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Louise Joy 《History of European Ideas》2013,39(1):40-53
This essay reads Godwin's second novel, St. Leon (1799), as an attempt to counter the asperity he expresses towards the domestic affections in his political philosophy of the 1790s. In St. Leon, Godwin seeks to square his newfound interest in the affections as a topic for fiction with his commitment to an anti-establishment political agenda. Though it is presented as a ‘eulogium’ to ‘the affections and charities of private life’, the narrative persistently undercuts the potential for the affections to stimulate readerly curiosity. The focus of the novel constantly shies away from the domestic scene, and instead propels the momentum forwards to the alchemical adventures that precipitate the disintegration of the very affections the novel purports to eulogise. The novel thus plays out Godwin's complicated desire to embrace, and yet simultaneously to deny, the importance of private emotions in the pursuit of political justice. 相似文献
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Elizabeth Edwards 《History & Anthropology》2014,25(2):171-188
This paper examines the mid-nineteenth century photographic collecting practices in the Colonial Office (CO) in London. Following methodologies laid down by Stoler and Joyce, the paper excavates the epistemic procedures through which photography and its role in colonial governance operated between the late 1860s and 1875. I focus my analysis on the production of, and response to, two CO despatches, which were circulated in November 1869 requesting photographs. But what was the work expected of these photographs, what were they meant “to do”? What was their relationship with anthropology and geography? The paper argues that in the praxis of central government, the role of photographic evidence was more uncertain and confused than instrumental interpretative models have assumed. I shall argue that in many cases photographs were not “evidence” in any dynamic sense in information provision, but rather functioned as tools of reassurance. 相似文献
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