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Finding the balance between the inclusive and exclusive in programming and communication strategies are important for state-funded cultural organizations to master in order to be perceived as relevant by the public and deserving of their privileged position. The organizations have to legitimize themselves to broad audiences, in the last instance all of the nation’s citizens, as well as a narrow audience, the artists and intellectuals. This paper investigates how this legitimation work is mastered by the Norwegian National Opera and Ballet and the Oslo Philharmonic Orchestra, two Norwegian cultural organizations that receive most of their funding from the government. Through an analysis of the organizations’ annual reports, strategy documents and websites, in addition to interviews conducted with the CEOs, I investigate how the organizations communicate their relevance to the public.  相似文献   
75.
Subfossil remains of Cannabis sativa L. (hemp) have been found at Lindängelund in the region of Malmö, southern Sweden. These represent the earliest robust evidence so far for hemp retting in Scandinavia. Finds of seeds, stems and pollen of C. sativa from a waterlogged context on a settlement dating to the Roman Iron Age demonstrate that the plant was locally cultivated and processed during the 1st–2nd centuries AD. An introductory phase in Scandinavia is proposed (c. AD 1–400) during which the cultivation of hemp was apparently small scale and processing was probably carried out within settlements. In the succeeding centuries, c. AD 400–550 (the Migration Period), remains of hemp are mostly found in pollen records from lake sediments, and less frequently in the archaeological record. This could indicate that the process of hemp retting relocated from settlements to lakes shores where activity became larger in scale and more integrated with the prevailing agricultural system.  相似文献   
76.
In a study on children's relations to outdoor places, 41 six- to eight-year-old children took photos with digital cameras during walks in schoolyards and nature environments. In the present article, the cameras and their role in the research process are in focus. A materialist approach has guided the analysis [Barad, K. 2003. “Post Humanist Performativity: Towards an Understanding of How Matter Comes to Matter.” Signs: Journal of Women in Culture and Society 28 (3): 801–831 and Barad, K. M. 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham, NC: Duke University Press]. The research process is seen as a materialist-discursive phenomenon in which several human and non-human agents intra-act. The results indicate that the cameras give rise to explorative activities and function as a third party in social situations. These activities occasionally counteract the purpose of the study.  相似文献   
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This article focuses on the export of environmental technology by publicly owned companies. The export of such technologies has the potential to contribute to economic competitiveness and environmental sustainability. However, research on this emerging topic has so far largely focused on privately owned SMEs compared to publicly owned companies. Using interviews with 12 Swedish municipally owned companies which develop such systems and a survey with 36 others, we analyse their approaches, drivers for and obstacles to export. These companies use a combination of different approaches such as subsidiaries, independent projects, licensing and private-public partnerships to engage in export. However, in contrast to private companies which are often driven by internal factors such as extra sales, these municipally owned companies are largely motivated by external factors such as customer requests and opportunities to contribute to environmental sustainability. Furthermore, their main export barriers relate to differences between the business culture and political systems in their home and target markets. Their export experiences are influenced by their municipal ownership, the types of technologies they develop and the institutional contexts within which they operate. This study reveals an actor type struggling to find a balance between domestic obligations and commercialization in international markets.  相似文献   
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The article argues that contrary to the widely held view that traces the recent rise of illiberalism in Hungary and Eastern Europe to a weak civil society, the past decade has witnessed a surge of civil society activism. But rather than working exclusively towards strengthening and complementing liberal political institutions, civil society has also provided fertile soil to the spread of right‐wing populism, radicalism and xenophobia. The analysis suggests that civil society organisations have in fact played an important role in the right‐wing radicalisation of contemporary Hungarian politics. Conservative civic groups have been instrumental in reinvigorating the symbolic vocabulary of a mythic nationalism that was widespread at the turn of the nineteenth and twentieth century as well as in the 1930s. The resurrection of nationalist, irredentist and anti‐Semitic symbols and paraphernalia (e.g. greater Hungary car stickers) has been a major vehicle for increasing the public visibility and political impact of these groups. The article shows through case studies of specific organisations how this seemingly anachronistic symbolic repertoire has found new resonance in contemporary Hungarian public life.  相似文献   
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In the period 2006 to 2013, Norway has experienced a substantial increase in public subsidies to culture as well as a substantial increase in real income growth in general. This paper discusses different explanations for why Norwegian artists’ real artistic income has declined between 2006 and 2013, despite the positive economic development in Norway. We have based the study in particular on two comparable studies on the income and work situation of Norwegian artists in 2006 and 2013. We analyse and discuss why the artists’ real artistic income has declined during this period. We do not find a single, general, explanation for this, but the income decline does not primarily seem to be due to either an increasing number of artists or a decline in public scholarships to artists. Our two most striking findings are: (i) A substantial decline in most artists’ artistic working hours and a corresponding increase in artistically related and non-artistic working hours, and (ii) a tendency for artists to derive less of their income from the market, together with an apparent decrease in cultural consumption (spending) among Norwegians. These two factors – especially the latter – seem to be the major factors behind the decline in artistic income.  相似文献   
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In a city there are hotspots that attract citizens, and most of the transportation arises when citizens move between their residence and primary destinations (i.e. hotspots). However, an ex ante evaluation of energy-efficient mobility and urban residential planning has seldom been conducted. Therefore, this paper proposes an ex ante evaluation method to quantify the impacts, in terms of CO2 emissions induced by intra-urban car mobility, of residential plans for various urban areas. The method is illustrated in a case study of a Swedish midsize city, which is presently preoccupied with urban planning of new residential areas in response to substantial population growth due to immigration. In general, CO2 emissions increase from the continued urban core area (CUCA), to the sub-polycentric area (SPA), to the edge urbanization area (EUA), where CO2 emission of EUA is twice that of the CUCA. The average travel distances also increase in the same pattern, though the relative increase is more than four times. Apartment buildings could be more effective in meeting residential needs and mitigating CO2 emissions than dispersed single-family houses.  相似文献   
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