The phenomenon of equifinality complicates behavioral interpretations of faunal assemblages from contexts in which Pleistocene hominins are suspected bone accumulators. Stone tool butchery marks on ungulate fossils are diagnostic of hominin activities, but debate continues over the higher-order implications of butchered bones for the foraging capabilities of hominins. Additionally, tooth marks imparted on bones by hominins overlap in morphology and dimensions with those created by some non-hominin carnivores, further confounding our view of early hominins as meat-eating hunters, scavengers or both. We report on the manual/oral peeling of cortical layers of ungulate ribs as taphonomically diagnostic of hominoid/hominin meat- and bone-eating behavior that indicates access to large herbivore carcasses by hominins at the site of BK, Olduvai. Supporting these inferences, we show that certain types of rib peeling damage are very rare or completely unknown in faunas created by modern carnivores and African porcupines, but common in faunas modified by the butchery and/or consumption activities of modern humans and chimpanzees, during which these hominoids often grasp ribs with their hands, and then used their teeth to peel strips of cortex from raggedly chewed ends of the ribs. Carnivores consume ungulate ribcage tissues soon after kills, so diagnostic traces of hominin butchery/consumption on ribs (i.e., peeling and butchery marks) indicate early access to ungulate carcasses by BK hominins. Tooth marks associated with the peeling and butchery marks are probably hominin-derived, and may indicate that it was not uncommon for our ancestors to use their teeth to strip meat from and to consume portions of ribs. Recognition of rib peeling as a diagnostic signature of hominoid/hominin behavior may also aid the search for pre-archaeological traces of hominin meat-eating. 相似文献
We identify and offer new explanations of change in water management infrastructure in the semi-arid urban hinterland of Anuradhapura, Sri Lanka between ca. 400 BC and AD 1800. Field stratigraphies and micromorphological analyses demonstrate that a complex water storage infrastructure was superimposed over time on intermittently occupied and cultivated naturally wetter areas, with some attempts in drier locations. Our chronological framework, based on optically stimulated luminescence (OSL) measurement, indicates that this infrastructure commenced sometime between 400 and 200 BC, continued after Anuradhapura reached its maximum extent, and largely went into disuse between AD 1100 and 1200. While the water management infrastructure was eventually abandoned, it was succeeded by small-scale subsistence cultivation as the primary activity on the landscape. Our findings have broader resonance with current debates on the timing of introduced ‘cultural packages’ together with their social and environmental impacts, production and symbolism in construction activities, persistent stresses and high magnitude disturbances in ‘collapse’, and the notion of post ‘collapse’ landscapes associated with the management of uncertain but essential resources in semi-arid environments. 相似文献
This article reflects upon the methodological challenges posed by the study of secretive organizations and programmes. In particular, it examines the question: when participant‐observation is not a feasible option, what techniques can anthropologists use to shed light upon covert military and intelligence agencies and the corporations that they contract? After reviewing anthropological research on secret societies from the late 18th and early 19th century, the author turns to contemporary anthropological work on bureaucratic institutions and initiatives that operate in secret. The author's own research into the US Army's Human Terrain System serves as an illustration. By adapting Laura Nader's suggestions for ‘studying up, down, and sideways’, the article suggests that documentary analysis (of both openly accessible and classified documents), interviews, and ‘self‐analysis’ provide a fruitful combination of methods for an anthropology of the covert. 相似文献
Converging Cultures: Art and Identity in Spanish America. Edited by DIANA FANE. Brooklyn: Brooklyn Museum, 1996. Pp. 320.
New World Orders: Casta Painting and Colonial Latin America. By ILONA KATZEW, Curator. New York: Americas Society Art Gallery, 1996. Pp. 144.
Iglesia, Estado y economía. Sighs XVI al XIX. Edited by MARIA DEL PILAR MARTINEZ LOPEZ‐CANO. Mexico: UNAM/Instituto José María Luis Mora, 1995 Pp. 314.
El crédito a largo plazo en el siglo XVI. Ciudad de México (1550–1620). By MARIA DEL PILAR MARTINEZ LOPEZ‐CANO. Mexico: UNAM, 1995. Pp. 208.
The Darker Side of the Renaissance: Literacy, Territoriality, and Colonization. By WALTER D. MIGNOLO. Ann Arbor: The University of Michigan Press, 1995. Pp. xxii, 426.
Entre la retórica y la insurgencia: las ideas y los movimientos sociales en los Andes, Siglo XVIII. Compilado por CHARLES WALKER. Cuzco: Centra “Bartolomé de Las Casas”, 1996. Pp. 362.
Saberes andinos. Ciencia y tecnología en Bolivia, Ecuador y Perú. Editado por MARCOS CUETO. Lima: Instituto de Estudios Peruanos, 1995. Pp. 215. 相似文献
The purpose of this paper is to discuss the theoretical genealogy and main uses of heritage in actually existing communist countries. This is performed by carrying out a critical review of Èleazar Aleksandrovi? Baller’s Communism and Cultural Heritage, (1984, Progress, Moscow). The analysis of Baller’s work reveals that the logics of heritage in communist countries differed in various ways from capitalist countries, mainly because of the almost total state control over the heritage apparatus and the subordination of heritage policies to Marxist–Leninist ideology. Heritage was fundamental in dealing with the problem of change and continuity with the traditions, narratives and identities of previous society, and in the process of transforming citizens into ‘new men’ through the cultural revolution and the inculcation of ideology through museums and monuments. 相似文献
The foundation of the modern Ecuadorian State in the 1940s and early 1950s coincides with a series of attempts to synchronize and incorporate certain “problematic” sectors of the population that were supposedly resistant to progress and whose forms of life were incompatible with modernity, a capitalist economy, and a cohesive nation. This biopolitical project for the modernization and governance of the population also had repercussions on—and analogous manifestations within—the discourse of national identity, the design of cultural policies, and the production of State-sponsored national art. This article analyzes Huacayñán / El camino del llanto / The Way of Tears (1952–1953), a collection of FIGURE 3 aintings by Oswaldo Guayasamín that was commissioned by the government of Ecuador in 1951. Huacayñán was conceived within the ideology of mestizaje as an instrument of aesthetic cultural modernization and as a visual artistic showcase of the harmonious integration of ‘Ecuadorians.’ Despite, or even because of its governmental overdetermination, however, this article shows how Huacayñán instead materialized the exclusionary logic of the syncretic and biopolitical policies of the State, displaying dystopic visions of violence and exclusion, and of a fractured nation inhabited by monsters and resistant to mestizo-ization. 相似文献