One world,one place

Este artículo rastrea la historia del World Archaeological Congress desde una perspectiva sudafricana-una posición estratégica apropiada, dado que el WAC se formó entorno al tema del apartheid y la relación entre el estudio del pasado y la política del presente. Mientras el apartheid fue una cuestión bien definida, los asuntos que el WAC ha tenido que afrontar con posterioridad no han resultado tan sencillos, e incluso en ocasiones han llevado a la incertidumbre. El concepto de Una Arqueología Mundial que el WAC adopta puede ser visto como una serie continua de meditaciones ligadas con una propuesta fundacional. Sin embargo este mundo ha cambiado. Las nuevas tecnologías de información y comunicación suponen el fin de las distancias que en el pasado supusieron un factor limitador para los movimientos mundiales progresistas. En pocos a?os, la red de banda ancha tendrá un coste bastante inferior en todas las ciudades del mundo. Las organizaciones mundiales que luchan contra intereses establecidos serán redes flexibles que se organizarán entorno a cuestiones locales, compartiendo al mismo tiempo la información y los recursos a nivel global. De este modo se abren grandes oportunidades para los movimientos mundiales que enlazan, a una y al mismo tiempo, las complejidades de las circunstancias locales y las oportunidades de las alianzas globales.

---

Résumé Le r?le de l'apartheid et de la localisation de Cape Town sont des éléments utilisés dans le survol du développement du Congrès Mondial de l'Archéologie et du mouvement One World Archaeology depuis 1986. à l'époque un boycott académique a empêché la participation des Sud-africains au congrès de Southampton durant lequel fut formaliser le CMA. Le terme un monde, une place, caractérise la proposition d'adopter une nouvelle approche et l'opportunité de repositionner le mouvement One World Archaeology. L'approche un monde, une places'oriente sur le concept de place, de sites locaux d'engagements et de connections entre la question de l'identité, le patrimoine culturel, l'interprétation historique et les droits humains. Un accès élargis aux nouvelles technologies de communication peut faciliter cette approche et offrir le potentiel de se préoccuper de la diversité des localisations et rendre possible le développement d'un réseau de communication stratégique d'une ≪archéologie engagée.

     

Archaeological ethnography: Conversations around Kruger National Park

Este artículo esboza las posibilidades para una práctica mixta, a la que yo denomino etnografía arqueológica, que enlaza la arqueología y antropología sociocultural. Mi trabajo de campo se ha realizado en los límites del Parque Nacional Kruger con individuos de la comunidad de Malatji, y también con ecologistas sociales, guardas del parque, intérpretes y agentes del patrimonio que trabajan en el parque nacional. La investigación contribuye y evalúa críticamente el centralísmo del patrimonio arqueológico de Sudáfrica y sus múltiples papeles en la formulación de nuevas subjetividades en la nación cosmopolita y postcolonial.

---

Résumé Cet article illustre la possibilité d'utiliser l'ethnographie archéologique comme pratique hybride permenttant de faire le pont entre l'archéologie et l'anthropologie socioculturelle. Mon travail de terrain se déroule à la limite du Parc National Kruger avec des individus de la communauté Malatji et aussi des spécialistes en écologie sociale, des agents de la conservation, des guides interprètes et des représentants du patrimoine employés du parc national. Cette recherche entend contribuer et faire une évaluation critique de la centralité du patrimoine archéologique en Afrique du sud et de ses r?les multiples dans la formation d'une nouvelle subjectivité dans la nation cosmopolite postcoloniale.

     

Editorial

Ohne Zusammenfassung     

The Gothic and the Gaelic: Exploring the Place of Castles in Ireland’s Celtic Revival

This paper examines the conflict in early nineteenth century Ireland that emerged between the way castles were portrayed in academia on the one hand and romantic literature on the other. Focusing on a key text of the Celtic Revival, Sydney Owensons The Wild Irish Girl, the paper explores how this novel (with its strong gothic influences) established a lens through which Gaelic Ireland could be understood and how this in turn affected the representation of castles. The second part of the paper ties these themes into an analysis of the relationship between architecture, literature and identity in the occupation of Leap Castle, Co. Offaly during the changing political climate of nineteenth and early twentieth century Ireland.     

Wild Cattle: Red Deer in the Religious Texts,Iconography, and Archaeology of Early Medieval Ireland

Humans use animals as a means of creating and manipulating relationships with other human beings. This process occurs both through the use of animals for food or raw materials and through the use of animals as literary and artistic symbols. Cervus elaphus is Irelands only indigenous deer species. It is also unique in being the only native Irish, wild animal to appear frequently in medieval texts, iconography, and archaeological deposits. This paper brings together diversesources of information to illuminate how early medieval monasteries used reddeer to establish an identity for themselves and to conceptualize socioeconomic relationships with others.     

