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141.
Kate Holterhoff 《Journal of Victorian Culture》2016,21(2):205-225
This article considers intersections between the doctrines of mid-Victorian liberalism and biological evolution using 1860s caricatures and satires from Punch. In the years following the 1859 publication of John Stuart Mill’s On Liberty and Charles Darwin’s On the Origin of Species, caricatures featuring satirical apes illustrated mutually supportive cultural attitudes about politics and science. Ideas of character united the discourses of mid-Victorian evolutionism with liberalism, and the confluence of these ideas, or what I term liberal evolutionism, dramatized this overlap for Victorian culture. My project shows that the apes depicted in Punch were often intended as not only whimsical responses to the theories put forward by Darwin and Mill, they also point to the formation of the British subject. 相似文献
142.
Kate Cairns 《Children's Geographies》2017,15(3):304-318
School gardens are widely celebrated as spaces to promote health and sustainability by connecting children with their food. While scholars have assessed the effects of gardening in practice, media discourses play a key role in constituting this site. This paper examines how the school garden is discursively constituted within American and Canadian newspaper coverage. The analysis reveals specific forms of connection that are said to flourish in the school garden: between food production and consumption, between bodies and knowledge, and between the urban child and nature. While all children are said to benefit from connecting with their food, these connections are articulated differently in relation to particular bodies and spaces, evident in racialized and classed narratives of stewardship and salvation. As children’s relationship to food is invested with the hopes and fears of collective futures, the discursive construction of the school garden provides crucial insights into contemporary understandings of childhood. 相似文献
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Kate Jones 《Australian journal of political science》2008,43(2):243-258
The media, the public and politicians themselves often express a fear that Australian political life is increasingly dominated by ‘professional politicians’, who are seen as careerist, lacking in commitment and disconnected from the reality of ordinary lives. The article analyses the meanings given to the term ‘professional politicians’ and their relationship to other definitions and characteristics of professionalism. It also uses the concept of moral panic to analyse the concerns expressed about ‘professional politicians’. This concept, first formulated in 1972 in Cohen's study of alleged youth violence in a small town in the United Kingdom, is most often associated with studies of social deviance. This article demonstrates how, in a later period, it can be extended to apply to politicians, a group traditionally more often identified as a perpetrator of moral panics than the subject of them. 相似文献
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Kate M. Clark 《International Journal of Osteoarchaeology》1998,8(1):61-65
A dog skeleton from a well-dated eleventh century context was recovered from a kiln in Stafford. The animal exhibits particular morphological characteristics, identified metrically, and their similarity to modern comparative animals is discussed. The disposition of the animal in the structure is also described and the possible circumstances of the burial considered. © 1998 John Wiley & Sons, Ltd. 相似文献
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Kate Maclean 《Gender, place and culture : a journal of feminist geography》2018,25(5):711-726
La Paz, Bolivia, and its neighbouring city, El Alto, have been experiencing patterns of urban accumulation, dispossession and displacement that demonstrate the importance of social, cultural and historical logics to understanding the politics of urban space. A striking feature of these patterns is that the image of the person who has accumulated enough wealth to displace people, is that of an indigenous woman. The Aymaran woman, traditionally dressed in pollera skirt and Derby hat, who pays in cash for luxurious properties in the affluent, white area of the Zona Sur, is a trope that has entered popular culture and political discourse. In this article, I explore the development of this cultural trope from its emergence in the 2009 film named after the area in question, Zona Sur, and subsequent uses of images of this film in social media to describe and resist political changes in the city as related to space, property and belonging. My contention is that the trope of the rich Aymaran woman, and the reversal of expected patterns of urban development that she represents, places the colonial, cultural and gendered dynamics that structure how capital shapes urban space, into sharp relief. The rich Aymaran woman who has made her money in informal commerce transgresses ideas of propriety and belonging in La Paz, and also received ideas about urban processes and gender in critical geographical literature. 相似文献
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