Using historically informed archaeology: Seventeenth and eighteenth century Hueda/European interaction on the coast of Bénin

The period of the Atlantic slave trade between Africa and European colonies is relatively well documented compared with the historic records of many regions of precolonial Africa. However, this documentation necessarily presents a perspective distilled through European eyes. This paper suggests a methodology influenced byAnnales history for critically analyzing documentary sources in conjunction with a critical interpretation of archaeological remains. Archaeological evidence from recent excavations at the site of Savi, capital of the Hueda kingdom, is contrasted with documentary evidence, facilitating an interpretation of motivations guiding Hueda interaction with European traders and structuring their spatial relationship.     

New Directions in Bioarchaeology: Recent Contributions to the Study of Human Social Identities

As a discipline that bridges the biological and social sciences, bioarchaeology has much to contribute to a contextualized and theoretically sophisticated understanding of social identities. Here, we discuss the growing methodological sophistication of bioarchaeology and highlight new developments in osteological age and sex estimation, paleodemography, biodistance analysis, biogeochemistry, and taphonomy, particularly anthropologie de terrain. We then discuss how these methodological developments, when united with social theory, can elucidate social identities. More specifically, we highlight past and future bioarchaeological work on disability and impairment, gender identity, identities of age and the life course, social identity and body modification, embodiment, and ethnic and community identities.     

Annie Moore and the archives of displacement: towards an immigrant history of the present

Annie Moore, the first immigrant to enter the USA through the Ellis Island immigrant processing station, stands as an originary figure of the so‐called golden age of European immigration to the USA in the late nineteenth century. The contemporary archivization of the Irish immigrant Annie Moore in the Ellis Island Museum, New York and the Cobh Harbour Heritage Centre in County Cork, Ireland repeats the democratic rhetoric of immigration which underpins the foundation of the USA, as well as the national imaginary of Ireland. Yet in so doing, this archivization effaces the hierarchies of race and class that have historically underpinned the democratic rhetoric of immigration. With reference to Jacques Derrida's work on the archive and hospitality, this article expands on a performance‐based critical art intervention into the archivization of Annie Moore entitled ‘Calling Up Annie Moore’. Focusing on the blindspots, ellipses and discontinuities which the archive represses, the article traces the different histories and experiences of immigration which the art intervention disclosed.