From riches to rags: organic deterioration at Star Carr

The 11,000-year old lake edge archaeological site of Star Carr in the Vale of Pickering of North Yorkshire is one of the most famous Mesolithic sites in Europe, and one of the earliest, dated to the period of climatic warming that immediately followed the final termination of the last ice age. One of the main reasons for this international importance is the richness of its organic artefacts, faunal assemblage and environmental data. However, recent investigations have demonstrated that these organic remains have severely deteriorated over the last 60 years due to the decay and acidification of the surrounding peat. This paper presents research into the effects on the bone (histological analysis using light and polarising microscopy, and Transmission Electron Microscopy, bulk collagen analysis, and amino acid analysis), antler (visual and metrical analysis, loss on ignition and Scanning Electron Microscopy) and wood (visual analysis, decay assessment tests and Scanning Electron Microscopy).     

Heritage and separatism in Barcelona: the case of El Born Cultural Centre

This paper explores the ways in which heritage sites at the crux of neighbourhood renewal and redevelopment initiatives in Barcelona have been manipulated to advance Catalan separatist agendas. We focus specifically on El Born Cultural Centre which was officially opened in September 2013 amid heightened calls for Catalan independence from Spain. A former market site, the centre’s key attraction is its archaeology which has been re-imagined and presented to communicate the horrors of war inflicted on the citizens of Barcelona following the War of Succession in 1714. Narratives that emphasise the historical degradation of Catalan political or cultural identity and/or work to reaffirm the distinct and separate nature of Catalan nationalism resonated strongly with the political reawakening of Catalonians in the run up to the 2014 November referendum on independence. The referendum which was subsequently deemed illegal by the Spanish government, and subsequent regional elections were held in 2015. In considering the negotiation of El Born during this drive for independence, this paper suggests that an examination of heritage sites and the ways in which they engage with, or are received by multiple stakeholders, can offer insights into the complexity of separatist campaigns in ethno-nationalist societies.     

“The Agitator’s Wife” (1894): the story behind James Connolly’s lost play?

The centenary of the Easter Rising in 2016 and the 150th anniversary of James Connolly’s birth in 2018 afford an ideal opportunity to reappraise this unique figure. Rightly renowned for his polemical journalism and political theory, Connolly is less celebrated for his creative writing. His 1916 play, Under Which Flag?, long considered lost, resurfaced fifty years ago without causing significant ripples in Irish literary circles, but interest in Connolly’s role in the struggle for Irish independence continues to grow, and critics are becoming increasingly aware of the fusion of feminist and socialist thought that shaped his particular anti-imperialist agenda. In this context his creative writing takes on new significance. A second lost play of Connolly’s, The Agitator’s Wife, has never been found, but its discovery would surely deepen our understanding of this gifted radical thinker. In this essay we suggest that an anonymous short story bearing that very title, published in a short-lived Christian socialist journal of the 1890s, may be a crucial missing piece in solving the puzzle of Connolly’s forgotten drama.     

‘She-who-must-be-obeyed’: Anthropology and Matriarchy in H. Rider Haggard's She

This essay examines the nineteenth-century debate about an imagined matriarchal past, arguing that it raised significant questions about gender and history. It scrutinizes the interdisciplinary nature of the debate, demonstrating that anthropology and literature intersected in a fraught investigation of ‘mother-rule’. The essay contends that H. Rider Haggard's novel She (1887) engages in complex ways with anthropological visions of a matriarchal past. The work of the major matriarchal theorists, J. J. Bachofen, J. F. McLennan, John Lubbock, and L. H. Morgan, often seen as triumphalist accounts of the transition from matriarchy to patriarchy, was beset by tensions about gender, power, and temporality, caught between evolutionary meliorism and nostalgia, between a defence of patriarchy and recognition of cultural variability. Haggard's She, the essay argues, exposes and deepens the tensions at the heart of the anthropological narrative. Critics have conventionally read She as a matriarchal dystopia, yet the novel offers an ambivalent dramatization of matriarchy, and is attracted as well as repelled by the matriarchal past embodied in the white African queen Ayesha and her people, the Amahagger. More than a femme fatale, Ayesha is sorceress and scientist, harbinger of life and of death; even her violence unsettles assumptions about gender and power. Haggard's evocation of the Amahaggers’ marriage practices works to question the anthropologists’ hierarchical cultural evolutionism, moving towards an appreciation of plural cultures. The narrative's insistence on cyclical temporalities also disrupts a linear narrative of progress from matriarchy to patriarchy, conveying the potent attractions of a resurgent female past.     

Trellising the girders: poetry and the imagining of place in Northern Ireland1

Imaginings and uses of place in Northern Ireland are characterised frequently by sectarianism, leading to the strict territorialisation of space along cultural, political and religious dividing lines. It is argued that such geographies underpin the six counties' ongoing intercommunal conflict. Extrapolating from the work of feminist economic geographers J. K. Gibson-Graham, this paper suggests that in order to fracture the monolith of spatial sectarianism, attention must be paid to imaginings and uses of place which sidestep or move beyond the tendency to exclude. Here I examine poetry by Michael Longley and Sinéad Morrissey for its alternative envisaging of place, and argue that these particular instances of opening out a spatial imaginary are of import both in a Northern Irish context, and further afield.     

In Search of the Middle Ground: Quantitative Spatial Techniques and Experiential Theory in Archaeology

In March 2011, a conference was held at the University of Aberdeen, Scotland, focusing on the possibilities and potentials of combining quantitative spatial studies with more human-centred and theoretically explicit approaches to past landscapes. This short introduction outlines the main themes and goals of the conference and the resultant papers, published here as a special issue.