Exhibiting enterprise: how New Zealand museums generate revenue

Museums in New Zealand are not a homogeneous group in terms of their level of incomegenerating activity or the nature of those activities. The gap of knowledge consequent on this situation led to the National Services unit of the Museum of New Zealand Te Papa Tongarewa, commissioning primary research into the revenue‐generation activities of the sector. This paper presents the results of that research, specifically the data gathered through a questionnaire. The results provide a profile of respondents in relation to their operating contexts, the sources of financial and non‐financial support they received (from the local community, local authorities and central government), and the types of income‐generating activities they undertook. The results contribute to a better understanding of both how organisations within the sector generate income (from traditional sources and new, more innovative activities) and what factors influence their ability to do so.     

A Mona effect: How place discourse constitutes culture‐led change

The arrival of the Museum and Old and New Art (Mona) in the disadvantaged municipality of Glenorchy was heralded as the beginning of significant social change in Australia's island state of Tasmania. These expectations were premised on a local place discourse known as the “Tasmanian gothic,” and, in this article, our aim is to illustrate the importance of place specifications in culture‐led change, including in relation to how place discourse constitutes such change. To do this work, we illustrate a Mona effect that comprises a critical account of the Tasmanian gothic informed by an empiric of tourist movement to and from Mona. We demonstrate that tourist movements follow existing socio‐spatial patterns, with tourists from higher socio‐economic backgrounds bypassing Glenorchy and those from lower socio‐economic backgrounds more likely to stop in this disadvantaged municipality. This socio‐spatial account unsettles the characterisation of Tasmania and Tasmanians provided by the Tasmanian gothic and we conclude by observing (1) a lack of significant social change resulting from Mona, in part explained by well‐established socio‐economic patterns; (2) signs of more subtle change that warrant further investigation; and (3) how local place discourse can act to curtail culture‐led change by reinforcing existing socio‐economic patterns.     

Liberal Evolutionism and the Satirical Ape

This article considers intersections between the doctrines of mid-Victorian liberalism and biological evolution using 1860s caricatures and satires from Punch. In the years following the 1859 publication of John Stuart Mill’s On Liberty and Charles Darwin’s On the Origin of Species, caricatures featuring satirical apes illustrated mutually supportive cultural attitudes about politics and science. Ideas of character united the discourses of mid-Victorian evolutionism with liberalism, and the confluence of these ideas, or what I term liberal evolutionism, dramatized this overlap for Victorian culture. My project shows that the apes depicted in Punch were often intended as not only whimsical responses to the theories put forward by Darwin and Mill, they also point to the formation of the British subject.     

Professional Politicians as the Subjects of Moral Panic

The media, the public and politicians themselves often express a fear that Australian political life is increasingly dominated by ‘professional politicians’, who are seen as careerist, lacking in commitment and disconnected from the reality of ordinary lives. The article analyses the meanings given to the term ‘professional politicians’ and their relationship to other definitions and characteristics of professionalism. It also uses the concept of moral panic to analyse the concerns expressed about ‘professional politicians’. This concept, first formulated in 1972 in Cohen's study of alleged youth violence in a small town in the United Kingdom, is most often associated with studies of social deviance. This article demonstrates how, in a later period, it can be extended to apply to politicians, a group traditionally more often identified as a perpetrator of moral panics than the subject of them.     

An Anglo-Saxon dog from Salter Street,Stafford

A dog skeleton from a well-dated eleventh century context was recovered from a kiln in Stafford. The animal exhibits particular morphological characteristics, identified metrically, and their similarity to modern comparative animals is discussed. The disposition of the animal in the structure is also described and the possible circumstances of the burial considered. © 1998 John Wiley & Sons, Ltd.     

Imaging Humanitarianism: NGO Identity and the Iconography of Childhood

Abstract: This paper asks how images of children are used by prominent signatories to NGO codes of conduct. The answer is that images of childhood and shared codes of conduct are both means through which development and relief NGOs produce themselves as rights‐based organisations. The iconography of childhood expresses institutional ideals and the key humanitarian values of humanity, neutrality and impartiality, and solidarity. Images of children are useful for NGOs in reinforcing the legitimacy of their ‘emergency’ interventions as well as the very idea of development itself. But the dominant iconography is also inherently paradoxical, as the child image can be read as both a colonial metaphor for the majority world and as a signifier of humanitarian identity. The question then for NGOs using this image in social justice campaigns is whether overtly political accompanying texts can nullify the contradictory subliminal messages that emanate from the iconography of childhood.