Taxonomic, anatomical, and spatio-temporal variations in the stable carbon and nitrogen isotopic compositions of plants from an African savanna

Stable carbon (δ¹³C) and nitrogen (δ¹⁵N) isotope ratios are commonly used to reconstruct palaeodiets and palaeoenvironments. The method is based on our knowledge of isotopic patterns in plants, which are subject to taxonomic and environmental variability. While previous researchers have addressed isotopic variability amongst plants, no studies have looked extensively at a broad suite of taxa over multiple temporal scales from within the savanna biome so as to provide baseline data for palaeodietary and palaeoenvironmental studies. Here we document variations in the isotopic compositions of plants collected over two years from the Kruger National Park, South Africa, with respect to species and anatomical differences, and the influences of geological substrate and spatio-temporal shifts in climate. Results show that environmentally-induced carbon isotopic variations in plants within this region are generally smaller than 2‰, which is lower than what has been previously reported for plants compared across multiple habitat-types. These data suggest that δ¹³C differences of 2‰ or more (or 1‰ if the diet is predominantly C₄) between animals from a given area reliably indicate real dietary differences. Plant δ¹⁵N values vary greatly between different microhabitats (by up to 4‰), responding to a range of environmental influences that may, in turn, significantly influence variation in animal δ¹⁵N values.     

THE ORIENTATION OF ROMAN CAMPS AND FORTS

Summary.   The angles of orientation of 67 Roman camps were determined from their published plans. There was a marked tendency for them to be aligned close to the cardinal points but they were offset from those points by only 28 of a possible 45 angles and of these six occurred in 29 camps, probably because they were set out by making right-angled triangles whose non-hypotenuse sides were in whole number ratios. Twenty-seven forts on the British frontier walls were similarly orientated by only 12 angles, one of which occurred six times. The apparent accuracy of the layouts suggested that the directions of the meridian and latitude were first carefully determined. The use of a limited number of offset angles was probably due to a religious regard for celestial geometry.     

Common ware production at Thamusida: dating and characterisation of Roman and Islamic pottery

Twenty-one samples of likely Roman, likely Islamic and unknown common ware from the archaeological site of Thamusida (Rabat, Morocco) were analysed in order to anchor selected types of pottery to a limited time span and, possibly, to a production area and technology. Analytical techniques were thermoluminescence, optical microscopy, scanning electron microscopy and X-ray fluorescence. The results arising from this research are definitely useful for the study of the site of Thamusida as well as for all researchers involved in archaeological and archaeometrical research in Morocco. Chronologies proposed on a typological base have been denied twice: a likely Islamic cup dates back to the second century a.d.; vice versa, a stewpot, framed into the Roman period, resulted to be an eighth century a.d. production. Moreover, the identification of an eighteenth century ceramic production is of outstanding importance, as it characterises a completely unknown production. Regarding the production area, four samples of both Roman and Islamic periods have been recognised as local productions of Thamusida.     

Sustainability Science Partnerships in Concept and in Practice: a Guide to a New Curriculum from a European Perspective

This paper makes the case for advancing sustainability science partnerships (SSPs) both within universities and through innovative means of integrating universities with external public‐private and civil sectors. It links the basic principles of sustainable development with an emerging science of cooperative learning that connects researchers to a wide range of partners. SSPs are specifically designed to be transformational through becoming active agents for societal change. Universities play a special role here because they can act both as communication networks and as laboratories for developing the capability to design and manage SSPs in the creative transition to sustainability. It is gratifying to note that these ideas are beginning to emerge in a number of universities, with European examples being highlighted in this paper. Further steps towards introducing full‐blooded SSPs across the university spectrum are suggested.     

HUMAN MOBILITY AT THE EARLY NEOLITHIC SETTLEMENT OF VAIHINGEN,GERMANY: EVIDENCE FROM STRONTIUM ISOTOPE ANALYSIS*

As evidence concerning human mobility during the transition to agriculture in central Europe, we present the results of strontium isotope analysis of human skeletons from the Neolithic village of Vaihingen, Germany. We find significantly more ‘non‐local’⁸⁷Sr/⁸⁶Sr values from humans buried in a Neolithic ditch surrounding Vaihingen than from those buried within the settlement. These results fit with previous studies showing a correlation between burial circumstances and strontium isotope signatures from LBK cemeteries of southwestern Germany ( Price et al. 2001 ; Bentley et al. 2002 ). A pilot study of Neolithic animal teeth from Vaihingen suggests that either ‘local’⁸⁷Sr/⁸⁶Sr signatures were more variable than the analysed human bones suggest, or that these domestic animals themselves were mobile, perhaps ranged by mobile pastoralists.     

