Between rocks and a hard place: prehistoric funerary practices at Wādī Ḍebayʿān,northern Qatar

Archaeological survey by the Qatar National Historic Environment Record Project (QNHER) in 2009, led to the discovery of a Neolithic flint scatter, a settlement and an ancient, raised shoreline associated with higher, mid‐Holocene sea levels at Wādī ?ebay?ān, north‐western Qatar (Al‐Naimi et al. 2010, 2011; Cuttler, Tetlow & Al‐Naimi 2011). The QNHER project is a collaboration between Qatar Museums and the University of Birmingham, which over the past five years has developed a national geospatial database for the recording of archaeological sites and historic monuments in Qatar. A significant aspect of the project involved archaeological survey and excavation in advance of major construction projects. Between 2012 and 2014 excavations at Wādī ?ebay?ān revealed a burial of a typology previously unknown in Qatar, the unmarked graves (Cuttler, Al‐Naimi & Tetlow 2013).     

The Port‐Vendres 4 Shipwreck Cargo: evidence of the Roman wine trade in the western Mediterranean

The Port‐Vendres 4 shipwreck is evidence of coastal export trade between Hispania Citerior and Narbonne in 40/30 BC. The cargo is made up of a particular assemblage of Roman wine amphoras (Pascual 1, Dressel 1B and Lamboglia 2) destined for Gallic markets. Archaeological and archaeometric analyses conducted on a selection of the amphoras allowed the provenance of the cargo to be identified as Hispania Citerior and the central‐southern Tyrrhenian coast of Italy. Iluro and/or Baetulo are proposed as the ports of departure, enabling the reconstruction of the trade route and the historical and economic significance of this shipwreck.     

Using Optical Coherence Tomography to Examine Additives in Chinese Song Jun Glaze

We use optical coherence tomography (OCT) to acquire microstructure images of Chinese Song Jun glaze to reveal the copper and quartz additives used and, in two typical samples, we show that the amount added is considerable. Focusing on these two additives, including the species, amount and granule (particle) size added in the glaze, the objective of the present study is to explore how they functioned in relation to the Jun glaze's visual characteristics, opalescence and sky‐blue colour, attributed to the unique liquid–liquid phase separation that occurs in Jun glaze.     

6. WHY WE NEED TO MOVE FROM TRUTH‐FUNCTIONALITY TO PERFORMATIVITY IN HISTORIOGRAPHY

The central challenge of the philosophy of history and historiography is to find a principled way to rank different interpretations of the past without assuming their truth in terms of correspondence. The narrativist insight of the narrative philosophy of historiography was to correctly question historical realism. It analyzed texts and showed that they cannot reflect the past as it is. However, the rejection of the truth‐functional evaluation threatens to lead to an “anything goes” approach in terms of cognitive evaluation of historiography. In any case, no adequate theory of evaluation has so far been developed, although clearly not all historiographical interpretations are acceptable. Postnarrativist philosophy of historiography suggests that any history book includes a content‐synthesizing unit, but that it is problematic to think that it is “narrative” that structures texts. It is better to think of historiography texts as presenting reasoning for views and theses about the past. Arguments for these theses should be considered not as being true but as more or less appropriate, fitting, or warranted. The historian aims to produce as highly rationally warranted and compelling a thesis of the past as possible; its rational appropriateness depends on three dimensions of cognitive evaluation: the epistemic, the rhetorical, and the discursive.