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21.
Margaret R. Deith 《Journal of archaeological science》1983,10(5):423-440
The technique of growth-line analysis is used to examine seasonal growth patterns in modern specimens of the edible cockle, Cerastoderma edule L. The modern control work provides a basis for the interpretation of seasonal collection in archaeological cockles, and is applied to shells from the Mesolithic site of Morton, Fife. The seasonal use of the site is shown to be clearly related to site function. 相似文献
22.
Leonard Blussé. Strange company: Chinese settlers, mestizo women, and the Dutch in VOC Batavia . xiii, 302 pp. Dordrecht: Foris Publications, 1986. (Verhandelingen van het Kononklijk Instituut voor Taal‐, Land‐ en Volkenkunde, 122.) Guilders 35.
John S. Guy. Oriental trade ceramics in South‐East Asia, ninth to sixteenth centuries. With a catalogue of Chinese, Vietnamese, and Thai wares in Australian collections, xiv, 161 pp. Singapore, etc: Oxford University Press, 1986. (Oxford in Asia Studies in Ceramics.) £47.50. 相似文献
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Margaret Chowning 《History Compass》2008,6(5):1279-1303
This article serves as an introduction to the subject of the colonial Mexican convent for non‐experts, while surveying recent historiographical trends. In the past ten years, historical scholarship on nuns and convents has taken three broad directions. First, historians have begun to study other female religious institutions and other kinds of religious women than cloistered convents and nuns, though the number of works that explicitly compare these institutions and experiences is still disappointingly small. Second, historians have focused on the understudied sixteenth‐ and late eighteenth‐century convents, with the result that we are beginning to gain a textured understanding of how the convent changed over time and responded to changes in the world around it. Third, the older feminist scholarship that tended to characterize the convent as either ‘good’ or ‘bad’ for women – that is, either less subject to patriarchal maneuverings than the outside world, or more so – is being complicated by more subtle approaches that take nuns’ spirituality and the dynamics of community seriously. We are beginning to build a picture of a complex institution that still tells us much about women's experience in the colonial period, but also tells us a great deal about the institutional church and about the religious values of the broader society. 相似文献
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Margaret Atack 《Modern & Contemporary France》2013,21(4):441-455
Les Passagers du Roissy-Express is habitually situated in relation to writing on the city and/or postcolonial writing. The aim of this article is twofold: first, to explore the extent to which, in its rewriting of the spaces of the banlieue as historical and contemporary authentic spaces of the French nation, it can be aligned to some post-war sociological writing on rural France. Second, through a close reading of the language of the text, to show the landscape of the banlieue is also an emotional landscape, a landscape of filth and of freshness, of departure and disappearance. The public discourse of rediscovery and difference is inflected by a much more private one rooted in the oppression and suffering of the Occupation, and the text problematises the notions of otherness and elsewhere at both levels. 相似文献
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Margaret E. Kenna 《History & Anthropology》2013,24(4):487-509
The ruins of an ancient Greek temple on a Cycladic island form part of an Orthodox Christian shrine. To local people and returning migrants, the site is that of their patron saint; its pre‐Christian past is irrelevant except in so far as it establishes their specific link with the ancient world, and thus with national claims of unbroken continuity between modern and ancient Greece. To early travellers and antiquarians, and to today’s archaeologists, it has been primarily the ancient site which is of interest, while tourists are more concerned in finding “an unspoilt island”. A historical survey of information about the ancient and the Christian site reveals ambiguities and confusions about both. These multiple meanings for locals and scholars are discussed. 相似文献
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Gillian Margaret Rodger 《International Journal of Cultural Policy》2013,19(3):298-317
This paper considers several case studies of conflicts between moral reformers active in US cities and venues catering to working-class audiences from the 1860s to 1880s. For moral reformers, theatrical entertainments, particularly forms with no educational or moral purpose, were deeply corrupting and threatened not only the well-being of the individual, but also that of the nation. These case studies show that tensions emerged when popular styles sought to expand their audience beyond their traditional patrons or to move into respectable areas of the city – in other words, when they did not stay in their traditional place. This is also true of the many hybrid musical forms that combined European-based folk or religious styles with African-American music. Forms such as jazz and rock ‘n’ roll did not elicit significant protest until they began to find an audience in northern cities among middle- and lower-middle-class youth. Exploring how laws were changed in response to earlier conflicts adds a crucial historical perspective to popular music studies, which tends to remain firmly focused on music from the mid-twentieth century onwards. 相似文献