Religious Colonialism in Early Modern Malta: Inquisitorial Imprisonment and Inmate Graffiti

Early modern Malta was governed by three competing Roman Catholic institutions—Order of St. John, Bishopric, and Roman Inquisition—all of which ultimately answered to the Pope. By focusing on the inquisition, the institution most directly controlled by the Vatican, this paper explores the role of imprisonment in furthering the Vatican’s cultural and political control on the island. In doing so, this paper offers an archaeological perspective on an early modern prison context. Through analyses of the prison cells and the inmates’ graffiti, I argue that the inquisition’s ability to imprison was crucial to the Vatican’s colonial position in Malta.     

New perspectives on forced migration in the history of twentieth-century neuroscience

ABSTRACT

This special issue of the Journal of the History of the Neurosciences, comprised of six articles and one commentary, reflects on the multifold dimensions of intellectual migration in the neurosciences and illustrates them by relevant case studies, biographies, and surveys from twentieth-century history of science and medicine perspectives. The special issue as a whole strives to emphasize the impact of forced migration in the neurosciences and psychiatry from an interdisciplinary perspective by, first, describing the general research topic, second, by showing how new models can be applied to the historiography and social studies of twentieth-century neuroscience, and, third, by providing a deeper understanding of the impact of European émigré researchers on emerging allied fields, such as neurogenetics, biological psychiatry, psychosomatics, and public mental health, etc. as resulting from this process at large.     

Resilience unpacked – framing of ‘uncertainty’ and ‘adaptability’ in long-term flood risk management strategies for London and Rotterdam

Resilience is held as a promising concept to produce a paradigm shift from traditional flood control to an integration of flood risk management and spatial planning. Central ideas to the resilience narrative are that ‘nothing is certain except uncertainty itself’ and ‘adaptability’ is key to ‘governing the unknown’. However, this terminology is far from clear, yet increasingly used, which raises the question how it is made sense of in practice. To answer this question, we examine two long-term flood risk management strategies in the London and Rotterdam region with a policy framing perspective (i.e. the English Thames Estuary 2100 Plan and the Dutch Delta Programme). In both strategies, uncertainties are a key concern, leading to adaptive strategic plans. Reconstructing the framing processes shows that the English adopted a ‘scientific pragmatism’ frame and the Dutch a ‘joint fact-finding’ frame. While this led to different governance approaches, there are also striking parallels. Both cases use established methods such as scenario planning and monitoring to ‘manage’ uncertainties. Similarly to previous turns in flood risk management, the resilience narrative seems to be accommodated in a technical-rational way, resulting in policy strategies that are maintaining the status quo rather than bringing about a paradigm shift.     

Aby Warburg's Hamburg Comedy: Wilhelmine Culture from the Perspective of a Pioneering Cultural Historian

This article examines an unpublished play written by Aby Warburg(1866–1929), entitled Hamburg Conversations on Art: HamburgComedy, 1896. The play offers a glimpse into Warburg's viewson modern art and into his thinking on the various processesof modernization. It demonstrates how his enthusiasm for innovativeart forms emerged, in part, as an expression of his rebellionagainst the religious, social and professional conventions ofthe German–Jewish economic élite into which hewas born. As with many of his generation, Warburg claimed socialand cultural progress under the banner of artistic innovation.The play also provides a focus for a discussion of the waysin which Warburg's interest in modern art was closely alliedwith pioneering research into the role of symbolism and artin European history. To this end, the article explores Warburg'sconcern about the prospect of a culture in which symbolic andmythical thinking was replaced by a technology that destroyedhumanity's contemplative bond with the world. It also demonstratesthat Warburg's perspective on social and cultural modernizationcombined seemingly different attitudes: it blended the future-orientatedoptimism of an urban, liberal and cosmopolitan outlook withthe nostalgic pessimism of an ardent patriot whose life wasshaped by traditional values and who was uneasy about the increasinglyrationalized and materialistic society in which he lived. Inconclusion, the article suggests that this attitude was notuncommon among the Bürgertum and points to the difficultiesof conceiving of ‘tradition’ and ‘modernity’in Imperial Germany in terms of mutual exclusivity.     

Networks and place in Montreal's independent music industry

The significance of networks for independent music producers has been well established in the urban‐economic geography literature and the literature centred on cultural industries. In this article, we seek to build on this literature by considering how place‐based attributes mediate network development; that is to say, how the unique characteristics of place (such as historical and cultural attributes) determine networking outcomes among spatially proximate actors. Specifically, we consider the importance of place through an examination of Montreal's independent music industry. Drawing on 46 semi‐structured interviews with key actors in the industry, we illustrate how Montreal's bilingual identity contributes to network dynamics within the industry.     

People,plants and performance: On actor network theory and the material pleasures of the private garden

Actor network theory has received considerable attention within geography. In this paper I suggest that geographers have looked at these ideas in a particular way and that this can be productively complemented by an excursion into the contemporary private garden. Through exploring the ways in which people and plants live together there, some geographical criticisms of a defined actor network theory no longer seem to necessarily apply to a more diffuse set of actor network ideas. Furthermore, these ideas can also provide a productive means of engaging practically with the material presence of things, insofar as this materiality is important in the constitution of human cultural experience.