Microwear Analysis of Hopewell Bladelets from Two Sites Associated with the Stubbs Earthworks,Southwest Ohio

Hopewell bladelets represent one of a handful of standardized blade industries in prehistoric North America. In the past 25 years, archaeologists produced a great deal of published research on Hopewell bladelets. Yet much remains to be explained about this lithic tradition. This project presents the results of functional analysis of bladelets from two sites near the Stubbs Earthworks along the Little Miami River in southwest Ohio. Results indicate that bladelet use at these sites largely focused on bone/antler processing. This is in contrast to the generalized function of many of the artifacts in Ohio bladelet assemblages and provides researchers with another piece of the puzzle in examining the variation in bladelet function between sites and across regions.     

SUBURBAN MUNICIPAL EXPENDITURES: THE EFFECTS OF BUSINESS ACTIVITY,FUNCTIONAL RESPONSIBILITY AND REGIONAL CONTEXT*

A wide variety of models exist seeking to explain variation in the level of suburban government activity. Alternative models stress concepts of local stratification and discrimination, the structure of local decision-making, ecological position, and public choice, each of which suggests varying hypotheses about which suburbs spend more and which less. In this paper we summarize and evaluate the relative strength of each of these alternative models, and propose major directions for future research.     

The Symbol of Orpheus in the Sturm und Drang Period

The handling of gender in the Old French Roman de Silence has caused considerable scholarly conflict because the poem simultaneously endorses two competing and mutually irreconcilable gender ideologies. Asserting that gender is essential and its boundaries inviolate—even as its eponymous heroine freely crosses gender boundaries to become supremely successful in male roles—the poem creates a radically unstable conception of gender that has implications not only for its portrayal of social gender roles but also for its use of gendered language. The heroine's name, Silence, becomes emblematic of language's inability to fully represent its subject, as neither Latin nor the vernacular proves adequate to the task of depicting an ambiguously or multiply gendered character. Gendered language and gendered behavior emerge as mutually dependent sources of paradox that point to the limitations of both language and narrative.     

Italian identity: Catholic responses to secularist definitions,c.1910–48

In united Italy, assertions by Catholic militants about their nation's true identity have been bound up with polemic against secularist forces and with claims about the position due to the Church in Italian society. They have insisted that Italy's authentic traditions are Catholic and that her true greatness resides in her being the heart of Christian civilization. Hostile or threatening ideologies, e.g. idealist philosophy and Communism, have been stigmatized as alien to Italian tradition. In the face of Fascism, with which the ‘Catholic world's’ relations were ambivalent, there was a major ideological campaign to assert a Catholic definition of the keyword romanità. The way in which Catholic theoreticians have defined the ‘nation’ in organicist terms have been linked to strategies of ideological defence against state forms, whether liberal or Fascist, perceived to be overweening.     

Pius XII: Romanita,prophesy and charisma

The modern popular cult of the Pope, which originated with the ‘disinherited’ papacy of Pius IX, reached its acme with Pius XII. Phases of intensification of this cult, which was linked to other ‘devotions’, those of the Sacred Heart of Jesus and of the Virgin Mary, served to mobilize the Catholic masses at critical junctures for the Catholic Church and in the face of what were perceived as political threats. Pius XII had to animate ‘movement’ in an age proclaimed to be one of a unique crisis of civilization. The projection of him as a charismatic figure was linked to that of Rome as a sacred centre and as the very fulcrum of world history. The Catholic activist ethos of ‘movement’ and also the presentation of the interchange between Pius XII and the Crowd had features in common with Fascist rhetorics, but ultimately the cult of the ‘victim‐Pope’ represented an inversion of the crasser forms of power‐imagery.