后生产主义乡村多元价值空间重构研究——基于无锡马山镇的实证分析

阐释后生产主义乡村内涵和特征基础上,以无锡马山镇为实证,运用文献分析法和图谱比较法,比较分析城郊乡村从生产主义到后生产主义的经济形态、功能布局及空间景观的变迁。研究表明：后生产主义乡村具有非农化、多功能化、生态化和空间资本化特征,并呈现多元景观和价值空间;近30年马山镇从传统山村——乡村工业化——生态旅游度假岛的发展过程,也是从生产性乡村逐步演化到后生产性乡村的过程;马山后生产性乡村多元价值空间重构过程,是在空间生产机制作用下,面向旅游消费、高品质居住和生态服务等多元价值空间产生、扩张和集聚,具有后生产主义乡村特征的景观在镶嵌、蔓延和组合中得以塑造     

A new Late Ordovician microdomatid gastropod genus from Seville,south west Spain,with a revision of Ordovician Microdomatoidea

A new microdomatid gastropod, Eopagodea sevillana gen. and sp. nov., is described from the Late Ordovician (pre-Hirnantian Ashgill) limestones of Seville, Ossa Morena Zone, Spain. Palaeozoic microdomatids lived in shallow-water environments and were restricted to warm-water regions. Occurrence of microdomatid gastropods in the pre-Hirnantian Ashgill limestones of the Cerrón del Hornillo syncline (Ossa Morena Zone, Spain) is interpreted as an example of an influx of warm-water faunal elements into the otherwise cool to cold climate of the Mediterranean region during a short-termed, pre-Hirnantian increase of palaeotemperatures. The Late Ordovician microdomatid genus Daidia Wilson, 1951, is revised and two new Late Ordovician (Ashgill) subspecies of Daidia cerithioides (Salter, 1859) are described: Daidia cerithioides sewardensis n. subsp. from the Don River area of the York Mountains, Seward Peninsula, western Alaska, and Daidia cerithioides wilsonae n. subsp. from the Little East Lake Formation of northwestern Maine.     

Contiguity and Similarity as Poetic Modes in Some Poems of Gongora

This article explores how different authors who suffered the violence of the 1970s and 1980s revolutionary movements and military dictatorships in the Southern Cone countries of Latin America look back from a post-dictatorship present to write the history of their recent past. Nostalgia and critical reflection join forces to recreate the feelings of loss of individuals whose identities crashed due to the failure of political projects that once were conceived as messianic, as well as to critically reclaim the past in order to construct alternative futures for themselves as individuals and for the community. The article focuses mainly on the Chilean Diamela Eltit's novel Jamás el fuego nunca (2007), in which an old couple of former revolutionary militants of the Left imprisoned in a claustrophobic space—an old bed—explore their past as militants and as a couple to understand and question notions of individual and collective identity in the aftermath of traumatic and tumultuous experiences. The novel is read in the context of other narratives such as Chilean Luz Arce's testimonial, El infierno (1993) and Argentine political scientist Pilar Calveiro's essays, Poder y desaparición (1998) and Política y/o violencia (2005), among others. This article's theoretical contribution lies in its emphasis on the ethical consideration of listening to all of the narratives that speak to us about that era cognizant of their differing motivations, desires, tonalities, and subjective trajectories. Only by paying close attention to the polyphony of voices and documents about the past—especially those that speak to us from a time of subjective crisis and trauma—can we achieve a true sense of historicity.     

Multi-temporal archaeological analyses of alluvial landscapes using the photogrammetric restitution of historical flights: a case study of Medellin (Badajoz,Spain)

One of the main challenges affecting the archaeological study of alluvial landscapes is the intensity of change these environments experience over time. Quick and dramatic alterations in geomorphological dynamics and land exploitation determine the visibility and conservation of the archaeological record. This study proposes an approach to the problem of studying these evolving environments based on the analysis and treatment of a series aerial photographs taken between the 1950s and the present day. This paper is particularly interested in looking at the process of photogrammetric restitution and in validating and comparing the digital terrain models and orthoimages produced. The quantitative analysis and visual interpretation of these results can provide valuable information about the transformation of landscapes and factors affecting surface evidence. The intended final result is to develop the ability to map the most problematic or best preserved areas. Nevertheless, it is considered in terms of a relative measure of change magnitude, rather than trying to provide absolute figures.     

Production and subsistence strategies at El Zafrín (Chafarinas Islands,Spain): new data for the early Neolithic of North-West Africa

Until a few years ago North-West Africa was ignored in our hypothesis on the neolithization of Western Mediterranean. Moreover, the few excavations focused exclusively on the test of stratigraphies in order to obtain chronological sequences. Recently developed archaeological projects allowed the inclusion of this region in the scientific debate on the origin and evolution of its Neolithic, on the contacts with the Iberian Peninsula through the Strait of Gibraltar, as well as on the documentation of ways of live, habitation structures, and economic strategies. The open area excavation of Zafrín, in the Chafarinas Isles – an archipelago located a short distance from the North African coast – and the full analysis of its lithic industry (technology, typology and use-wear), here presented, represents a novelty on the Neolithic research in North Africa. This in turn will permit us to approach subsistence strategies and the way of life developed by the Neolithic communities of the region.     

试论西贝尔的史学观念

本文试图从史料批判、连续性原则和政治观念三方面来探讨德国历史学家西贝尔构建的历史—政治史学观念体系,同时说明这种史学观念不但植根于德意志文化之中,更是针对当时的社会政治问题提出的一种解决方案。在这一体系中,西贝尔强调现实在认识历史中的重要作用,号召历史学家投身社会实践,在历史认识和生命实践之间的不断互动中,对历史进程进行不断的重新理解,由此而化解历史的客观性与历史知识的主观性之间的矛盾,从而体现出历史学对于社会和个人的价值。     

金代解盐使司银铤浅析

本文中的两笏金代解盐银铤,均出土河南省西峡县。经考证,与陕西临潼出土的两笏金代“解盐使司”银铤,出自同一铸地,是金代盐商向解盐使司购买钞引的入纳银铤。它不仅记录了明确的铸造时间、地点和重量,而且对金朝的盐池管理机构、金银铺号、榷货盐司的官吏等方面的记载详尽,为研究金代的盐课税制、金银行会制度、客商制度、白银在当时经济生活中的地位、作用及流通中所设置的管理机构、流通方式等提供了实物资料。     

浅析明末版画《程氏墨苑》的图像元素

明朝末期可称作中国版画发展史上的黄金时代。明中叶以后,"市民文化"渐渐充斥着人们的精神世界,各种以图画为主的图谱也如雨后春笋般出现。实时,制墨本为平常之事,然有爱好者将墨的形制、图案进行创新变革,刻成墨模之后,进而印出"墨谱"。虽说"墨谱"的产生源于墨的生产,但其中所表现的些许图像元素和艺术形态却值得研究。文章从明末徽派制墨名家程君房所出墨谱《程氏墨苑》为载体并进行延伸,对其中的图像内容、形态进行浅析,说明了当时社会的艺术理念和审美倾向。各种图形都是作者基于现实或想象思维的一种验证,代表着创作者的思想意识,也是当时社会民众视觉冲击力的一种验证。