Linking land displacement and environmental dispossession to Mi'kmaw health and well‐being: Culturally relevant place‐based interpretive frameworks matter

For over five decades, Pictou Landing First Nation, a small Mi'kmaw community on the northern shore of Nova Scotia, has been told that the health of its community is not impacted by a pulp and paper mill pouring 85 million litres of effluent per day into a lagoon that was once a culturally significant place known as “A'se'k,” and which borders the community. Based on lived experience, the community knows otherwise. Despite countless government‐ and industry‐sponsored studies indicating the mill's pollutants are merely “nuisance” impacts and harmless, the community's concerns have not gone away. Using a “Piktukowaq” (Mi'kmaw) environmental health research framework to guide the interpretation of oral histories coming from the Knowledge Holders in Pictou Landing First Nation, we convey the deep, health‐enhancing relationship with A'se'k that the Piktukowaq enjoyed before it was destroyed, and the health suppression that has occurred since then. Conducting the research using a culturally relevant place‐based interpretive framework has demonstrated the absolute necessity of this kind of approach where Indigenous communities are concerned, particularly those facing health impacts vis‐à‐vis land displacement and environmental dispossession.     

Alternative Zuliefersysteme im Brauereisektor – Regionalmodelle des Braugerstenbezugs in Bayern

Standort - Seit Jahrzehnten wird Bier größtenteils in standardisierten Wertschöpfungsketten produziert, wobei die Kontexte der Rohstofferzeugung kaum mehr nachvollziehbar erscheinen....     

Rock Art Between Preservation,Research and Sustainable Development—a Perspective from Southern Ethiopia

This paper focuses on southern Ethiopia, along the outer rim of the Rift Valley and not far from the Kenyan border, in an area forming part of a larger region known as a cradle of humankind. However, it also hosts a diverse Holocene rock art heritage, which is still underestimated and underdocumented. Paintings and engravings are widespread in the region, both in rock shelters and open-air sites, often located in remote areas currently inhabited by communities belonging to different ethnic groups. The aim of this paper is to present the first results of a new project in the area around Yabelo, within the broader framework of rock art research in East Africa, integrating archaeological research, preservation and heritage management with a relevant involvement of local communities. The outstanding cultural importance of these contexts offers new prospects for both scholarly research and sustainable development. The recording and study of the artworks is underway, using digital technologies that guarantee a high standard of accuracy of the documentation and non-invasive recording methods. This provides important insights for reconstructing cultural dynamics in the area between the final Pleistocene and onset of the Holocene. Moreover, the focus on rock art makes it possible to enhance local knowledge, increasing the awareness of local communities, with a significant impact on the preservation of this fragile heritage and the development of local, sustainable tourism projects. Differently from other archaeological features, rock art can have a more immediate attractiveness for contemporary observers, in terms of the apparent immediacy of the images and their emotional impact, raising awareness of cultural heritage and fostering major involvement in its preservation.     

Working on Rock Art in the Dakhleh Oasis: Some Thoughts on Threats to Petroglyphs and Possibilities of Research in the Western Desert,Egypt

The rock art in Dakhleh, despite being known for more than a century, has been thoroughly investigated only since the late 1980s, and remains far from being well known especially outside of Egypt. At the same time, the consecutive seasons of fieldwork conducted by the Petroglylph Unit (part of the international Dakhleh Oasis Project) have produced a great number of findings and substantially enhanced our knowledge of the petroglyphs of this area. Here, rather than focusing on interpretive aspects of the research, I wish to discuss the threats endangering the petroglyphs in the Oasis. Dakhleh has developed very intensively in the last 100 years. It is, however, the twenty-first century which seems to pose some serious threats to archaeological heritage. Hence, in this paper I wish to report on what has been done so far to document rock art in the Oasis, and try to establish the priorities for potential future work. The agricultural and infrastructural development in the area, and the uncertain political climate in the country, heavily influence the state of rock art preservation and the possibilities of research. The need for documentation and preservation of rock art is larger than ever before, because many changes in the local landscape cannot be stopped. The time is pressing, because more and more rock art is disappearing due to the reasons discussed in this paper. Threats to Egyptian rock art in general will form a background for considerations concerning petroglyphs from the Western Desert.