全文获取类型
收费全文 | 172篇 |
免费 | 6篇 |
出版年
2024年 | 1篇 |
2023年 | 3篇 |
2021年 | 3篇 |
2020年 | 9篇 |
2019年 | 4篇 |
2018年 | 3篇 |
2017年 | 4篇 |
2016年 | 7篇 |
2015年 | 4篇 |
2014年 | 4篇 |
2013年 | 54篇 |
2012年 | 3篇 |
2011年 | 6篇 |
2010年 | 8篇 |
2009年 | 2篇 |
2008年 | 4篇 |
2007年 | 3篇 |
2006年 | 2篇 |
2005年 | 2篇 |
2004年 | 2篇 |
2003年 | 4篇 |
2002年 | 4篇 |
2001年 | 4篇 |
2000年 | 2篇 |
1999年 | 3篇 |
1998年 | 3篇 |
1995年 | 1篇 |
1994年 | 1篇 |
1993年 | 1篇 |
1992年 | 2篇 |
1991年 | 2篇 |
1989年 | 1篇 |
1988年 | 1篇 |
1987年 | 1篇 |
1986年 | 1篇 |
1985年 | 2篇 |
1984年 | 4篇 |
1983年 | 1篇 |
1980年 | 3篇 |
1979年 | 1篇 |
1978年 | 1篇 |
1977年 | 3篇 |
1975年 | 1篇 |
1972年 | 1篇 |
1971年 | 1篇 |
1951年 | 1篇 |
排序方式: 共有178条查询结果,搜索用时 15 毫秒
51.
52.
53.
Alice A. Nelson 《Journal of Latin American Cultural Studies (Travesia)》2017,26(3):409-435
Focusing primarily on Guillermo Núñez’s work, this essay juxtaposes two almost-identical exhibits of his ‘exculturas’ (sic: xculptures/ex-cultures) – one at the Chilean-French Cultural Institute in 1975, which resulted in his detention and exile, the other in 2010 for the official inauguration of the Museum of Memory and Human Rights (MM) – to explore their relationships to memory production in Chile four decades after the military coup. In the first, Núñez offered a pointed critique of the repressive post-coup context through a series of caged and netted objects; the second reconstructed the first as a memory gesture, framed within the ultra-modern, state-sponsored MM, in its designated art space, at once included and physically separated from the historical narrative of the Museum. How do the politics, aesthetics and design of the MM work to complement, complicate, or contradict Núñez’s – and, perhaps, any – artistic proposal? What challenges might the aesthetic of memory in Núñez’s work pose to the Museum’s narrative frame? Examining Núñez’s ‘exculturas’ (and, briefly, Gonzalo Díaz’s reconstructed Lonquén) reveals several tensions – around politics of inclusion and exclusion, the state’s role in memorysites, and the relationships between human rights concerns and museological and artistic strategies – marking the social production of memory in Chile today. 相似文献
54.
Sara H. Nelson Leah L. Bremer Kelly Meza Prado Kate A. Brauman 《Development and change》2020,51(1):26-50
This article shows the two-way relation between global norms and local conditions as they shape Payments for Ecosystem Services (PES) theory and practice, through a case study of a water fund in Valle del Cauca, Colombia, the heartland of the country's sugarcane industry. Drawing on interviews, survey data and historical research, the article argues that the water fund should be understood in the context of the history of infrastructure for the sugarcane industry in the region, and that this infrastructural perspective provides a more nuanced insight into the fund's political life than the traditional PES framing. Furthermore, the article shows how the norms embedded in this locally grown programme circulated through international networks to influence PES theory and design. This case offers one example of the need to attend to the multiple and geographically specific histories of actually existing PES in order to understand its diversity in the present. 相似文献
55.
This study examines two urnfields, their development, burial rituals, grave goods and the cremated remains in a renewed analysis of the Danish Urnfield Tradition. The osteological investigation reveals a very high proportion of children's graves in these communal burial sites. Individual expression and demonstration of status are muted in burial rituals adhering to strict norms, although differences between age categories show through variations in the size of a burial monument. The use of CT scans and a detailed analysis of all artefacts provide evidence of the ritualized breaking of urns and the retrieval of bones from graves. Such retrieval of bones together with the layout and development of urnfields demonstrate the importance placed on the ancestors in the Early Pre-Roman Iron Age. The inconspicuous burials, together with the incorporation of all age categories, suggest that the focus of these burial communities is on a relational rather than individual identity. 相似文献
56.
Velvet Nelson 《Journal of Cultural Geography》2016,33(2):208-228
Destination image is the cumulative product of individuals processing information about a destination over time. This image comes from different sources, like media articles intended to inform a general audience and promotional materials intended to persuade potential tourists to visit. Various aspects of a destination can provide the focal point for its image, including its unique foods. With the growing interest in food in the media and in tourism, the image of places around the world is increasingly centered on this topic. Peru offers a timely case study to investigate this issue; in recent years, it has gained an international reputation as a culinary destination. The research discussed in this paper examines both popular media articles and official tourism promotions to understand the devices used to construct Peru as a culinary destination. It uses quantitative and qualitative content analysis of magazine and newspaper articles targeted at an American audience and the U.S./English version of the Official Travel and Tourism Portal. This research finds that the image of Peru as a culinary destination is consistent between sources, but there are some differences in the meanings of this content based on type of source, intended audience, and expectations about that audience. 相似文献
57.
Continued excavation in 2007 of the early (ca. 2000–3000 calBP) cemetery at Chelechol ra Orrak in Palau, Micronesia revealed the remains of at least six individuals, adding to a minimum number of at least 25 other mostly fragmented individuals recovered in previous years. Of particular interest was the discovery of two isolated adult partial crania one of which, when emptied of sandy matrix, was found to contain a complete child's frontal bone. Here we explore the possibility that the placement of the skulls, particularly the commingling of the adult and child cranial elements, was done purposefully and discuss its significance for early Pacific mortuary behaviours. Copyright © 2009 John Wiley & Sons, Ltd. 相似文献
58.
Richard Bradley Andrew Jones Lise Nordenborg Myhre Hannah Sackett 《Norwegian Archaeological Review》2013,46(2):109-118
The relationship between rock art and the material qualities of the rock surface on which it is executed is investigated. The case study of Revheim, Rogaland, Southwest Norway, is the starting-point for a discussion on the way in which the contours of the rock, quartz outcrops and the flow of water across the rock surface affect the placement of images on the rock. It is argued that a fuller examination of the interrelationship between rock and rock art provides a more coherent interpretation of rock art images. 相似文献
59.
John Nelson 《History & Anthropology》2013,24(2):93-111
This article examines accepted opinion regarding the persecution and demise of Christian/Catholic missions in 16th and 17th century Japan. Many of the key issues associated with the encounter of European missionaries and Japanese feudal systems of authority and power resonate with contemporary interest in transculturalism, semantic slippage, personal agency, and the intimate interplay between religion, politics, and economics. Burdened with rigid standards of belief, heresy, and race from European inquisitions as well as Mesoamerican conquests, the Jesuit and Franciscan missionaries made numerous strategic blunders that contributed to their fates, both as recipients of expulsion orders and, finally, on the execution grounds. 相似文献
60.