Tell Abraq during the second and first millennia BC: site layout,spatial organisation,and economy

Research recommenced at Tell Abraq in 2007, carried out by Bryn Mawr College with an international team in co‐operation with the Sharjah Archaeology Authority. Between 2007 and 2010 fieldwork was limited to documenting sections of the previous excavations and one small sounding while our attention focused mainly on the nearby shell‐midden site of Hamriya and the fortified Iron Age settlement site of Muweilah. Since 2010, large‐scale excavations have been conducted which have fundamentally altered our understanding of the layout of the settlement and its economic relations during the second and first millennia BC. In this report, we detail the results of this work and present preliminary interpretations.     

Christmas in the Workhouse: Staging Philanthropy in the Nineteenth-Century Periodical

This article provides an overview of the representation of workhouse philanthropy in the nineteenth-century periodical. In the 1830s and 40s, the popular representation of the workhouse was of a cruel institution in which paupers were systematically beaten and starved. However, the ideological significance of the workhouse shifts in the depictions of privately funded philanthropy that proliferated in magazines and newspapers during the Christmas publishing season. In representations of the workhouse at Christmas, paupers are shown receiving gifts and enjoying entertainments against a festively decorated backdrop. Middle-class benevolence is at the heart of these Christmas performances: these treats are not funded by the poor rates, but by individuals, who are frequently depicted in attendance at the workhouse Christmas. The institution, now redolent with ideas of care, charity and goodwill, functions in these texts as a stage for the projection of a bourgeois philanthropic self; the reader, the audience of this ideological performance, is encouraged to self-identify with the middle-class values that overlay these workhouse scenes. Entwined with these depictions of private philanthropy are underlying ideas of discipline and control. Just as the middle-class guests enact an idealized identity, so too do the paupers enact the role of the indebted and grateful poor. This article examines how the nineteenth-century periodical constructs the workhouse as a performance space for the middle classes; it explores the various agendas of these constructions and analyses the ideological messages they convey.     

Emancipatory or Neoliberal Food Politics? Exploring the “Politics of Collectivity” of Buying Groups in the Search for Egalitarian Food Democracies

In the context of apolitical tendencies in food studies, this paper explores how alternative food networks can contribute to developing emancipatory food politics rather than constitute a tool to reproduce neoliberal subjectivities. For this purpose, I contend that the post‐political literature offers a useful approach to examining the concept of food politics by developing a more robust theoretical framework, permitting the establishment of linkages with broader contemporary processes of social change. The analysis of an action‐research process with buying groups in Spain is used to examine the “politics of collectivity” at play, that is, how these initiatives institutionalise “the political”. Specifically I explore the motivations mobilised to construct place‐based ethical repertoires and unveil how these groups govern the relationality of consumption practices in the pursuit of broader processes of change. I conclude by discussing the contribution of these initiatives to building egalitarian food democracies.     

The Dancers Who Became Transformed into Wood: the mai masks of the Iatmul,Papua New Guinea

Borrowing, exchanging, and violent appropriation of ritual artefacts have been actions that have contributed to the development of cultural diversity within a particular frame of variations in the Middle Sepik region of Papua New Guinea. The mai masks of the Iatmul, already mentioned by Bateson, are the well‐documented result of a violent appropriation, as indigenous evidence shows. However, the ‘model’ which served for the mai were ritual dancers captured in the Alexander Mountains. These dancers displayed heavily painted faces (but no masks) and rich body decoration. In the process of making the powerful ‘model’ into one of their own, the Iatmul artists transformed the painted faces into carvings according to their preferred material of artistic expressions, wood, and their predilection for the interplay of elevated and deepened surfaces. As this article shows, the creation of mai as (enlivened) persons needs the establishment of socio‐cosmological relationships in which ancestral spirits and ‘natural’ substances are crucially involved. Thus, apart from sculpting as making, actions of growing are essential for turning the masks into beings endowed with ancestral power.     

