The unbearable weight of music: The intermezzo

The affordances of musical experience, its capacity to become our mode of being-in-the-world, especially in ritual situations, can be turned against us into an aversive sonic attack that bends the social arc into a liminality without end, a time in between that goes nowhere. And when this happens, we have entered the realm of music torture, a relatively recent innovation in that dark art that was ushered into the world in full force at the beginning of the 21st century. Music became part of a regime of no-touch torture inflicted upon detainees in the ‘global war on terror’, itself a war without end. In this article, the author argues for an ontomusicology that understands music as ritual and ritual as music – in this case, ritual that inverts Victor Turner’s notion of communitas, with all of its attendant modes of being-with, into a solitary mode of existence with no hope of escape, a musical ritual torture, a perpetual intermezzo.     

ROUTINE MAGIC,MUNDANE RITUAL: TOWARDS A UNIFIED NOTION OF DEPOSITIONAL PRACTICE

This article seeks to advance ongoing discussions within archaeology concerning the relationship between ritual and depositional practices. Previous researchers have argued that ‘structured’ or ‘placed’ deposits are the result of ritual activities, but also that in many societies the disposal of refuse is governed by social ‘rules’. Distinguishing ‘technical’ actions such as rubbish disposal from deliberately ‘placed’ deposits is extremely difficult, however, and reinforces modern dualistic thought. Instead, this article argues that there was a continuum of practices from formal and ritualized events through to small‐scale, informal acts undertaken on a routine basis, including everyday refuse discard. It also questions purely utilitarian interpretations of storage structures. Drawing on ethnographic and ethnohistorical examples, it explores case studies from the later prehistoric and Romano‐British periods of north central England, and concludes by proposing methodologies through which these practices can be explored more fully in the future.