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ABSTRACT

Driving this essay is a question central to political theology; that is, how can I keep faith with my distinctive commitments while also forming a common life with neighbors who have a different vision of life to me? My response has four parts. First, I develop a normative definition of politics within which to situate an account of citizenship and the political implications of deep religious plurality in a shared polity. Second, I examine how citizenship is not just a legal status that entails certain rights and duties, but also denotes an identity, a performance of politics, and a shared rationality. Third, I identify the dominant ways in which citizenship is understood in the contemporary context, namely, through either a nationalist or cosmopolitan framework, contrasting these with a consociational conception of citizenship. And lastly, I lay out how a consociational framework provides a more generative basis for conceptualizing religious diversity.  相似文献   
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Abstract

For contemporary cultural policy, ‘non-creative’ work continues to form a conceptual blindspot: a foil to define and value creativity against. This paper develops existing categories to augment the task-focused notion of ‘embedded creativity’ with a more situated view of work’s cultural and institutional embedding. It first interrogates this ‘embeddedness’, taking a ‘cultural economy’ approach to intermediation and administrative support. Drawing on observations from an in-depth qualitative study of employees in major record labels, the second part articulates the heightened importance of ‘admin’ to recorded music industries, after ‘digital disruption’. Routine bureaucratic labour presents an atypical example, revealing much about the hidden relational and identity work that goes into constructing ‘creative industries’ as such. The intention is not to show that ‘embedded non-creative workers’ are in fact ‘creative’ but, on the contrary, to articulate the distinct contributions and value of support work in this context, questioning a persistent reliance on creative/non-creative dualisms. Policy research would benefit from enriched understanding of culture's assembly in marketable objects, reorienting understandings of ‘cultural’ labour markets and careers, and reimagining the role of traditional cultural ‘administration’ in the contemporary ‘creative economy’.  相似文献   
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