高句丽将军坟的陪葬墓

将军坟是集安高句丽古墓中保存最好的一座大型方坛阶梯石室墓。多数学者认为它是高句丽第20代王长寿王的陵墓。将军坟后面原有一排陪葬墓,中外学者对其数量存在着分歧。1997年清理发掘后,有人认为第二座陪葬墓北侧的长方形石砌台基可能是祭台。通过古代墓祭的相关记载与考古迹象分析,应当是串形的陪葬墓。     

Enforcing Emissions Trading Programs

Combining an analysis of the compliance incentives faced by firms in an emissions trading program, a comprehensive review of the enforcement strategies employed in Sulfur Dioxide Allowance and the Regional Clean Air Incentives Market (RECLAIM) programs, and a review of the compliance performance of these programs thus far, we are able to propose several practical guidelines for enforcing emissions trading programs. We stress the importance of prevailing market prices for emissions permits in determining compliance incentives, the importance of accurately measuring firms' emissions, and the importance of implementing enforcement strategies that remove the incentives firms may have to falsify emissions reports.     

Huacayñán (1952–1953) and the biopolitics of in(ex)clusion

The foundation of the modern Ecuadorian State in the 1940s and early 1950s coincides with a series of attempts to synchronize and incorporate certain “problematic” sectors of the population that were supposedly resistant to progress and whose forms of life were incompatible with modernity, a capitalist economy, and a cohesive nation. This biopolitical project for the modernization and governance of the population also had repercussions on—and analogous manifestations within—the discourse of national identity, the design of cultural policies, and the production of State-sponsored national art. This article analyzes Huacayñán / El camino del llanto / The Way of Tears (1952–1953), a collection of FIGURE 3 aintings by Oswaldo Guayasamín that was commissioned by the government of Ecuador in 1951. Huacayñán was conceived within the ideology of mestizaje as an instrument of aesthetic cultural modernization and as a visual artistic showcase of the harmonious integration of ‘Ecuadorians.’ Despite, or even because of its governmental overdetermination, however, this article shows how Huacayñán instead materialized the exclusionary logic of the syncretic and biopolitical policies of the State, displaying dystopic visions of violence and exclusion, and of a fractured nation inhabited by monsters and resistant to mestizo-ization.     

荥阳官庄遗址制陶作坊出土陶泥陶坯的科学分析

河南省荥阳官庄遗址发现了用于制陶的粘土原料以及未烧制的陶坯,这为研究西周中期以后中原制陶技术提供了不可多得的研究资料。为此,本研究利用能量色散X射线荧光光谱仪、X射线衍射分析仪分析了部分原料和陶坯,并使用马弗炉对其中的陶泥进行了烧制实验。结果发现,官庄遗址的制陶原料含铁量较高,烧制过程中析出磁铁矿等铁类矿物,且烧成陶色偏深;此外,制陶原料和同期陶片之间物相的趋同性和化学成分的聚类性,显示陶器本地生产的特性。研究结果为研究西周晚期至春秋早期时期制陶技术提供了基础材料。     

国内外旅游绅士化研究综述与展望

随着旅游发展与城市化进程的不断加快,旅游驱动下的绅士化现象日益显现,并受到国内外学者的关注。旅游绅士化现象不仅发生在城市区域,近年来旅游发展也推动了乡村地区的绅士化。旅游绅士化改变了特定区域社会结构、居民素养以及人居环境等,也改变了旅游发展格局,进而影响区域社会经济发展。从研究内容来看,国外相关研究主要聚焦在旅游绅士化的原因、过程和影响等领域,而国内研究主要集中在旅游绅士化的概念、类型、阶段、原因等方面。国内外已有研究较多关注旅游绅士化现象,研究方法较为单一,在旅游绅士化形成机理、旅游影响等方面缺乏深入系统的综合研究。通过丰富研究内容、完善研究方法、拓宽研究视角、夯实理论基础来构建研究体系是未来深化旅游绅士化研究的重要目标。     

洛阳新发现西汉画像砖

1996年洛阳市第二文物工作队征集一批汉画像砖.画像依题材分为10种,有车骑出行、山林狩猎、凤鸟与人物、兽斗、驯虎、龙、蟾蜍、玉兔、西王母等.画像砖时代为西汉晚期.这批汉画像砖的发现,为研究洛阳地区的汉画像砖艺术提供了新资料.     

欧阳修诗歌民俗描写的主观意绪

欧阳修诗歌中有许多对民俗现象的描写,特别是一些地方性特点很强的风习俗信,给他的作品增添了许多风采与蕴涵。作为诗家的欧阳修,他的民俗描写很显然并非简单地“观风”或“采风”,而往往与其创作之“思”密切联系着。也就是说,很多民俗事象是随着他的诗歌创作“感兴”而被带入作品的,这种“带入”自然渗透着诗家的主观意绪。本文即从诗人主观内涵与所写民俗现象之关系的角度进行梳理,以求教于诗学与民俗学界的同仁。     

关于会展业的发展条件及其动力体系的初步探讨

会展业是一个前期投入高,周期长的新兴产业,近年来,我国会展业也迅速发展,会展业的研究受到人们普遍关注。本首先分析发展会展业应该具备的基本条件,并根据这些条件与会展业的关联性提出了会展业发展的动力体系模式,章结尾运用这一模式对我国会展业进行分析,并提出我国发展会展业的一些对策。