Nationalism,patriotism, or national reference? A response to Jacopo Custodi

Jacop Custodi elaborated recently a response to our article “A nationalist party with non-nationalistic voters? Discussing the limits of nationalism in party categorisation” published in the journal Nations & Nationalism. We consider the work of Custodi is an important and original contribution to the study of left politics and nationalism. This being said, we reflect on the negative consequences of overstretching the category nationalism, both referring to parties and to political discourse. The aim of this reply is unpacking and explaining these negative consequences and offering an alternative as well as responding to some specific points raised by Custodi in his reply.     

The art of nationalism: Artists' perspectives on the Latvian Centenary film programme

In the aftermath of several decades of neoliberalism in Eastern Europe, the social fabric of post-socialist societies is frayed. In this context, nationalist cultural policies and everyday displays of national belonging have emerged as key instruments of social solidarity. There has recently been a drive of state initiatives in Latvia in the field of cultural policy aimed at strengthening national identity. In this paper, we focus our attention on one particular cultural policy initiative, Latvian Films for Latvian Centenary. Drawing on qualitative interviews with 16 film directors who participated in the Centenary film programme, the paper explores how artists and cultural operators involved in this programme are mobilised as national(ist) subjects and how they see their work within such a framework. We argue that nationalist cultural policy can be successfully implemented because the artists, themselves formed as responsible political and moral subjects in the tradition of Latvian cultural nationalism, share a regard for culture and the arts as a resource for sustaining the political statehood and the national community. However, the artists also recognise the limitations of their work as a source of social cohesion and solidarity in a society that is ethnically divided.     

PREHISTORIC FLINT MINES AND THEIR IDENTIFICATION AS SOURCES OF RAW MATERIAL

This paper is a statistical and geological study of the results of analysis of flint from British and West European flint mines, carried out by emission and atomic absorption spectroscopy. Groups of flint specimens were studied from each geographically separate flint mining area. Flints were analysed for a group of easily measured trace elements shown by previous work to be generally present. The ratios between the trace elements form a consistent pattern for each flint mine and statistically valid differences of pattern can be recognized between different flint mines. A geological investigation shows that the measured trace elements may be derived from clay minerals and explains geographical and statistical variation in the composition of flint in terms of its mode of origin in the chalk. An advanced statistical technique allows individual flint specimens of unknown origin to be attributed by their composition to one or other of the identified flint sources. The archaeological implications of this study are discussed.     

Historic figurines from Florida and Mexico

Historical Archaeology -     

Reviews of books

Historical Archaeology -