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Maria Anna Pabst Ilse Letofsky-Papst Maximilian Moser Konrad Spindler Elisabeth Bock Peter Wilhelm M.D. Leopold Dorfer Jochen B. Geigl Martina Auer Michael R. Speicher Ferdinand Hofer 《Journal of archaeological science》2010
From a 1000-year-old mummy, found unwrapped in the sand of the desert at Chiribaya Alta in Southern Peru, two different kinds of tattoos were investigated: decorative tattoos displaying different animals and symbolic ciphers were present on the extremities and tattooed circles on the neck region. 相似文献
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This article critiques the exclusion of working-class and impoverished gays and lesbians of color by drawing on popular and academic theories of the development of gay and queer urban spaces. Through an analysis of black gay men's literature of the 1980s and 1990s, it explores the factors that tie black gay men to and ostracize them from their home neighborhoods. It is argued that black gay writers use textual strategies to question their invisibility in their communities of origin and in white gay neighborhoods, show their positions and roles in the home and neighborhood, and queer these spaces. 相似文献
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ABSTRACTIn the Middle Ages, elite women acted as creators, donors and recipients of textile art. This article analyses a small but representative group of seventh- to thirteenth-century embroideries in order to examine the motivation for their creation and to investigate the ways in which women could mark their own presence through textile art. It discusses written sources alongside the material evidence; these sources include documentary, hagiographical and literary texts, which provide information about cultural norms and the expectations of society. Set within the context of these sources, the evidence suggests that society both channelled women's creativity into textile art and idealised it. At the same time, as artists and patrons of ornamented textiles, noblewomen had creative control over the medium; embroidery became a field in which their works were noted and celebrated. 相似文献
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Andrzej Antczak Konrad A. Antczak Ma. Magdalena Antczak 《Post-Medieval Archaeology》2013,47(2):189-219
SUMMARY: In the decades of the 1620s and 1630s the Dutch engaged in salt extraction on the island of La Tortuga, Venezuela, erecting a wooden fort, portable cannon emplacements, jetties and semi-industrial solar saltpan production facilities. The relative paucity of the archaeological record juxtaposed with the wealth of detailed documentary data and fieldwork experiences led to the operationalization of the heuristic tool of ‘scapes’. A critical construction of these socially alive portions of the island landscape and seascape demonstrates 1) how north-western European conceptions of the cultural control of nature were embodied in Dutch orderliness and industriousness; 2) how the strategy of maximization of extractive practices and minimization of risk was evidenced in the overall ephemerality of structures; and 3) how these structural imperatives were imbricated in the prose of human life and death that was unfolding from one small-scale event to another on this desolate island. 相似文献
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The debate about the complex issues of human development during the Middle to Upper Palaeolithic transition period (45–35 ka BP) has been hampered by concerns about the reliability of the radiocarbon dating method. Large 14C anomalies were postulated and radiocarbon dating was considered flawed. We show here that these issues are no longer relevant, because the large anomalies are artefacts beyond plausible physical limits for their magnitude. Previous inconsistencies between 14C radiocarbon datasets have been resolved, and a new radiocarbon calibration curve, IntCal09 (Reimer et al., 2009), was created. Improved procedures for bone collagen extraction and charcoal pre-treatment generally result in older ages, consistent with independently dated time markers. 相似文献
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