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91.
92.
Cities are considered to be the major drivers of the global economy for many reasons, including their creative and innovative potential in generating sustainable economic growth. Istanbul is one of the global cities searching for a long-term growth strategy. This paper starts with a modest effort of composing an index to be used in the evaluation of the creative potential of cities. Our proposed index, “global creative index”, consists of five main criteria: (1) creativeness, (2) innovativeness, (3) intellectual development, (4) global network connectivity and (5) world cityness emphasizing multinational corporate economy, international division of labour and high intensity of producer and financial services. The use of the index is illustrated through the comparison of nine cities: Hong Kong, Istanbul, London, Los Angeles, Moscow, New York, Shanghai, Singapore and Toronto. The analysis of these nine cities shows that Istanbul is building an innovation environment, but it still lacks research and development infrastructure, technical support and investment in higher education. This comparison offers guidelines for policy-makers to sketch the growth of Istanbul along the lines of creativity and innovativeness. 相似文献
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94.
This article explores the relevance of acoustics as a factor for in the production and active use of Levantine rock art in Spain. The renowned rock art area of La Valltorta Gorge serves as a case study. Two experiments are described; the first assessed whether the sites with the most painted motifs had better acoustics than those with fewer motifs. The second tested which areas in La Valltorta Gorge had better acoustics and whether there was a difference between the acoustics of the decorated area and the contiguous sectors of the Gorge where no paintings have been found. In both experiments different sounds and pitches were used. The results suggest a strong relationship between the painted areas and the sonority of the place, with the major sites generally having provided the best results, with the exception of the sonority when facing the rock art panels. It is suggested that La Valltorta Gorge was chosen to be decorated with a view to increasing the perceptual impact of the rituals that may have been held at rock art sites due to the amplification caused by the echoing and resonance. 相似文献
95.
Günther Mull Klaus Püschel Eilin Jopp 《Archaeological and Anthropological Sciences》2011,3(2):201-207
Two thousand and six hundred fifty years after the death of the “Girl of the Uchter Moor”, it was still possible to secure
good-quality fingerprints from the right hand of this bog body by using photographic methods followed by image enhancement
with an Automated Fingerprint Identification System. A detailed fingerprint analysis was performed, and all five fingers of
“Moora's” right hand exhibited ulnar loops. Even today, this is still the most common fingerprint pattern type in Europe.
It was also possible to find enough minutiae on the right thumb for secure dactyloscopic identification after more than 2,000 years.
The example of “Moora" therefore demonstrates new possibilities for future fingerprint examinations of ancient bodies in archaeological
as well as forensic casework. 相似文献
96.
Bleda S. Düring 《Arabian Archaeology and Epigraphy》2022,33(1):170-177
Landscape archaeology, as a type of research based on a systemic surface survey and that results in quantifiable datasets of high quality, has started to be practiced in southeastern Arabia only in recent years. In this paper, I will briefly review the short history of landscape archaeology in the area and its relevance. I will then present the approach and methods used in the Wadi al Jizzi Archaeological Project and discuss some of the results obtained to discuss both the potential and problems of the data that the project generated. In particular, I will focus on ephemeral sites and assemblages, data quality and data representativity. 相似文献
97.
Raymond Ammann Verena Keck Jürg Wassmann 《Oceania; a journal devoted to the study of the native peoples of Australia, New Guinea, and the Islands of the Pacific》2013,83(2):63-87
Konggap, sung melodic motifs that last only a few seconds embody the acoustic representation of a person among the Yupno people of Papua New Guinea and are a unique phenomenon in the Pacific. The konggap forms a very complex system of personal identification and expression of social relationships; at the same time it connects the singer to the ancestral world. Every person in Yupno society possesses his or her own konggap, and Yupno people are able to identify a large number of konggap, some men even up to three hundred. Nobody would sing his or her own konggap during the day. When crossing Yupno land, a person has to sing the konggap of the respective landowner to identify himself as an insider, a local person ? unlike strangers (and possible enemies) who remain silent. But at nightly dances each dancer sings his own konggap and during mourning at funerals groups of women simultaneously sing the konggap of the deceased person. An interdisciplinary ethnographic‐musicological‐cognitive fieldwork study was conducted in order to find out how it is possible that the Yupno are able to identify and distinguish between this staggering amount of very short sung motifs. 相似文献
98.
Dirk Krausmüller 《Symbolae Osloenses / auspiciis Societatis Graeco-Latinae》2013,87(1):144-150
Through his hagiographical writings, Patriarch Methodius of Constantinople played a crucial role in shaping the canonical narrative of the iconophile resistance during the first half of the 9th century. This article makes the case that Methodius not only wrote the Lives of the confessors Theophanes of Sigriane and Euthymius of Sardes, he was also the author of the now lost first Life of Theodore of Stoudios, which then served as the model for the extant Vita B by the Studite monk Michael. 相似文献
99.
Abstract: In 2009, the central building of the new IG Farben Campus of Johann Wolfgang Goethe University (JWGU), Frankfurt, Germany was occupied by students protesting against the neoliberalisation of higher education. While similar occupations at the old Bockenheim Campus were usually tolerated, if not welcomed, by the university management, this time 176 students and members of staff were forcefully evicted after only 3 days, when the university's presidential board called in the police. To better understand this way of ending such protest, a level of oppression almost unheard of at a German university in the last 20 years, we reconstruct the way in which JWGU, as part of the state apparatus university, has produced the two campuses as particular places that are bound up in and expressions of the national and local condensations of forces of Fordism and neoliberalism respectively. 相似文献
100.