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81.
Luis Barba Jorge Blancas Alessandra Pecci Domenico Miriello Murat Cura Gino Crisci Marco Cappa Daniela de Angelis Hasan Bora Yavuz 《Archaeological and Anthropological Sciences》2018,10(2):259-268
Within an interdisciplinary project to study Istanbul’s Hagia Sofia, a georadar survey was carried out in the central nave to assess if the deformations of the structure previously observed could be related to a differential behavior of the subsoil caused by architectural remains underneath. This study faces an unusual challenge since it was necessary to study the space beneath the scaffolding placed for the restoration works. The survey of the central nave was successful and allowed the detection of remains of walls that probably formed the basement of a previous 18- by 22-m structure. In addition, another interesting feature was discovered 2 m below the marble mosaic in the southeastern part of the nave. Although it is not possible to define its function, it seems that there could be a close relationship between this 2- by 3-m buried structure and the marble mosaic in the floor surface. Although some structures were identified under the floor of Hagia Sofia, there are no major changes in the topography of the central nave floor. 相似文献
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Marco Menin 《Intellectual History Review》2018,28(3):349-368
The aim of this paper is to show how tenderness (attendrissement) plays a key role in Rousseau’s theory of emotion. A deeper analysis of tenderness will shed light on the complex dynamics of Rousseau’s conception of the passions, which appears to be one of the principal means of understanding both the transition from the homme de la nature to the homme de l’homme and the development of human morality in the latter. Furthermore, the concept of attendrissement allows us to view from an unfamiliar, original standpoint a central problem of Rousseauian ethics, which has been debated, particularly in recent literature, namely that of recognition. Tenderness, thanks to its authentic and spontaneous nature, is able to retain the principles of the law of nature – pity and love of the self – while elevating them to an ethically superior height. For this reason, it might be considered a positive fulfillment of amour-propre capable of eliminating the pathological and competitive aspects that connote, from a historical but not constitutive point of view, the reciprocal interdependence of consciences. 相似文献
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Dung is one of the most valuable resources in arid countries: traditional communities all over the world use it for heating, cooking, building and decorative purposes. It is commonly assumed that the same happened in the past, especially after the domestication of herbivores in the 11th millennium B.C. The presence and use of dung in archaeological contexts has been routinely studied through different techniques among which spherulites (calcium carbonates that form in animals guts) and small seeds assemblages’ analyses. However all the proxies considered so far to trace dung can be unreliable, especially when used singularly. After a review of the traditional methods used to trace dung in archaeological contexts, this paper presents the results of an ethnographic study on 11 modern dung cakes collected in northern India that were analysed for chemical, spherulite and phytolith content. Our results show that the lack of spherulites cannot be taken as absence of dung input and that the combination of phytolith and chemical signatures can be a reliable proxy for the inference of dung presence in archaeological contexts. 相似文献
85.
Venetian enamelled glass is one of the most significant subjects of the art and technology of Renaissance glassmaking. These items were made in Venice from the second half of the 15th through the 17th centuries and were imitated in other European glassmaking centers during this period and again in Murano during the 19th century. Only a limited number of analyses of these masterpieces have been published up to now. 相似文献
86.
During the Middle Ages and the early modern period the cultivation of the chestnut tree became dominant in various mountain regions in Western Europe. Large numbers of giant chestnut trees have been reported throughout the continent that may be considered the living heritage of this period. In this paper we used a systematic inventory of giant chestnut trees in southern Switzerland for reconstructing the eco-cultural niche related to the long-term cultivation and conservation of such remarkable trees. To this purpose we implemented a retrospective logistic modelling approach with the presence of giant chestnuts as response variable compared with 65 environmental and cultural predictors. We performed different logistic regression analyses using untransformed and transformed variables. Out of the 42 models produced, we finally selected two models, on the basis of their parsimony and accuracy. Many of the selected predictors, such as distance from the lake, abundance of small livestock or number of secondary settlements, reveal that former local and regional socio-economic conditions and environmental constraints have considerable explanatory power. The approach allows us to detect several aspects of the targeted eco-cultural niche that may have acted in the distant past to support the development of the traditional fruit chestnut culture, as well as more recently, to preserve the giant chestnut tree population during the disruption phase of this culture. Most results are in line with the historical documentation, while others go beyond the dictates of written history and reveal interesting traits of the past economic and cultural systems. 相似文献
87.
Marco Santoro 《Journal of Modern Italian Studies》2013,18(3):342-366
Abstract Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category. 相似文献
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The illustration of some preliminary results of an ongoing research on the industry in Guangdong, China, is the core of this article. In particular focus is on the so called ‘specialized towns’ and the industries that characterize them as complex actors of Chinese industrial development. The evidence on these specialized towns is quite interesting as such, being not yet well acknowledged in the international literature. However, it is also believed that an investigation of these realities may contribute to the understanding of new engines of industrial development in the context of contemporary global economic relations—what is called the ‘new industry’. Furthermore, some light is shed on the nature of the competitive challenge that China poses to traditional European industry: it is not only cheap labour, cheap land, dumping, and the like. In the new emerging China government visions, policies and industrial organization architecture seem to play a central role. In this context, the authors conclude proposing a framework of questions relevant to some of the most industrialized areas of Europe, that is the Italian regions characterized by a great diffusion of industrial districts. 相似文献