Handmaids of God: Images of Service in the Lives of Merovingian Female Saints

Merovingian hagiographies make extensive use of the metaphor of service to demonstrate the sanctity of their subjects. These religious images emerged from a society in which slaves and servants were both ubiquitous and demeaned, and the metaphors were embedded in the social realities of service. This article examines the Lives of three elite female saints who were depicted as slaves, or engaged in acts of servitude: Radegund, Balthild, and Austreberta. It argues that although service as a religious motif was central to each of these texts, the authors engaged with the image in strikingly different ways and to quite different ends, depending on the social world of the text.     

Ecological Modernisation and the Governance of Carbon: A Critical Analysis

Abstract: In this paper, we use insights derived from a critical evaluation of ecological modernisation theories to examine the origins and influence of new, market‐based, forms of carbon governance. Focusing on two key examples—emissions trading in Europe and the global market in offsets—we argue that ecological modernisation theories can help us understand the processes through which the seemingly intractable problem of climate change has been reframed as an opportunity to construct a new carbon economy and anticipate some of the tensions, contradictions and limits of such an approach. We then explore the governance dimensions of these novel market mechanisms, look at how they work, and then discuss whether, to what extent and for whom they work. We highlight a series of (un)‐intended consequences that flow from these practices and modes of governing. We conclude by discussing the significance of these observations both for debates on climate change and the governance of carbon and for theories of ecological modernisation.     

The Time and Place of Nostalgia: Re-situating a French Disease

The history of nostalgia as a clinical category has many highly specific national stories. This paper traces an aspect of this history, examining aspects of nostalgia's changing meanings in nineteenth-century France. Nostalgia was a disease triggered by displacement, which became medically and politically important after the French Revolution, when military surgeons encountered epidemics of nostalgia in the armed forces. Understood as a form of pathological homesickness, the category straddled environmental medicine and emerging ideas about insanity. The diagnosis became particularly important to Idéologue writers as a case study in regulating and redirecting the emotions, demonstrating the efficacy of their new "moral" treatments and an ability to generate patriotic attachment to the new nation state. Over the course of the century, nostalgia disintegrated as a medical condition reflecting a decline in environmental explanations for disease within medicine, and increasingly plastic meanings attached to nostalgic desire.     

Taken with a Grain of Salt: Experimentation and the Chemistry of Archaeological Ceramics from Xaltocan,Mexico

Neutron activation analysis (NAA) of ceramics from Xaltocan (n?=?651) displays high values for sodium and potassium and low concentrations of many transition metals and rare earth elements compared to other sites in the Basin of Mexico. Given that Xaltocan was situated on an island in the middle of a saline lake, the potential reasons for this chemical signature are diverse. On one hand, if the sodium and potassium were elevated due to some behavioral aspect of the potters, the Xaltocan chemical groups provide a glimpse at the behaviors of Xaltocan potters that permit more precise source designations. On the other hand, if this chemical fingerprint arose due to contamination in a saline post-depositional environment, the Xaltocan chemical groups would not be valid references for provenance studies. To evaluate these alternative hypotheses, we employ several lines of evidence: (1) comparison of the Xaltocan ceramics to over 5,000 NAA assays of clays and ceramics from the Basin of Mexico, (2) experimental doping of clays with water of different salinities and fired to different temperatures, (3) leaching experiments of archaeological pottery sherds (n?=?22) recovered from the site of Xaltocan, and (4) laser ablation–inductively coupled plasma–mass spectrometry of the clay and temper fraction of a small sample of Xaltocan ceramics to determine which component is responsible for the elevated sodium and potassium values. The results suggest that the high sodium and potassium values were present in the ceramic paste before firing. We then use these newly established reference groups to better understand the role of Xaltocan in the regional economy. The type of experimentation employed in this study has proven to be an important method for determining the behaviors of ancient potters and distinguishing them from post-depositional processes.     

Anti-Slavery and the Reconstitution of Empire

This survey article combines some recent scholarship on anti-slavery with work on humanitarianism and legal history to explore ways in which anti-slavery fed into the legal transformation of the British Empire in the first decades of the nineteenth century. It argues that campaigns for abolition, emancipation, and the amelioration of slavery did more than use law as a means to the end of slave emancipation. Anti-slavery efforts were integral to a larger process of imperial legal reordering: they often aimed, and invariably worked, to transform the legal relationship among subjects, colonial states and the imperial centre.     

Facing Climate Change: Andrea Juan's Visual Play with Science and the Sublime

Andrea Juan has responded to climate change in her art since 2002, highlighting the potential enjoyment of uncertainty and the pleasure of discovering this ecological crisis. Through an examination of El bosque invisible: Serie Antártica [The Invisible Forest: The Antarctica Series], 2010, this article will examine how Juan represents environmental transformations through her process, aesthetic choices, and work in Antarctica. Antarctica—an emblem of environmental change and advancements in scientific research—serves as one of the main stages for Juan's placement of colorful fabrics and cloth figures that are meant to represent specific natural phenomena connected to climate change. Juan's documentation of these scenes in videos and digital stills quotes the Romantic tradition of the sublime in landscape painting, the artist-traveller, and a heroic notion of scientific fieldwork, which exposes a continued desire for control despite our increasing knowledge of our limitations, as well as two principal means through which we understand climate change: science and the sublime. Furthermore, the pleasing quality of Juan's art, in spite of the crisis to which she alludes, aligns with contemporary trends that favor participation, pleasure and hope. This tendency itself exposes the uncertainty of art's role in the face of such crises.     

Focus: sulphur isotope variation in archaeological marine fauna from northern Europe

We undertook combined stable carbon, nitrogen and sulphur isotope analysis of marine and terrestrial faunal remains from two prehistoric coastal shell middens in Denmark. The aim of the investigation was to establish whether sulphur isotopes were useful in discriminating terrestrial and marine consumers in this region. We found that sulphur isotopes do separate marine and terrestrial fauna but, contrary to our expectations, we observed a negative correlation between δ³⁴S and δ¹³C values for marine fauna. We conclude that similar studies over a broader geographical range are needed before sulphur isotopes can be reliably used to study coastal resource exploitation.     

Who governs culture? Actors,federalism and expertise in Swiss regional cultural policy

ABSTRACT

This article proposes a novel approach to cultural policies and cultural policy change, drawing on public policy and institutional analysis to study how decision-making power is distributed between actors in the public and private sectors and at different state levels, as well as the precise roles of public administrations, elected officials and cultural actors. Indeed, rather than directly defining cultural policy, laws on culture mostly designate actors in charge of policy implementation. Based on an empirical application of this analytical framework to the case of Swiss cantons and focusing specifically on the positions of cultural actors, findings show that cultural policies are transformed in different ways, affording more or less power to actors from the cultural sector in implementation arrangements generally dominated by administrative actors.