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11.
The armed forces of India and Pakistan draw legacies from a common British imperial past. British influence persisted in the navies that emerged from independence and partition on the South Asia subcontinent. Complaints over treatment and other grievances in the colonial Royal Indian Navy underscored a major mutiny in February 1946, prior to division of warships, shore-based establishments and personnel between the two countries. The transformation into truly national navies was long and involved, buttressed by continued reliance on British professional expertise and arms transfers. While the Admiralty offered warships on the basis of association with the commonwealth and defence cooperation in the Indian Ocean, navies in India and Pakistan led by senior British officers pursued distinct agendas and force structures that more and more looked towards potential war against each other. Louis Mountbatten, the last British viceroy, intervened often in naval matters before and after partition, encouraging Indians and Pakistanis to build up naval forces suited to national needs as well as serving British interests and imperial defence commitments during the early Cold War. Continued British presence impaired full nationalisation and the assumption of higher leadership roles by qualified indigenous naval officers in the newly independent commonwealth nations.  相似文献   
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It is often assumed that the colonisation of Greenland by Norse settlers in c. A.D. 985 had a sudden and dramatic effect on the environment, involving substantial vegetation clearance and environmental degradation. Consequently, it has been argued that charcoal-rich horizons, visible in many sections in Greenland, represent the initial burning of the vegetation by Norse farmers to create land suitable for agriculture. In this study a charcoal-rich layer, visible in a modern drainage ditch beside the Norse farm of Ø69, was analysed using archaeobotany, sedimentary analysis and radiocarbon dating to test the date and formation processes of the horizon. It is demonstrated that the charcoal-rich layer at Ø69 was not derived from in situ vegetation burning in the 10th century and concluded that the layer was probably formed by the addition of midden material to the infields around Ø69 in the 13th and 14th centuries cal AD, perhaps as part of a soil amendment strategy. It is argued that caution must be exercised when interpreting charcoal-rich horizons as time-specific chronological markers in palaeoenvironmental sequences in Greenland.  相似文献   
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ABSTRACT

This paper contributes to the literature on urban climate change experiments by analysing ascribed advantages and challenges of organizing climate change experiments at the urban scale, and by examining how local actions translate into effect. We here distinguish between effects of experiments in achieving actual sustainability gains (‘goal-oriented objectives’) and instigating broader institutional change (‘process-oriented objectives’). Empirically, we analyse efforts related to energy supply in two Danish urban climate change experiments: The ‘CPH 2025 Climate Plan’ in Copenhagen, and ‘ProjectZero’ in Sønderborg. Our analysis poses considerable question marks over the importance of the advantages ascribed to urban climate change experiments including ‘authority advantages’ and possibilities of ‘engaging and mobilizing stakeholders’.  相似文献   
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Bennett, Linda A., and Genevieve M. Ames, eds. The American Experience with Alcohol: Contrasting Cultural Perspectives. New York: Plenum, 1985. xxiv + 490 pp. including chapter references and index. $49.50 cloth.

Brill, Leon, and Charles Winick, eds. The Yearbook of Substance Use and Abuse. Volume III. New York: Human Sciences Press, 1985. 351 pp. including chapter references and indices. $39.95 cloth.  相似文献   
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The increasing presentation of popular music culture as heritage is manifested in the recent proliferation of museums of pop/rock culture. This calls for an examination of the current practices of disseminating pop/rock heritage through exhibitions. Two trends have been identified and criticised by previous commentators: first, the prominence of nostalgia in exhibition narratives and second, that exhibitions of popular music tend to display ancillary objects rather than music itself. This article offers a rethinking of nostalgia as a strategy for disseminating pop/rock heritage and explores the potential of music as a trigger for nostalgic experiences in exhibitions. While agreeing with much of the critique levelled at the nostalgic approach to pop/rock culture, we suggest that with a more nuanced conception of reflective nostalgia, the affective appeal of the nostalgic approach can be harnessed without giving in to glamourised oversimplifications of the past. Further, we suggest that mediated memories can form the basis of nostalgic feelings and thus enable the nostalgic approach to span the generational gap and engage visitors who do not have a lived experience of pop/rock heritage. We will illustrate this by contrasting our approach to that taken at ABBA The Museum.  相似文献   
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