Skiffle in the U.K.: the indigenization of a musical genre

ABSTRACT

This article examines the creation and diffusion of skiffle, and analyses how it emerged from the transatlantic flow of popular music from the United States to the United Kingdom, and the process by which it became “indigenized” in the U.K. I have also looked at the salience of race, the legacy of English music hall song traditions, and the idea of indigenization of music in post-WWII Britain. I have highlighted how skiffle eventually became “English,” its later impact on popular music in the U.K. in the 1960s and thereafter, and the complexities inherent in the idea of musical genre.     

In the Long ‘Run’: Kanak Stockmen,the Cattle Frontier and Colonial Power Relations in New Caledonia, 1870–1988

ABSTRACT For more than a century, from the 1870s to the 1980s, stockmen were important intermediaries and figures of power and influence in the construction, maintenance and renewal of the colonial order in New Caledonia. Social relations between Kanak and settlers working in the cattle ‘runs’ permitted a unique form of mobility spanning the frontier. The relations developed between chiefs and cattle farmers are central to the processes by which certain administrative chieftaincies emerged in the late‐nineteenth century, and by which Kanak entered the ‘political’ sphere in the second half of the twentieth century. With reference to the locality of Koné, this article traces the political alliances fashioned between Kanak stockmen and their employers in the context of colonisation, rebellion, evangelisation, post‐war political emancipation, local development and, finally, the struggle between supporters and opponents of independence in the 1980s.