Philosophy,Sociability and Modern Patriotism: Young Herder between Rousseau and Abbt

Summary

In his early years Herder is known to have been a follower of Rousseau (via Kant). This article argues that there was indeed a substantial overlap between Herder's and Rousseau's ideas in Herder's early writings, particularly in terms of their joint critique of abstract philosophy and their understanding of the sentimental foundations of morality, as well as their commitment to the ideals of human moral independence and political freedom. Yet Herder's admiration for Rousseau's moral philosophy did not lead him to adopt Rousseau's critique of sociability even in this early period, and there was in fact a deep divergence between their political views. Herder attempted to combine a Rousseauian cultural critique, ‘human’ moral philosophy and philosophy of education with ideas inspired by Thomas Abbt's theory of monarchical patriotism. In contrast to Rousseau, and following Abbt, Herder posited the existence of natural patriotic feelings and underlined their importance in guaranteeing good government and political freedom. Thus, Herder could have a relatively optimistic view of the role of ‘human philosophy’ in regenerating patriotism in a modern setting. Herder embraced Abbt's emphasis on the positive aspects of modern monarchies and ‘modern liberty’ when compared to ancient republics, highlighting the compatibility of Christianity, international commerce and religious tolerance, and the general possibility of developing one's natural inclinations in modern monarchies.     

Rhetoric of unity and cultural diversity in the making of European cultural identity

The fundamental aim of the cultural policy of the European Union (EU) is to emphasize the obvious cultural diversity of Europe, while looking for some underlying common elements which unify the various cultures in Europe. Through these common elements, the EU policy produces ‘an imagined cultural community’ of Europe which is ‘united in diversity’, as one of the slogans of the Union states. This discourse characterizes various documents which are essential to the EU cultural policy, such as the Treaty of Lisbon, the European Agenda for Culture and the EU’s decision on the European Capital of Culture program. In addition, the discourse is applied to the production of cultural events in European Capitals of Culture in practice. On all levels of the EU’s cultural policy, the rhetoric of European cultural identity and its ‘unitedness in diversity’ is related with the ideas and practices of fostering common cultural heritage.     

Influence of Collapse Definition and Near-Field Effects on Collapse Capacity Spectra

In the present article, the impact of both near fault ground motions and a finite ductility threshold on the collapse capacity is studied. Single-degree-of-freedom systems with non-deteriorating bilinear hysteretic behavior, vulnerable to P-delta effects, are considered. Defining collapse as excessive ductility is investigated, and the difference to collapse associated with instability is elaborated. Medians of individual record dependent collapse capacities are presented as function of the initial structural period for characteristic structural and ground motion parameters. Analytical expressions for influence coefficients, which account for a differing ground motion set, and finite ductility thresholds, respectively, are derived via non-linear regression analysis.     

Network Analysis of Production Clusters: The Potsdam/Babelsberg Film Industry as an Example

The cluster concept has assumed a prominent position in the institutional approaches which have been applied in economic geography in recent times. Although there are numerous analyses based on the cluster concept, no agreement has been reached to date on suitable methods for analysis and comparison of regional clusters. This paper presents a research design for the analysis of regional production clusters which employs the network analysis method to develop, in particular, the 'quality analysis' of clusters, using the film industry production cluster in Potsdam/Babelsberg (adjacent to the Berlin metropolis) as a practical example.