Edward Lhwyd (c.1660–1709): Folklorist

Edward Lhwyd's ambitious Archaeologia Britannica project, for which he undertook an extensive tour of the Celtic-speaking regions of Britain and Brittany from 1697 to 1701, was to include “A Comparison of the Customes and Traditions of the Britains with those of other Nations.” Though this part of the Archaeologia was not written, some of the data that were collected survive. Lhwyd's comments on the material reveal that as an antiquary his primary interests were historical and lay in customs and rites as survivals, rather than in narrative; as an experimental scientist he was consistently sceptical of traditional or popular explanations of phenomena. Edward Lhwyd was the first systematically to record Welsh folklore, and the geographical breadth of his collecting, his structured approach, and his critical responses make him the foremost pioneer in the field.     

Geographies of steam: mapping the entrepreneurial activities of steam engineers in France during the second half of the eighteenth century

Entrepreneurship played a crucial role in the development and diffusion of steam technology. To account for this, we need to map the entrepreneurial activities that helped spread steam technology across Europe and beyond. Because tracing this history’s contours requires attending to local contexts, strategies and uses along with large-scale trajectories, it makes sense to speak of historical ‘geographies’ rather than of steam technology’s historical ‘geography’. Speaking of geographies in the plural also refers to the recognition that places can simultaneously be located in multiple spatial situations, their geographical identities the product of historical work, negotiation and perspective. To illustrate these points, this essay begins by reflecting on what might be called the ‘spatial turn’ in the history of technology and the role of entrepreneurship in the spread of steam technology in France during the second half of the eighteenth century, which is the historical focus of this essay. It then discusses a small number of representative cases of entrepreneurial engagement with steam technology in France and concludes by considering what this tells us about the relationship between the French state and its regions and the impact of the French Revolution in this geographically complex history.     

Pivotal Politics,Presidential Capital,and Supreme Court Nominations

We analyze the Supreme Court nomination process in order to provide a general explanation of presidents' propensity to win confirmation battles even in the face of an ideologically hostile Senate. The analysis serves two purposes. First, we argue that employing the conventional measure of the Senate's power to constrain the president's choice of nominees–the median senator–provides an inaccurate picture of this process. In its stead we argue that the filibuster pivot (or the sixtieth most liberal or conservative senator) more accurately captures the Senate's power over the president (Krehbiel 1998). Second, we argue that even under this more stringent spatial constraint, presidents still have the ability to win most confirmation battles with the Senate. Indeed, our results indicate that presidents often overcome situations where the Senate should reject their nominees, or where it should force them to make a less desirable choice, by invoking political capital.     

Nature in the Old Portuguese Lyric

The present article focuses on the role of paratextual elements—epigram, marginal notes, and musical partitures—in Juan Benet's Un viaje de invierno (1976), with special emphasis on their role in the reading process. Gérard Genette's work on paratexts will serve as a helpful entry to my analysis of the Spaniard's novel. When conceived as the components of a liminal space that mediates text and off-text, Benet's paratexts serve to explore and enrich the zona de sombras inherent to his narrative vision. This slippage situates readers on the thresholds of interpretation and underscores the indeterminate quality of aesthetic (re-)creation. The interconnected, and often contentious, “zones” of the work engender multiple readings, vitiate chronology, and reinforce several recurring themes such as alienation, death, and rebirth. The novel brings to the fore the reader's role in negotiating the highly indeterminant components of the text and the paratext. Through this process, Benet eschews the tenets of casticismo and highlights the role of enigma central to his literary theory and praxis.