Disease: A Hitherto Unexplored Constraint on the Spread of Dogs (<Emphasis Type="Italic">Canis lupus familiaris</Emphasis>) in Pre-Columbian South America

Although debate continues, there is agreement that dogs (Canis lupus familiaris) were first domesticated in Eurasia, spreading from there to other parts of the world. However, while that expansion already extended as far as Europe, China, and North America by the early Holocene, dogs spread into (and south of) the tropics only much later. In South America, for example, the earliest well-attested instances of their presence do not reach back much beyond 3000 cal. BC, and dogs were still absent from large parts of the continent—Amazonia, the Gran Chaco, and much of the Southern Cone—at European contact. Previous explanations for these patterns have focused on cultural choice, the unsuitability of dogs for hunting certain kinds of tropical forest prey, and otherwise unspecified environmental hazards, while acknowledging that Neotropical lowland forests witness high rates of canine mortality. Building on previous work in sub-Saharan Africa (Mitchell in Archaeol Res Afr 50:92–135, 2015), and noting that the dog’s closest relatives, the grey wolf (C. lupus) and the coyote (C. latrans), were likewise absent from South and most of Central America in pre-Columbian times, this paper explores instead the possibility that infectious disease constrained the spread of dogs into Neotropical environments. Four diseases are considered, all likely to be native and/or endemic to South America: canine distemper, canine trypanosomiasis, canine rangeliosis, and canine visceral leishmaniasis caused by infection with Leishmania amazonensis and L. colombiensis. The paper concludes by suggesting ways in which the hypothesis that disease constrained the expansion of dogs into South America can be developed further.     

Lead‐Glazed Rustiques Figulines (Rustic Ceramics) of Bernard Palissy (1510–90) and his Followers

The glaze chemistry of a group of rustiques figulines attributed to the renowned French potter Bernard Palissy (1510–90), or to his followers and imitators, has been determined non‐destructively using PIXE and PIGE analyses. The glazes are all lead silicates, the colourants being transition metal oxides—CuO, CoO, MnO and Fe₂O₃—with a small addition of SnO₂ to some of the glazes being common. Some distinction can be made between the various fabricated objects based on details of the overall composition and on the concentrations of the various colourants. The presence of B₂O₃ in any glaze, even in quantities as small as 0.1–0.3%, indicates a post‐16th century production. Additionally, B₂O₃ in larger quantities, a few per cent or greater, very probably indicates an 18th–19th century production. However, at least one object known to be of 19th century production contains no B₂O₃.     

Variety of Black and White Limestone Tesserae Used in Ancient Mosaics in Slovenia

This study concerns the microfacies characterization of white and black limestone tesserae from selected Roman floor mosaics in Slovenia, with the aim of defining their provenance. We investigated 42 tesserae from 15 different mosaics from the archaeological sites of Ljubljana, Izola, Mo?nje, Ptuj, ?rnomelj and ?entpavel, dated from the first century bc to the fifth century ad . Among the studied tesserae, 13 different microfacies were identified: eight black and five white. The most common were mudstones with ostracods (65% of black tesserae) and wacke‐packstones with miliolids (85% of white tesserae). The majority of the identified facies can be found in the Cretaceous successions of the Dinaric Carbonate Platform in south‐western Slovenia, north‐eastern Italy and south‐eastern Croatia, suggesting a regional or imported origin of the tesserae.     

A Better Shade of Black: Effects of Manufacturing Parameters on the Development of Ancient Black Bronzes*

Copper alloys with controlled contents of Sn, Ag and Au were treated with methods and solutions that mimic those used in ancient and traditional procedures for the production of black bronze. Examination of the resulting patinas with colorimetry, SEM–EDS, TEM, Raman spectroscopy and XRD revealed no systematic differences according to the fabrication method, whereas patina homogeneity and colour in those alloys that did not contain precious metal were affected by superficial work. Patina microstructure determines adherence and coverage, and depends upon the solution used irrespective of the alloy composition, but the colour of the patina is mainly related to the alloy composition. Gold promotes the development of cuprite, slowing the oxidation to tenorite in the corrosion process. Gold additions produce a more uniform patina as well as a desirable blue–black tone, which is likely to have been a factor in alloy selection.