Chemical and Petrographic Analysis of Pre‐Hispanic Pottery from the Southern Abaucán Valley,Catamarca, Argentina

Neutron activation (NAA) and petrographic analyses were carried out on Late and Inca Period pottery from 15 archaeological sites and several clay samples in the southern Abaucán Valley, Catamarca, Argentina. The results from the NAA and petrographic analyses provide new data concerning local versus non‐local pottery production and vessel exchange for these two pre‐Hispanic cultural periods. The chemical data demonstrate the use of different clay sources over time until the Inca appearance in the region, when a more structured and controlled production is observed. Petrographic analyses show a similar change in the ceramic paste recipes used by ancient potters.     

Archaeology as State Heritage Crime

North American archaeology is evaluated in light of state and heritage crime theory. When analyzed with preexisting typologies, the practice is shown to meet the threshold for state-sanctioned heritage crime. This study also demonstrates how current models of heritage crime do not adequately account for (1) the pivotal role states and state-sanctioned heritage experts play in committing heritage crime and (2) the implications of heritage crime for living descendant communities, not just physical artifacts and buildings. Typically thought of as crime against the state, seeing a state heritage regime as organized heritage crime opens the door to a host of theoretical and practical possibilities, including legal remedies for affected communities. Despite these opportunities, major impediments to meaningful change exist.     

The Archeologists, the Military and the Law

In less than a decade, archaeologists have seen the discipline increasingly entangled in the thriving dispute concerning the political and ethical responsibility the profession has to face, in the context of contemporary armed conflict. The recent western military interventions, in Iraq, Afghanistan and the Middle East, ensured many archaeologists and heritage professionals became more involved with military institutions. This trend was counterbalanced by the fact that other members of the academic community strongly distanced themselves from this professional choice, challenging their colleagues on ethical grounds. This paper will put the debate in a wider context, and analyse the issue from several angles, in-order to understand whether a new conceptual framework could be of help in the analysis of this ethical dilemma. The intention is to explore if, when, and under what circumstances, archaeologists should get involved with the military to protect cultural heritage. This exploration will start with the evaluation of some of the limits and contradictions intrinsic in the ideals behind international law. Then it will move towards more contextualized and politically dense considerations and give a closer look to some possible practical solutions.     

Micro‐Raman And Micro‐Stratigraphic Analysis Of The Painting Materials In The Rock‐Hewn Church Of The Forty Martyrs In Şahinefendi,Cappadocia (Turkey)

This paper presents the results of analyses carried out on the paintings on the rock‐hewn walls of the Forty Martyrs church at ?ahinefendi in Cappadocia (a UNESCO World Heritage Site), a central region of Turkey, performed during conservation work from 2007 to 2012. The micro‐samples were investigated by spectroscopic, micro‐stratigraphic and scanning electron microscopy analysis in order to study the painting technique, the materials and the degradation products. The micro‐stratigraphic analysis showed a white, sometimes pinkish, plaster. Micro‐Raman analysis, performed on cross‐sections of the mortars, enabled the detection of calcite, gypsum, anhydrite and calcium oxalate. Scanning electron microscopy and energy‐dispersive spectroscopy revealed a similar composition among all investigated phases, aside from minor differences such as the presence of diatoms in the second and third phases and of biotite, lime lumps and plants fragments in the fourth one. Apart from traditional pigments of medieval wall paintings, micro‐Raman analysis revealed the presence of lead‐based compounds and jarosite.     

Mediating culture in the Italian literary field 1940s–50s

This introduction lays out the scholarly and methodological context in which to situate the contributions to this special issue. By combining a rigorous scrutiny of hitherto untapped archival sources with a re-examined application of Pierre Bourdieu’s sociology of culture within the field of periodical studies and publishing history in Italy (1940s–50s), the studies illuminate the complex ways in which journals, periodical editors and the connected publishing houses negotiate cultural practice in a literary field increasingly dominated by the polarization of political discourse.     

Anselm Kiefer: a study of his artistic materials

The style of the contemporary German artist Anselm Kiefer is highly innovative and unconventional and is characterized by the use of diverse materials that he selects and combines according to the emotions that they stir in him. The conservation and preservation of works by Kiefer are particularly difficult tasks because of the heterogeneity and, in some cases, the incompatibility of the materials used; therefore, a thorough characterization is crucial before any intervention is considered. In this paper, we report the results of an investigation on a fragment from a multimaterial work and on samples from the paintings Bohemia Lies by the Sea and Die Größe Fracht. The large fragment was cut by the artist himself from a work in progress and is considered destitute of any artistic value; therefore, it was possible to sample it extensively. This fragment and the samples from the Die Größe Fracht and Bohemia Lies by the Sea paintings were analyzed by ultraviolet (UV) fluorescence imaging, fiber optic reflectance spectroscopy, Fourier transform infrared spectroscopy, nuclear magnetic resonance, Raman spectroscopy, X-ray diffraction, gas chromatography-mass spectrometry, and pyrolysis gas chromatography-mass spectrometry. This multitechnique approach allowed us to fully characterize and identify pigments, dyes, and organic components that reflect the diversity of the materials typically chosen by the artist. The results are evaluated in the context of the interview that Antonio Rava had with the Anselm Kiefer in 2000.     

Book Notes

David H. Guston, Between Politics and Science: Assuring the Productivity and Integrity of Research .
Michael Kenny and James Meadowcroft (Eds.), Planning Sustainability .
Cathie Jo Martin, Stuck in Neutral: Business and the Politics of Human Capital Investment Policy .
Michael Mason, Environmental Democracy .
Michael Moran, Governing the Health Care State: A Comparative Study of the United Kingdom, the United States and Germany .
Stephen D. Sugarman and Frank R. Kemerer (Eds.), School Choice and Social Controversy: Politics, Policy, and Law .
Joseph P. Viteritti, Choosing Equality: School Choice, the Constitution, and Civil Society .
Jay D. White, Taking Language Seriously: The Narrative Foundations of Public Administration Research .     

藏族妇女教育历史回顾

藏族妇女教育是藏族教育的重要组成部分。本文通过回顾藏族妇女教育的近现代史,透视藏族社会妇女教育的发展历程,指出藏族妇女教育仍是不容忽视的重要问题。