简论《天水市志》的特点与不足

2004年出版的《天水市志》（以下简称《天志》）,是一部规模宏大、地方性突出、记载广泛多样、时代性鲜明、体例完备、资料性强的社会主义新方志。新志时经事纬,按编、章、节、目横排竖写,主线分明,真实完整地反映了天水市的基本面貌。     

漫谈夹耳盖罐及域外加彩的中国瓷器

一 海上陶瓷之路兴起的标志性产品 1954年在广州石马村发掘一座砖室墓。据学者考证此墓为南汉中宗刘晟（943-958年在位）之昭陵。在其前室东壁有两层砖砌成的器物箱,下层分成8个小格,其中有6个小格填满排列有序的陶瓷器200余件。     

论端木蕻良小说的浪漫主义

满族作家端木蕻良的小说具有强烈的浪漫主义色彩,艾青称其为“科尔沁草原的诗人”,巴人称其为“拜伦式的诗人”。他的小说具有强烈的主观性和自我表现的因素,把外在的写实与内在的抒情结合起来．常常是对情感的表达大于对时间的叙说。他的小说浪漫主义特征还表现在自我形象走进作品方面、刻画神秘气氛及传奇式浪漫英雄方面、对自然的超越现实的崇拜方面等等。他的小说在形式上追求独特性,其结构更为自由与大胆。小说语言也奔放而恣肆,这使得他的小说浪漫主义气息更加浓重。不过,端木蕻良小说的浪漫主义是以现实主义为底色的,这正是他的小说具有独特风格的根本原因。     

凤凰于飞--三川文化巡礼

在黄河上游,在凤凰山下,有一片神奇而美丽的地方,叫作三川。     

高原盛开的格桑花--省垣专家学者评《天马歌》

2005年元月28日上午,省文化厅、省文联联合召开新编西部京剧《天马歌》研讨会。省垣文艺界专家、学者鲍义志(省政协副主席)、谢佐(文化、历史学界专家)、张武明(省文化厅艺术专家组组长)、白渔(诗人、省文化厅艺术类专家组成员)、施观林(一级作曲、省文化厅艺术专家组成员)、樊     

Mothers and Non‐Mothers: Gendering the Discourse of Education in South Asia

This essay brings together and complicates three stories within South Asian education history by gendering them. Thus modern education was actively pursued by mothers for their sons; indigenous education should be understood as continuing at home; and women were crucial actors in men's reform and nationalism efforts through both collaboration and resistance. Gendered history should go beyond the separate story of girls and women, or the understanding of women as mothers and mothers as the nation, to see these three processes as gendered. The paper argues for the coming together of historical and anthropological arguments and for using literature imaginatively.     

Problem areas in Poland in terms of the objectives of the European Union's regional policy

The present study focuses on problem areas in EU member states and Poland that are identified on the basis of criteria laid down in the assumptions of the EU regional policy. The analysis makes it possible to compare the spatial distributions of the problem areas and to assess the relevance of the statistical criteria employed to delineate them. Also presented is the new model of regional policy to be implemented in Poland in the period of its integration with the European Union.     

山西唐代墓葬壁画艺术

唐代是墓葬壁画的一个黄金时期山西地区虽然发现的唐代墓葬壁画不多,但其表现方法独特,涵盖的内容十分丰富,既有着承继北朝的绘画风格,同时也有唐代墓葬壁画所具有的各类表现形式,形象地描绘出了四神、星象、人物、驼马及树下老人等内容,具有浓厚的地方色彩,是唐代绘画艺术的一枝奇葩。     

安徽尉迟寺大汶口文化土坑墓随葬品所反映的社会现象

本文对尉迟寺大汶口文化土坑墓的分期进行了探讨,并从性别、年龄、种类等角度对分期后墓葬的随葬品情况进行了统计分析,并探讨其反映的社会现象.