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111.
Aylen Capparelli 《Archaeological and Anthropological Sciences》2011,3(1):93-112
It is known from previous studies that qualitative and quantitative morphological attributes of food products and residues may permit the identification of different food processing activities in desiccated algarrobo (Prosopis chilensis and Prosopis flexuosa) remains. Experimental approaches are used here in order to (1) evaluate if those diagnostic features persist even after charring and (2) to use these results as a means of interpreting types of processing from archaeobotanical contexts of the Inka site of El Shincal. Experimentation was made on the basis of traditional practices which were registered during previous ethnobotanical work in the area. Diagnostic patterns of Prosopis flours and patay (bread), as well as of añapa/aloja (fresh and alcoholic beverages, respectively) and arrope (syrup) residues were stipulated for charred remains. In the specific case of El Shincal, specimens derived from flour manufacture (unrefined and refined) and añapa/aloja residues were recognized from different buildings. This must have implied a special organization of the production and the people working on that, in the sense of post-harvest intensification. 相似文献
112.
Jochen Hoock 《Revue de synthèse / Centre international de synthèse》2011,132(2):277-291
The activities of jurists, they may be judges, lawyers or university teachers, occupy a central role in the maintenance of the political and social order of modern societies. In Germany the confrontation of the recent past provoked in the early 1960’s a large debate about the real foundations of the modern state and his role in the crisis of the modernity which have been pursuit in the course of the eighties issuing in the beginning of the century in the discussions about integration and a general order of values to be recognized by everybody. 相似文献
113.
Abstract This paper surveys the career of Benedetto Bordon as a miniaturist, designer of woodcuts, and cartographer. Although from Padua, Bordon worked primarily in Venice where he illuminated religious and classical texts and official ducal documents destined for Venetian noblemen. The writer argues that Bordon designed woodcut illustrations for books printed by Aldus Manutius and others, in addition to the woodcut maps in his 1528 book on islands in the MediteiTanean, Atlantic, and Caribbean. Bordon's lost world map of 1508 is discussed in relation to the map‐making activities of Francesco Rosselli, the Florentine miniaturist and engraver who was in Venice in 1504 and 1508, and in relation to a circle of Venetian scholars and patricians interested in Ptolemy's Cosmographia and in the mapping of the New World. 相似文献
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Savino di Lernia 《African Archaeological Review》2018,35(2):299-319
First visited by westerners in the mid-nineteenth century, Saharan rock art has since received a great deal of attention. The richness and diversity of this region is recognised by the inclusion on the UNESCO World Heritage list of three properties: Tassili-n-Ajjer in Algeria, Tadrart Acacus in Libya, and Ennedi in Chad. The situation in many North African countries now makes this vast region very difficult to access: safety in the field is not guaranteed and few research funds are available. Today, a new generation of African and foreign scientists has no access to rock art sites in the north of the continent and the lack of fieldwork may entail a lack of safeguard and awareness. The growth of digital technologies over the last 15 years has revolutionised methods for recording rock art sites. Digital technologies are also used to mitigate the gap between artworks and accessibility in those countries where turmoil and social instability make fieldwork impossible. However, much of the documentation and most digital recordings of artworks currently available on the Internet lack an archaeological context. Equally, many of these websites barely mention methodological and theoretical aspects. It is also difficult to understand the extent of awareness among local communities in remote areas—sometimes suffering a digital and linguistic divide—and if (and how) they are genuinely able to exploit these digital resources. Here, I collate some examples from different parts of the Sahara illustrating that the recording, management and dissemination of rock art still present highs and lows. I argue that we should share theories and methods within the digital scientific community, with a view to adopting a shared nomenclature and a public thesaurus, making our cataloguing criteria explicit and, finally, developing an ethical code of conduct involving local communities. 相似文献
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Jennifer M. Miller Elizabeth A. Sawchuk Amy L. R. Reedman Pamela R. Willoughby 《African Archaeological Review》2018,35(3):347-378
Shell beads are well established in the archaeological record of sub-Saharan Africa and appear as early as 75,000 BP; however, most research has focused on ostrich eggshell (OES) and various marine mollusc species. Beads made from various land snails shells (LSS), frequently described as Achatina, also appear to be widespread. Yet tracking their appearance and distribution is difficult because LSS beads are often intentionally or unintentionally lumped with OES beads, there are no directly dated examples, and bead reporting in general is highly variable in the archaeological literature. Nevertheless, Achatina and other potential cases of LSS beads are present at over 80 archaeological sites in at least eight countries, spanning the early Holocene to recent past. Here, we collate published cases and report on several more. We also present a new case from Magubike Rockshelter in southern Tanzania with the first directly dated LSS beads, which we use to illustrate methods for identifying LSS as a raw material. Despite the long history of OES bead production on the continent and the abundance of land snails available throughout the Pleistocene, LSS beads appear only in the late Holocene and are almost exclusively found in Iron Age contexts. We consider possible explanations for the late adoption of land snails as a raw material for beadmaking within the larger context of environmental, economic, and social processes in Holocene Africa. By highlighting the existence of these artifacts, we hope to facilitate more in-depth research on the timing, production, and distribution of LSS beads in African prehistory. 相似文献
119.
Rachel Ama Asaa Engmann 《African Archaeological Review》2018,35(3):379-391
Professor James Kwesi Anquandah was Ghana’s first archaeologist. He was also the first Ghanaian to become head of the Archaeology Department at the University of Ghana, which was the first archaeology department in sub-Saharan Africa, established in 1951. Dedicating his life to Ghanaian archaeology, particularly during the difficult years in Ghana in the 1980s and early 1990s, Anquandah had a significant impact on the development of archaeology in Ghana. In addition to his research, advisory and curatorial work, Professor Anquandah was instrumental in the training of three generations of Ghanaian archaeologists. During the course of a professional career that spanned nearly six decades, Professor Anquandah made archaeology relevant and accessible to all Ghanaians. 相似文献
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Rafael M. Martínez Sánchez Juan Carlos Vera Rodríguez Leonor Peña-Chocarro Youssef Bokbot Guillem Pérez Jordà Salvador Pardo-Gordó 《African Archaeological Review》2018,35(3):417-442
The period comprising the end of the Early Neolithic and the Middle Neolithic, dated broadly within the fifth millennium cal BC, corresponds to an interval that remains largely unknown in the extreme north-western tip of Africa. This situation contrasts with that of the Early Neolithic, a period characterised by the earliest evidence of the diffusion of a productive economy, cultivated plants and domestic animals. The paucity of data for these later phases can be explained in part by the lack of secure contexts and sequences based on radiocarbon datings of short-lived samples. The current study presents the results of the excavations of El-Khil Caves B and C that yield materials allowing re-evaluation of the chronology of a type of ceramic known as Ashakar ware. The study also identifies two traditions in the northern Moroccan Middle Neolithic. The first is heir to the so-called Impressa Mediterranean ware and rooted in the Cardial Neolithic, while the second is characterised by roulette cord impressions, red slip and tunnel lugs and probably rooted in the region of the Sahara, and has no technological precedents in the study area. 相似文献