“Nameless landscapes” - what can be seen and understood on a battlefield?

Abstract

A battlefield—as a complex notion—encompasses many kinds of space, from the physical to the symbolic. The features of geographical elements together created the stage for a clash and conditioned in some way (partly or even entirely) the course and result of the battle. However, today’s battlefield landscape is often a literary silent witness to history, telling us nothing of the past. Given the fact that battlefields have become tourist attractions and are a destination not only to the so-called ‘dedicated cultural tourists’, there is a need to give the landscape a voice in the complex tourist narration. In order to enable including a historical landscape story in a general tourist narration about a battlefield, a theoretical framework of a historical battlefield is proposed and discussed to justify the need of using specific tourist facilities to make the past present in today’s landscape. The case of Rac?awice battlefield in Poland illustrates the ‘nameless landscape’ where only the symbolic space is readable and linked with the past. It also supports a conclusion that there is a need to make the battlefield legible in terms of the sequence of events, the roles of people (groups and individual), and the role of geographical features in the battle. In this simple condition, a visit to a battlefield might be more complex and provide a fuller understanding.     

El rito bautismal y las imágenes pintadas en la iglesia de Curahuara de Carangas

In the baptistery of the church of Santiago de Curahuara de Carangas, built at the end of the 16th century, a complex mural painting program was executed in the last quarter of the 18th century. The present text intends to establish the links between the scenes painted and the rite of baptism. We do not see a direct or evident relationship in a didactical or performative sense. The images are there to be potentially activated during the liturgical ceremony in order to reveal the efficacy of the sacrament. We have the advantage of working with a set of images that remain in their original location. Therefore, this essay proposes a potential relationship among gesture, words and paintings, as they could have been related in the 18th century. In the analysis, we put into dialogue the resonances intended by the Church and the reception by the indigenous community.     

The use of wood in funerary pyres: random gathering or special selection of species? Case study of three necropolises from Poland

In this study, the analysis of charcoal remains from three prehistoric necropolises is presented. This botanical material formed part of funerary pyres and thus represents purposely gathered wood used for cremation ceremonies. Therefore, its anthracological analysis may indicate a special selection of wood, which may be a source of palaeoethnographic information about past rituals. However, a question remains as to whether or not the charcoal assemblages that originated from graves may also provide some palaeoecological information. In order to test both hypotheses, analysis of three Polish necropolises dating to the Bronze and the Iron Age were performed. In all charcoal assemblages, a taxonomic diversity among charcoals was detected, which may suggest that the wood was collected based on availability. This may also be inferred after observing that the presence of the most ubiquitous and frequently found taxa may be strongly correlated with present-day vegetation growing in the vicinity of the necropolises.