Units of Archaeological Stratification

The excavating archaeologists’ methodological set ‐ excavation, recording, analysis and publication ‐ rests on the notions and principles of the stratigraphic succession of archaeological deposits. Since 1954 when Sir Mortimer Wheeler published Archaeology From the Earth, there has been a dearth of published discussion on the stratigraphie theory in archaeology. This paper examines some of the background of the stratigraphie notion in archaeology and a revised model for archaeological stratigraphy based on ‘units of stratification’ is presented. Re‐evaluations of stratigraphie configurations in archaeology arc perhaps long overdue and this article is an attempt to engender discussion on this fundamental archaeological tenet.     

The Underdeveloped Historical Dimension of the Study of Community Power Structure

Abstract

This article presents a technique of standardising and coding textual birthplace and occupation strings in the censuses of England and Wales and Scotland, 1851–1911. While the approaches for the two text strings are different, they are both based upon the integration of computer technologies, mathematical methods, and expert knowledge. Both processes are described formally using Structured Analysis and Design Technique methodology. The classification of occupations is defined by two algorithms based on statistical decision theory in order to allocate codes from the original occupation strings. The method of standardising parishes is based on the comparison of original birthplace strings and reference data.     

Guerilla art,social value and absent heritage fabric

There is extensive commentary on the role of unauthorised art, but little on the coincidence of heritage value and guerilla art. This paper analyses the relationship of the two in a 2007 statue which is a monument to a lost place for which there is no surviving historic fabric. The statue functions not just as a place of memory, but of guerilla art; a complex interplay has emerged between an official piece of government art and unsanctioned community performance. Growing heritage emphasis on social value over the previous dominance of original fabric suggests that the delight with which the statue has been greeted illuminates evolving heritage philosophy, monument language and the emergence of the importance of the heritage community especially for its potential performance value at a site. The dramatic contribution that the statue has made to the city has an impact on the fields of landscaping, planning, history and heritage.     

Changes in the size and shape of fallow deer—evidence for the movement and management of a species

The European fallow deer (Dama dama dama) is native to the eastern Mediterranean and whilst it is clear that its dispersion from this region was the result of human transportation, the timing and circumstances of its post‐glacial diffusion are still uncertain. Archaeological fallow deer remains offer perhaps the best opportunity to understand the deep history of the species, with measurements of ancient bones providing important information about an individual's sex and size. Unfortunately, the fragmentary nature of archaeological remains means that metrical samples are usually too small to draw any meaningful conclusions. Biometrical scaling techniques can increase the size of the sample available for comparison and in this paper log ratios are used in combination with traditional metrical analysis to provide new information about archaeological fallow deer populations, in particular highlighting the size variations across time and space and shifts in hunting and management practices. Copyright © 2011 John Wiley & Sons, Ltd.     

Two Byzantine craftsmen in fifteenth-century London

It is generally thought, largely on the basis of a letter of Cardinal Bessarion, that, by the 1440s, the Byzantine Empire had been completely overtaken by the West in all spheres of technical expertise. This idea is challenged the evidence of some documents the Public Record Office in London which show that, between at least 1441 and 1483, two gold wire drawers from Constantinople, named Andronicus and Alexius Effomatos, lived and worked in the English capital. It is argued that these craftsmen were welcomed because they specialised in making gold thread of a type which had long been manufactured in Byzantium but was superior in strength and economy to that produced in England. Indeed, since the earliest evidence for native English production of this type of gold thread dates from the period of their residence in London, there is at least the possibility that they actually introduced their craft into England, reversing the relative balance of technology as it is usually portrayed.