The substance of sexual difference: change and persistence in representations of the body in eighteenth-century England

The claims of Thomas Laqueur for a shift from a one-sex to a two-sex model of sexual difference are incorporated into many recent histories of gender in England between 1650 and 1850. Yet the Laqueurian narrative is not supported by discussions of the substance of sexual difference in eighteenth-century erotic books. This article argues that different models of sexual difference were not mutually exclusive and did not change in linear fashion, but that the themes of sameness and difference were strategically deployed in the same period. Thus, there was an enduring synchronic diversity which undermines claims for linear transformation.     

The wives of the ‘first troubadour’, Duke William IX of Aquitaine

The sources which offer insights into the life of Duke William IX of Aquitaine, the ‘first troubadour’, are few and disparate in nature. This study focuses on the conclusions which have been drawn from Anglo-Norman chroniclers' accounts of his clashes with the Church, reportedly over the issue of his adultery, and on Latin poems in praise of the bishop who excommunicated William and whom the duke persecuted.While it is generally believed that the duke married twice, close investigation shows this to be based largely on an error in a nineteenth-century secondary source: it is probable that Philippa of Toulouse was William's only wife. A new reading is proposed of the major Latin verse-compositions referring to the duke's excommunication (1114-17) and it is suggested that the historical evidence concerning the Poitevin claim to the country of Toulouse does not match well with the notion that William attempted to repudiate his wife Philippa, on whom this claim depended.     

CORE ELEMENTS AND LAYOUT CLASSES IN SWIFT CREEK PADDLE ART

Our work here extends a study in which we identified a set of task models used by early Swift Creek artisans to produce paddle designs. Reconstructed procedures for early bandwork compositions highlighted the importance of the placement of guide points and guidelines to the final product as well as the hierarchal nature of the production sequence, leading to the realization that designs can be profitably classified by the geometry of these initial steps. In this paper, we examine two layout classes defined from observations across some of the more common core elements in the Swift Creek design corpus. We then seriate the most common of the core elements, the Omega, by virtue of variation in its visual characteristics. We draw on the stratigraphic sequence at Fairchild’s Landing (9SE14), Seminole County, Georgia, as a test of the core-element seriation and discuss developmental differences in the Omega between two prolific Swift Creek regions, the lower Chattahoochee River of southwestern Georgia and southeastern Alabama and the lower Ocmulgee and upper Satilla rivers of central and south-central Georgia, on the other.     

Contesting captive cetaceans: (il)legal spaces and the nature of dolphins in urban Singapore

Drawing on the debate over dolphin captivity in Singapore, we examine the ways in which human–animal relationships are contested. Departing from most animal geography studies which often focused on the conflictual spatial transgressions of animals into human spaces, we use the idea of ‘captivity’ as a heuristic to posit that human–animal relationships are necessarily moral, spatially enmeshed in contestations over what is (un)natural and increasingly entwined in legal geographies. While such an argument mirrors other sites of animal captivity (for example, zoos), dolphin captivity sits in a more ambiguous legal terrain than most other captive animals in zoos. Moreover, the very ‘nature’ of dolphins makes debates over their ‘authenticity’ ever more complex. The moralities of cetaceans are simultaneously underpinned by questions of the spatial (‘captive sites’ and ‘open seas’), the socio-cultural (‘charismatic animals’) and the legal (‘regulatory frameworks governing their welfare and whether they are endangered or not’). Hitherto, cetaceans are less researched (compared to terrestrial creatures) in animal geographies with even fewer studies focusing on cetacean captivity. We call for an expanded notion of ‘captivity’ that is relative, relational and non-absolute and underpinned by the notions of ‘nature’. In so doing, we align ourselves more with the anti-captivity camp.