Using Actor-Network Theory to Characterize the Production of Ancient Maya Caching Events at Cerro Maya (Cerros,Belize)

Inspired by actor-network theory, this research uses an operationalized archaeological actor-network approach to characterize and examine human-object relationships associated with ritual caching deposits (votive bundles of objects) at the site of Cerro Maya (formerly Cerros), Belize. Designed to be broadly applicable for archaeological studies, our archaeological actor-network approach made it possible to inductively examine, characterize, and diachronically compare the complex arrays of human and nonhuman relationships. In contrast to previous studies that characterized caches mainly in symbolic terms, we treated caches as traces of the small-scale actor-networks that emerged during the production of ancient Maya caching events. More specifically, our actor-network methodology made it possible to characterize caches and caching events in terms of the relationships between materials, temporality, objects, places, and groups of people, their intentions, and actions. The inductive and diachronic focus of approach also allowed us to compare arrays of caching actor-networks over time while considering the social affect that caching events had on subsequent caching events and the site’s social development. This approach demonstrates that even simple artifact clusters can be viewed as proxies for highly complex networks of interlinked social relations that play roles in shaping important historical interactions and social orders over time.

     

In search of a better method to distinguish artefacts from geofacts

Archaeologists use a method of evaluating the characteristics of flakes, called scoring, to distinguish geofacts (pseudo-artefacts or eoliths) from artefacts. Lower total scores are considered indicative of a natural source of the finds, while higher ones support the opposite. However, this method has some limitations. The most important are the small quantity of assemblages subject to such an analysis and the unclear boundary drawn by a ranking within a point-based score evaluation between collections with finds of cultural and anthropic origin. Here, we present a method that minimizes these limitations. It consists of a statistical approach using scoring percentages, a new method of visualizing them and the application of clustering. This way, we obtained clear differences between pseudo-artefacts and artefacts by considering flakes from six flint assemblages from Central Europe as well as an experimental assemblage.     

Spatial Planning in the Baltic States: Impacts of European Policies

Baltic societies have been transformed rapidly since the beginning of the 1990s, whereas planning institutions and organizational cultures in the Baltic States have only changed rather incrementally despite various national and European pressures for reform. As a consequence, the extent of Europeanization of spatial planning has been limited in the Baltic region, and the effects of cohesion and structural policy measures have been quite modest. This paper focuses on these changes in spatial planning in the Baltic States and is divided into three main parts. The paper begins by describing the historical and cultural context of spatial development in the Baltic States. Second, it discusses processes of Europeanization of spatial planning in the specific context of the Baltic States, and third, it considers whether these processes may be leading to policy convergence in the region.     

Zeitpfeile,Zeitfaltungen und Diskursanalyse: zu Kontinuitäten der Imaginationslehre

Time Lines, Folded Time, and Discourse Analysis: Continuities of Maternal Imagination. Focusing on a discourse‐oriented history of knowledge, this article deals with the relation between continuity and time. It will discuss concepts of linear and homogenous time and problematize a one‐sided focus on discontinuity and rupture in discourse analyses. After examining notions of continuity, discontinuity, and temporality in the work of Michel Foucault, I will ask how continuous elements can be theorized both as instruments and objects of research, without adopting a linear concept of time. Thus, Michel Serres' concept of folded time will be presented, because it implies a multiple, heterogenous and non‐linear temporality and entails both continuous and discontinuous entities. Thereby relations of power should be considered as factors influencing the shape of the folding. In this way, folded time can serve as a useful tool for discourse analysis, enabling to examine specific and local continuities that vary in different discursive formations. To give an example, I will briefly turn to the concept of women's imagination in pregnancy. According to most historical analyses, this concept declined in the middle of the 18^th century and persisted afterwards only as an outdated remainder in folk knowledge. Nevertheless, a closer examination reveals that knowledge on imagination was actively produced in medical advice literature and some scientific discourses until the first decades of the 20^th century. This demonstrates that an overemphasis both on rupture and on the timeline of academic medicine might conceal continuous elements and the folded time of specific knowledge formations.     

Towards a Female Topography of the Ancient Greek City: Case Studies from Late Archaic and Early Classical Athens (c.520–400 BCE)

In this article, I seek to move beyond the traditional, polarised model of ancient Greek cities which views the civic sphere as gendered male in contrast with the domestic sphere which was gendered female. I argue that this model oversimplifies a much more complex set of relationships, leading scholars to underplay the possibilities for female agency within the built environment of the Classical city (polis) and to underestimate the scope of women's activities within Greek society more generally. Taking Athens as an example, I suggest that space was not rigidly divided between ‘public’ and ‘private’ zones. Instead, a number of factors led to flexibility which enabled a woman to enter civic space in order to carry out a variety of activities on her own behalf, on behalf of her household and also as a representative of her household in the context of the wider community. The civic context was thus an inverse parallel for the domestic sphere which, although constructed as female, was clearly also an important arena for male activity.     

Hanoi 5000 Hoan Kiem Lakes: Using Art to Involve Young People in Urban Futures

In March-April 2007, a group of six Hanoi-based artists staged an exhibition of entitled “Hanoi 5000 Hoan Kiem Lakes”. Its purpose was to explore young people's visions of the future of their city and to stimulate discussion of the city's development from a non-planning perspective. To prepare for the exhibition, the artists undertook a survey among the youth of Hanoi, distributing a one-question questionnaire and interviewing on and off camera over 250 young people, randomly and selectively sampled in parks, on sidewalks, outside universities, and in university and school classes. Participants were invited to a workshop held by the artists at the exhibition to talk about how ideas get translated into art. This exhibition provided a timely intervention into debates over the landscape of Hanoi, what urban public space is and what it should be, and how non-technical, non-specialist views of the city can be incorporated into urban aspirations, thus acknowledging and encouraging the visions of the young people who will be the city's future leaders.