an adequate degree of adjustment. Then, the model was implemented in the H-BIM software by programming using GDL. This methodology automates the decision-making and reduces times of assessments, visualizing and managing the information in the H-BIM model.     

La resignificación de los márgenes del teatro independiente: Oratorio,del Teatro Estudio Lebrijano

Abstract

Oratorio, by Alfonso Jiménez Romero and Teatro Estudio Lebrijano, is arguably among the most representative plays of 1970s Spain’s independent theater. This play experienced many changes and adjustments before it was staged in the Festival Mondial de Théâtre de Nancy in 1971. These changes were tested in performances in Andalusia before audiences with little exposure to theater but sympathizing with the play. By studying a production that developed for three years, this article challenges the claims that support a history of theater as a catalogue of finished products. This article aims at considering the creative process that emerges from the direct contact with audiences in performing spaces. Independent theater archives have limitations, but they are made up with oral histories from troupe members. This article studies both the incorporation of theatrical devices associated with ritual participation of the audience and the use of flamenco reassessed as protest music. The latter included in the play as an artistic device since the tour in Andalusia. This play made explicit references to the Spanish Civil War, which prompted physical reactions from the audience in towns where the repression was fierce.