Formt die Technik die Musik? Montageästhetik zu Beginn des 20. Jahrhunderts

Does technology shape music? Aesthetics of assembly at the beginning of the 20^th century. This article deals with the relationship between assembly in production technology and similar processes in musical composition. Can composers like Eric Satie, Igor Strawinsky or George Antheil, who used assembly methods in some of their compositions, be called assemblers? The authors point out that all three composers used assembly methods in different ways and with different purposes. Applying a theoretical approach inspired by media studies they come to the conclusion that the conditions under which musical works using assembly methods are shaped do not originate in technology but in the aesthetic convictions of the composer. Apart from assembly methods there are many other compositional principles the composer relies on. Technology may inspire music but does not determine the musical outcome.     

Experiencing Displacement: The Transformation of Women's Spaces in (Former) East Germany

Based on a comparison of two different research projects carried out in (former) East Germany, this paper analyses the effects of German (re)unification and postsocialist transformation as a specific, gendered form of displacement. We show how new divisions between "public" and "private" have affected women's sense of self and identity, cautioning against the notion that geographical restructuring will inevitably result in an empowering dissolution of fixed, placebound identities. Instead, we emphasise that places are connected to identities through relations of power and social practices that create unequal conditions for engagement in the (re)production of space. Feminist approaches to citizenship are discussed as one way of challenging the current marginalisation of East German women in unified Germany.     

Variability in Ethnographic Hidescraper Use among the Hadiya of Ethiopia: Implications for Reduction Analysis

The contemporary use of flaked stone tools provides a rare opportunity to study various aspects of lithic technology. Variables that must be inferred in archaeological contexts can be observed and more easily studied in ethnographic ones. The Hadiya hideworkers of southern Ethiopia, like a few other groups in this region, still retain the tradition of making and using obsidian scrapers on a daily basis for hide-working activities. This ethnoarchaeological study demonstrates how differential access to raw material and the resultant procurement strategies result in intra-group variability in scraper-use intensity. Results show that raw material acquisition costs, which are difficult to identify in archaeological assemblages, represent significant impacts on tool use life and curation.