Placing blame: Making sense of Beslan

The aftermaths of terrorist spectacles are intensely consequential moments in the making of geopolitical meaning. This paper develops a critical geopolitical account of the ways in which key actors involved in the terrorist incident at School Number 1 in Beslan North Ossetia constructed its meaning and justified their actions. The event is examined from three perspectives: the terrorist's Beslan, the Kremlin's Beslan and the contested meaning of Beslan among Ossetians and others in the North Caucasus. Multiple sources are utilized in the construction of the account: an English language archive of Russian reporting on the event, accounts of the siege, statements by key protagonists, elite interviews in North Ossetia, and the results of a survey question in North Ossetia and the North Caucasus on Beslan. The paper examines the construction of blame by the various actors and relates it to indiscriminate geographies, sweeping acts of abstraction whose homogenizing effects make (counter)terrorist violence possible.     

Bilbao's Art Scene and the “Guggenheim effect” Revisited

The article analyzes the effects of the Guggenheim Museum Bilbao (GMB), adopting a new research perspective and trying to pursue the links between the museum and Bilbao's art scene. Until now, the impact of the museum has been analyzed from two different perspectives. The first focused on the urban development and regeneration aspects and the success of the museum as a tourist magnet and an image-making device. The second perspective concentrated on the direct economic benefits of the museum, i.e. direct returns and effects on the economy. The missing lens in previous analyses, however, was the impact of the museum on the city's art landscape, including the art support activities. In this context, the article describes for the first time in a detailed way how the GMB has contributed to the shaping and propulsion of changes on commercial and non-profit art spaces in Bilbao. Although it is clear that other factors may play a role, it can be asserted that the effects of the museum are not only limited to an increase in tourism or fiscal return, but also contribute to the development and spatial articulation of the local art scene and public support of the arts.     

Temporal nature and recycling of Upper Paleolithic artifacts: the burned tools from the Molí del Salt site (Vimbodí i Poblet,northeastern Spain)

Recent research in Paleolithic archeology has stressed the importance of temporal issues in assemblage interpretation. Archeological assemblages are temporal constructs, formed by the addition of an unknown number of depositional events. This temporal dimension is also evident at the artifactual level, since single artifacts may undergo different events of modification and/or uses over time. The recycling of previously discarded blanks for tool production is one of the best examples of the temporal nature of artifacts. The aim of this paper is to evaluate the importance of recycling in a Late Upper Paleolithic site, examining a type of artifact – burned tools – that has up to now been little used to approach this issue. Our results suggest that recycling was probably a significant component of Upper Paleolithic provisioning behavior, with important implications in site formation processes and the typological variability of assemblages. The expedient or curated character of recycling is also discussed.     

Holocene sediments of the Ustka Cliff (Northern Poland) in view of radiometric dating

The cliff in Ustka is an active one. The area is one of the most eroded sea shores of the Polish coast. The Ustka Cliff mainly consists of Holocene sandy deposits, but its basis is built of glacial till and clay. Field search allowed to recognize the structure and sedimentary conditions of Holocene deposits exposed in the cliff. A comparison of dating results obtained for fossil soils and peat as well as aeolian deposits, using ¹⁴C and TL methods, respectively, with available literature records is presented. The evaluation of results obtained allowed to define three main dune-forming phases for the first time for this part of the Polish coast. During the research studies new data on the processes and environmental conditions was gained and the development of structure of the area during the last 10 thousand years was reconstructed. The analysis of available data from other sections of the southern Baltic coast shows that results obtained are age similar to those determined for the ?eba Spit. The research is part of a project concerning the geomorphology of the Ustka Bay.     

Prehistoric iron production technologies in the Upper Thai-Malay Peninsula: metallography and slag inclusion analyses of iron artefacts from Khao Sam Kaeo and Phu Khao Thong

This article presents a preliminary attempt to characterise Upper Thai-Malay Peninsula prehistoric iron technologies based on assemblages from two recently excavated coastal sites: Khao Sam Kaeo and Phu Khao Thong. These are the earliest known sites involved in the early trans-Asian exchange that connected the eastern Indian Ocean to the South China Sea from the mid-first millennium bc. It is from this period that iron assemblages start appearing at both continental and insular Southeast Asian sites. Three models have been offered confronting an indigenous vs. Chinese or South Asian impetus for the introduction of iron metallurgy in Southeast Asia. These models are discussed in the light of the metallographic and compositional analyses of iron and slag assemblages from these two sites using optical microscopy, scanning electron microscopy with energy dispersive spectrometry, energy dispersive X-ray fluorescence and slag inclusion analysis techniques, together with other production materials from these and other contemporaneous Southeast Asian sites.     

Compression and digestion as agents of vertebral deformation in Sciaenidae,Merlucidae and Gadidae remains: an experimental study to interpret archaeological assemblages

Journal of Archaeological Method and Theory - Fish taphonomy from archaeological sites provides considerable useful information about human behaviours and environmental contexts as potential food...     

The invention and uses of folk art in Germany: wooden toys from the Erzgebirge mountains

This article attempts to historicise the concept of “folk art” using the example of wooden toys from the Erzgebirge mountains to show that it was invented by cultural élites as a marketing concept at the beginning of the twentieth century in order to support a domestic industy caught in structural crisis.