From ‘Breathless Catalogue’ to ‘Beyond Text’: A Hundred Years of Children’s Folklore Collecting

This lecture draws attention to research into children’s folklore in Britain from the last century, stressing its potential to inform understandings of contemporary childhoods, particularly children’s play. The emphasis is on archival sources, such as the collections of Norman Douglas, James Ritchie, and Iona and Peter Opie. The changing nature of contemporary evidence, such as children’s self-produced films of their play shared on YouTube, is also illustrated, and the importance of a multimodal approach stressed. The author compares the historical sources with the collectors’ published work, and highlights the need for rigour in appraising these differing forms of evidence.     

行李待领:谁拥有香港的考古遗产?

香港曾是英国在东南亚的殖民地.在1997年回归中国前,香港是一个借来的时间和空间.根据香港特别行政区的基本法,回归后的香港保持原有法律和行政架构.在一国两制的原则,中国的文物保护法不适用于香港特区.殖民地时期以前,香港只不过是中国的一个边缘地区.经历150多年的殖民地管治,殖民政府曾于1899年颁行宋王台保存条例,其后...     

Playing Both Sides Against the Middle: The Labour Party and the Wholesaling Industry 1919 1951

This article examines the Labour party's attitude towards thewholesaling industry. During the inter-war period wholesalers,‘middlemen’ as they were commonly called, occupiedthe position of bogeyman in much Labour party thinking and literature.As a result the Labour governments of the 1920s took actionsdesigned to achieve two ends: to improve the efficiency of fooddistribution, and to limit the power of middlemen to exploitboth ends of the food production chain, farmers and consumersalike. This ideological positioning of the middleman by Labour,and the reforms introduced under the MacDonald governments,stressed the need to establish farmers’ co-operativesand consumers’ protection agencies, and also emphasizedthe importance of other measures designed to boost efficiency.However, by the time of the Attlee governments the cornerstoneof the inter-war policy, the producer co-operative, had beenabandoned and the focus of debate shifted to various forms ofnationalization. This change of policy is examined in this article.Though post-war Labour manifestos pledged to nationalize sectionsof the wholesaling industry, and despite the fact that the partyunder Attlee discussed the nationalization of wholesaling atlength, the industry remained in private hands. An attempt tounderstand how and why the nationalization of wholesaling wasopposed within the party and shelved by the Attlee governmentsis central to this study.     

Virtual Representation: the Production of 3D Digital Artifacts

As new digital technologies now pervade the discipline of archaeology, the practice of creating digital 3D representations of artifacts has become widespread. The rapid growth and acceptance of these technologies into the discipline leaves us in a position where we must engage with how these tools fit our epistemologies. I propose that we look to a much older technology, photography, to inform the way that these digital artifacts are dealt with as we move into an increasingly digital field. In doing so, I will argue that the creation of a 3D digital artifact is a productive process, just as any form of media used to document and interpret the archaeological record. Through this production, the digital form is decoupled from the original physical artifact. The creation of a new representation of the artifact (in the form of a photograph or digital model) provides a new dimension to our interactions with these artifacts. The result of the digital movement in archaeology is a more interactive experience with artifacts, allowing researchers and the public alike digital access to archaeological collections. If the current trend continues, digital artifact modeling will become as indispensable to archaeology as traditional photography. It is therefore necessary for archaeologists to be aware of the subjectivities and biases that exist during this productive act as we move into a more integrated field of digital, representational technologies.