Neurological caricatures since the 15th century

During the Renaissance, different artists began to draw medical illustrations from various viewpoints. Leonardo da Vinci was among those who sought to portray the emotional as well as the physical qualities of man. Other European artists described caricatural aspects of medical activities. In Northern Europe, Albrecht Durer, Hieronymus Bosch, and Pieter Brueghel were also famous for drawing caricatures. Later English artists, notably William Hogarth, Thomas Rowlandson, James Gillray, and the Cruikshanks, satirized life in general and the medical profession in particular. In Spain, Francisco Goya's works became increasingly macabre and satirical following his own mysterious illness and, in France, Honore Daumier used satire and humor to expose medical quackery. Also physicians such as Charles Bell and Jean-Martin Charcot were talented caricaturists. Their own personal artistic styles reflected their approach and gave a different "image" of neurology. Caricatures were popular portraits of developments in science and medicine and were frequently used whenever scientific language was too difficult to disseminate, in particular in the field of neurology.     

Middle Stone Age Bifacial Technology and Pressure Flaking at the MIS 3 Site of Toumboura III,Eastern Senegal

African Archaeological Review - Over the past decade, the increasing wealth of new archaeological data on the Middle Stone Age (MSA) in Senegal and Mali has broadened our understanding of...     

COMPLEMENTARITY BETWEEN LOCAL KNOWLEDGE AND INTERNATIONALIZATION IN REGIONAL TECHNOLOGICAL PROGRESS*

ABSTRACT Trade, foreign direct investment, and inter‐regional R&D spillovers facilitate competition, the spread of knowledge, and the adoption of more advanced technologies, which in turn hastens total factor productivity (TFP) growth. The spread of these efficiency gains from internationalization requires a sufficient local knowledge to enable them to be adapted to the domestic productive environment. Thus, higher local knowledge and internationalization will lead to TFP growth, and the greater the complementarity between variables the higher the TFP growth. We test the complementarity hypothesis using Spanish regional data over the period 1980–1995 in which both regional local knowledge and internationalization experienced a notable increase.     

White and Coloured Marbles of the Roman Town of Urbs Salvia (Urbisaglia,Macerata, Marche,Italy)

The results of an archaeometric study concerning the coloured stones and 14 white marble sculptures found in the ancient city of Urbs Salvia (Urbisaglia, Macerata) – one of the main Roman archaeological sites of the Marche region (east central Italy) – are presented here. Data show the presence of the most important decorative stones used by the Romans, originating in all of the Mediterranean provinces, from Egypt and North Africa to Asia Minor, Greece, Gallia, Iberia and Italy. Thirty‐one different coloured lithotypes have been identified, including red and green porphyries as well as marmor phrygium and numidicum, namely the four most expensive stones cited in Diocletian's edict. Crustae of marmor chium, taenarium, chalcidicum, scyreticum, lucullaeum and sagarium also feature. Another significant presence is that of coloured stones that are generally rare, even in Rome and Ostia, such as cipollino mandolato (which is very abundant at Urbs Salvia, more than anywhere outside Gallia), broccatello di Spagna, alabastro a pecorella, lapis ophytes, brecciated facies of marmor iassene and cottanello antico. Worthy of mention, too, is the abundant presence of so‐called Roman breccia from Lez (Upper Garonne valley, French Pyrenees), a stone never reported outside Gallia. The 14 marble sculptures analysed come from public and private buildings of the Roman city and are now exhibited at the Archaeological Museum of Urbisaglia. Our petrographic and isotopic analyses show that they are made of Lunense (five), Pentelic (three), Parian lychnites (three), Thasian (three) and Proconnesian (one Corinthian capital) marbles. The quality of the coloured stones identified, together with the presence of sculptures made of precious imported white marble varieties, reveals an opulent town and a local patronage wishing to decorate public buildings and rich houses with the most sought‐after marbles of Rome.     

DIET AND ENVIRONMENT IN SOUTH‐EASTERN IBERIA DURING THE BRONZE AGE,BASED ON ISOTOPE ANALYSIS OF HUMAN REMAINS

A large sample of human bones from a series of archaeological sites in the south‐eastern Iberian Peninsula was selected for δ¹³C and δ¹⁵N stable isotope analysis. Except for some contrast samples, the remains date from the first half of the second millennium cal BC and are ascribed to the Argar Culture, which developed during the Bronze Age in south‐eastern Iberia. Most authors have considered that this region reached a high degree of social hierarchical organization at this time, as demonstrated by the funerary record, both with regard to the grave goods and to the evidence of physical effort and diseases on the human remains. Results of the isotope analysis revealed the existence of differences among the settlements studied, as well as differences over time within every settlement and among the various individuals tested. Some variances can be assigned to social classes/status and others are linked to chronological factors. In particular, changes in δ¹³C can be explained by the increasing aridity of the first half of the second millennium cal BC, although other causes can be put forward too.