排序方式: 共有29条查询结果,搜索用时 15 毫秒
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Bernard Monique Cottret Hugues Neveux William Shea Claude Blanckaert Nicolas Piqué François Laplanche Mai Lequan Jean-Pierre Poirier Jean-Marc Chatelain Alain Cernuschi Françoise Charles-Daubert François Hincker Alain Tallon Mai Lequan Annie Petit 《Revue de synthèse / Centre international de synthèse》1997,118(1):129-172
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Gustafsson ML 《The Oral history review》2011,38(2):308-330
Memories of the Vietnam War abound in the minds of those who survived it, be they veterans or civilians, Vietnamese or American. Vietnamese refugees, forced to flee their homeland after the war ended in 1975, tell particularly poignant stories of loss -- of country, of family, of tradition, and of identity. Not so the women featured in this article. During the war, they served as bargirls in Saigon, entertaining American soldiers. The stories they tell of the war paint an entirely different picture: one of good times, and camaraderie, and the exhilaration of being young and free in the city. They were able to break free from tradition and the expectations imposed on their gender because of the war, and because of that, remember the war as the best time of their lives. 相似文献
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ABSTRACT This paper considers a case of bilateral monopoly and examines the possibility of an intermediate location for two vertically related firms under simultaneous entry, and then analyzes the welfare-maximizing location for both firms. It shows that whatever the case, an intermediate location for both firms is unlikely to occur and that the pattern of industrial location under welfare maximization is equivalent to the one under perfect competition, but is different from the one under bilateral monopoly under certain circumstances. 相似文献
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"猴子与乌龟"的故事在中国西北、东北、东南地区均有发现.如:1、福建的<海母丞相>、2、吉林的<猴子和乌龟>、山西的<树梢猴心>、山东的<哪有闲心挂树稍>、蒙古族的<乌龟与猴子>;3、上海的<乌龟与梅花鹿>;4、藏族的<猴子与乌龟>、<猴子和青蛙>、<乌龟和猴子>;5、陕西安康的<猴子和鳖打老庚>、6、朝鲜族的<兔子与乌龟>,7、日本的<猴子的鲜肝>等,都是"猴子与乌龟"故事的异文. 相似文献
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史前乐舞祭仪与原始的体育娱乐——原始体育形态的考古学分析 总被引:1,自引:0,他引:1
乐舞,是一种在空间中展现和时间里流动的艺术,强烈、激越、柔美、深沉,却又似闪电光流火,稍纵即逝。当我们循着史前人类的遗迹溯源而去,就能在面目依稀的原始洞穴、斑驳陆离的巨石岩壁、群居墓室的残陶废墟、神话传说的片言岁语,以及一直留存于近现代的“社会活化石”中的乐舞遗俗中,看到那曾经存在于中华大地原始群体中无所不在、跃动不已的舞之形影,看到那曾经成为原始宗教礼仪的祭祀舞姿,看到那曾经作为表现史前人类生活基调的反映原始战争内容的纠纠武舞。 相似文献
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