The murder of 13 women in the North of England between 1975 and 1979 by Peter Sutcliffe who became known as the Yorkshire Ripper can be viewed as a significant criminal event due to the level of fear generated and the impact on local communities more generally. Drawing upon oral history interviews carried out with individuals living in Leeds at the time of the murders, this article explores women’s accounts of their fears from the time. This offers the opportunity to explore the gender/fear nexus from the unique perspective of a clearly defined object of fear situated within a specific spatial and historical setting. Findings revealed a range of anticipated fear-related emotions and practices which confirm popular ‘high-fear’ motifs; however, narrative analysis of interviews also highlighted more nuanced articulations of resistance and fearlessness based upon class, place and biographies of violence, as well as the way in which women drew upon fear/fearlessness in their overall construction of self. It is argued that using narrative approaches is a valuable means of uncovering the complexity of fear of crime and more specifically provides renewed insight onto women’s fear. 相似文献
Following the establishment of the Irish Free State in the 1920s, the continuing levels of emigration from Ireland came as a disappointment to many who believed that British colonialism had caused and perpetuated the emigration problem. Within this context, there was a need to explain emigration in ways that deflected blame away from the new state authorities. In this article, the author contributes to a gendered analysis of these shifting constructions of emigration. Drawing upon Irish newspapers of the period, she suggests that the figure of the 'emigrant girl' was central to post-colonial discourses on emigration. During the 1930s, the emigration of thousands of young Irish women to English cities such as London sparked widespread comment and criticism. The Irish press and the Catholic hierarchy in particular propagated an image of these vulnerable young women as lost and alone in the big, bad cities of England. The author analyses the ways in which the 'emigrant girl' embodied specific representations of place, culture and gendered identity; the 'emigrant girl' embodied an Irishness marked by religion, culture and landscape. Through her transgression of physical, cultural and religious spaces, she encountered loneliness, danger and the risk of denationalisation. 相似文献
Assembling 10 essays from around the globe which engage variously with the space in which food preparation occurs—the kitchen—revealed stunning diversity but also commonalities. In this first of two sets of theme papers on this vital but often unexamined domestic space, the discourse of modernity unites the look and use of twentieth-century kitchens in Australia, Britain and Finland. Imbued with notions of scientific management, the modern kitchen had some common designs which prescribed women's place within it—first as the main occupant and then as the family overseer. The construction of this semi-private space also involved particular domestic technologies which, as the new century dawns, now literally connect the kitchen to the world beyond via the internet fridge. This Introduction begins the two-part feast of gender, place and culture—with an overview of Australia and sketch of subsequent essays—Supski on mid-century migrant Australia, Saarikangas on Finland, Bennett on rural Britain and Watkins on the fridge.
Hojeando la cocina moderna—un banquete de género, lugar y cultura (primera parte)
Reunir diez ensayos de todos lados del mundo que engranan variamente con el espacio donde se prepara la comida—la cocina—reveló no solo diversidades impresionantes sino similitudes. En esta primera de dos ediciones especiales sobre este espacio doméstico esencial aunque poco examinado, el discurso de modernidad une el aspecto y el uso de cocinas del siglo XX en Australia, Gran Bretaña y Finlandia. Imbuido con conceptos de la administración científica, la cocina moderna tuvo algunos diseños comunes que prescribieron el lugar de mujeres dentro de ella—primera como el ocupante principal y luego como capataz de la familia. La construcción de este espacio semi-privado involucró también tecnologías domesticas especificas que, a la vez que amanece el nuevo siglo, actualmente enlazan literalmente la cocina con el mundo externo vía la nevera ‘internet’. Esta introducción empieza el banquete de dos partes de género, lugar y cultura—con un repaso de Australia y un bosquejo de los ensayos subsecuentes: Supski en Australia migratorio a medio siglo, Saarikangas en Finlandia, Bennett en Británica rural, y Watkins en la nevera. 相似文献
Recent research conducted on the Laikipia Plateau in Kenya highlighted several shortfalls in the existing models for understanding and interpreting past iron production technologies. The research was undertaken in order to assess variability in past pastoralist iron production techniques – the first such archaeometallurgical exploration in the region. In all, seven furnaces and one iron production refuse area were excavated across two discrete sites separated by only 3 km: Mili Sita and Cattle Dip, both dating to the second half of the second millennium AD. The recovered archaeometallurgical materials – slag, furnace wall, and tuyères – were analysed using a combination of optical microscopy, SEM-EDS and ED-XRF.The results revealed that the technologies in question were complex and sophisticated, and their reconstruction and interpretation required some special considerations. The exploitation of titania-rich black sand was observed to bear a major influence on the resulting slag compositions at both sites, and use of these specific materials resulted in consistently efficient smelting episodes, demonstrating the technical competence and skill of the past smelters. However, although the slag compositions and microstructures of all the samples were markedly similar between the two sites, striking stylistic variation was apparent in the furnace design. This raised questions not only about the organisation and identity of the smelters who were working in this area at this time, but also of the reliability of assuming that similar slag compositions – peculiar as these might be – reflect similar technological (or sociotechnical) systems (cf. Pfaffenberger, 1992). A further problem encountered was that the consequently ulvite-rich slag was comprised of five, not three, major constituents – titania and lime in addition to iron oxide, alumina and silica. This meant that the operating parameters of these smelting episodes could not be easily interpreted using the usual models, which tend to be based around the assumption of fayalitic slag.As such, this paper will discuss to what extent consistency in technological style, in a broad, sociocultural sense, can be inferred through slag analysis, as well as the need for the formulation of wider reaching models that encompass the full scope of technical variation in iron production. 相似文献