Neutron Activation Analyses of ‘Falke‐Group’ Stoneware*

Fragments of late medieval highly decorated Falke‐group stoneware have been found in excavations all over central and northern Europe. The distribution of the finds points to an origin in Saxony, but the exact centre of production is still unknown. Therefore, a set of samples has been analysed with Neutron Activation and the data compared with Saxon reference groups. The results point to production in a single workshop. The data can be clearly distinguished from all reference groups in our databank. However, the most similar group is that of Zittau, Saxony. Also, one sherd, which is typologically very similar to the Falke group, and which was made in Zittau, suggests that production was based there.     

Technology Transfer at the Periphery of the Mycenaean World: The Cases of Mycenaean Pottery Found in Central Macedonia (Greece) and the Plain of Sybaris (Italy)*

The study of technology transfer in pottery production to the periphery of the Mycenaean world has been addressed by considering two different areas, southern Italy and central Macedonia. Technological features such as ceramic paste, decoration and firing have been determined for different ceramic groups established according to provenance criteria. The studies of technology and provenance have been performed following an archaeometric approach, using neutron activation analysis, petrographic analysis, X‐ray diffraction and scanning electron microscopy. The results have revealed the existence of two different models. On the one hand, southern Italy seems to exhibit a more organized pottery production, which follows a Mycenaean‐like technology, while in central Macedonia production is probably more varied, being based in part on the technology of the local tradition.     

Production Technology for Copper‐ and Cobalt‐Blue Vitreous Materials from the New Kingdom Site of Amarna—A Reappraisal*

Previously published data on the chemical compositions and microstructures of copper‐ and cobalt‐blue frit, glass and faience from the New Kingdom site of Amarna in Egypt ( Shortland 2000 ) are summarized. The data are then used to infer the raw materials and processes employed in the production of these vitreous materials. The results suggest that crushed quartz pebbles were the source of the quartz for all the materials, but that different sources of alkali, both natron and a range of plant ashes, were used in the production of each material. It seems probable that the cobalt‐rich alum colorant was pre‐treated before use by precipitating cobalt hydroxide from a solution of the alum by the addition of natron. It is further hypothesized that cobalt‐blue glass was produced by melting the cobalt‐blue frit together with additional plant ash and possibly quartz. Finally, it is suggested that, in glazing the cobalt‐blue Variant D faience first produced in the 18th Dynasty, the efflorescence or application method was selected according to object type.     

THE PETROGRAPHY AND CHEMISTRY OF THIN‐WALLED WARE FROM AN HELLENISTIC– ROMAN SITE AT SEGESTA (SICILY)*

Samples of Roman thin‐walled ware from Segesta (northwestern Sicily), dating back to the early Imperial period, were studied by optical microscopy (OM) and Neutron Activation Analysis (NAA). Up to now, this class of Roman fine tableware has only occasionally been evaluated archaeometrically. Nevertheless, numerous production centres are believed to have been simultaneously active in the western Mediterranean area. Petrographic and chemical data seem to be in agreement with the archaeological hypothesis of local manufacture in Segesta for most of the analysed samples, through a comparison with kiln wasters and local raw materials. The effectiveness of thin‐section petrography for determining the provenance of such a tiny tempered class of pottery and the integrated use of two different grouping procedures (petrography and chemistry) were also tested.     

ELEMENTAL ANALYSES OF A GROUP OF GLAZED TERRACOTTA ANGELS FROM THE ITALIAN RENAISSANCE,AS A TOOL FOR THE RECONSTRUCTION OF A COMPLEX CONSERVATION HISTORY*

A group of Italian glazed terracotta sculptures, attributed to the della Robbia workshop of Florence, is partly displayed in the Louvre Museum. Analyses of the apparently homogeneous sculptures by techniques such as PIXE, SEM, ICP/AES and ICP/MS have identified differences in the materials used. The data provide a subdivision of the sculptures, which is compatible with what is known from historical documents and artistic considerations, and suggest a date for this ensemble at the end of the 15th century, when the della Robbia family was involved in the decoration of the San Frediano church in Florence.