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41.
John Lauermann  Mark Davidson 《对极》2013,45(5):1277-1297
A reading of critical perspectives on neoliberalism would suggest that it is dead but dominant, a revanchist zombie that appears paradoxically ubiquitous despite its inherent idiosyncrasy. We argue that neoliberalism's paradoxical death, dominance, and retrenchment can be interpreted by analyzing the dialectic of universalizing processes and particular forms within capitalism. Neoliberal projects draw political import from systemic, universalizing tendencies in capitalism, particularly those ideological processes by which contradictions and crises come to be discursively, institutionally, and politically conceptualized within the same paradigm from which they emerged. Building on well developed research frameworks in neoliberalism studies, we propose a set of analytical tools to interpret links between particular projects and homogenizing practices. We illustrate this with a case study of urban “megaevents” (eg Olympic Games or football World Cup), demonstrating how ideological commitments to event‐based development strategies allow both the homogenizing imposition of entrepreneurial urban policy, and localized innovations in urban governance.  相似文献   
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Parexus Agassiz was one of the first Early Devonian ‘spiny sharks’ to be described. The genus is readily recognized by the large size and ornament of its anterior dorsal fin spine. Although two species were erected, reappraisal of all known specimens indicate they should be synonymized in the type species Parexus recurvus. Farnellia tuberculata Traquair, originally described as a vertebral column, is actually tooth rows of jaw dentition, and is also now considered to be a junior synonym of P. recurvus. Parexus has a perichondrally ossified scapulocoracoid of typical acanthodian shape, and diagnostic features of the family Climatiidae, but has distinctive scales comprising appositional growth zones that closely resemble those of the putative stem chondrichthyan Seretolepis elegans Karatajute-Talimaa.  相似文献   
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Thirteen burials located on Jackson Street in Youngstown, NY, USA were recovered from a construction site and excavated in 1997. Based on the artifact assemblage, it was suggested that the cemetery was used sometime between the late 1700s and 1840. No historical records existed, and initial assessment of the skeletal remains was not able to determine any cultural affiliation. We carried out osteological and genetic investigations in order to gain insight into ancestral affiliation and kinship of the unknown individuals from the burials. Due to poor preservation of the remains, dental traits and limited osteological observations were available for only a few individuals. We performed DNA extraction and sequenced the mitochondrial DNA (mtDNA) control region following standard ancient DNA procedures. Our results suggest that ten individuals have evidence of biological affiliation with Native Americans, and in particular, four individuals have maternal Native American ancestry. One male individual was determined to be of European ancestry, from both the mtDNA and osteological results. This burial may reflect admixture as a result of frequent contact between Native Americans and Europeans during the eighteenth and nineteenth centuries and attempts by missionaries to convert Native Americans to Christianity. Our study demonstrates the usefulness of a multifaceted approach through archaeological, osteological, and genetic analysis that provides valuable perspectives in understanding the individuals buried at the Jackson Street Burials.  相似文献   
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In this article, I examine cultural narratives about the lives and places of women with mental illness in the commercial Hollywood film: Girl Interrupted (1999). In contrast to most of the disability studies literature concerned with cultural representation, this article explicitly examines how the spatiality of ‘mad women's’ lives is constructed through film. Drawing on post-structuralist, and feminist perspectives on disability, and on conceptual ideas from the limited social geographic literature concerned with the lives of persons with mental illness, I explore the contradictory cultural narratives about the lives and places of women with mental illness constructed through this film. This approach recognizes that representations of ‘mad women’ and their places in society and space involve contradictory, tension-laden relationships between spectator and cultural product, complex discursive negotiations of meaning, and gendered processes of meaning-making, in some ways affirming mad women's lives and in others perpetuating negative stereotypes about women with mental illness and where they belong.  相似文献   
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In the West, public space ideally serves as the open, transformative core of urban democratic society. But what role does it play in a non-Western democracy with anti-individualist, authoritarian cultural mores, such as in Japan? The author used archival research, direct observations and informal interviews, as well as reference to key insights of actor-network theory (ANT) to investigate whether or not the public spaces of a Japanese suburb are conducive to individual freedom and expression. The paper concludes that these spaces help maintain what Sugimoto (1997) calls the “friendly authoritarianism” of Japanese society.  相似文献   
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In the four decades since the discovery that a discrete Bronze Age preceded the Iron Age in mainland Southeast Asia, much has been learned about the dating, technology, production, organization, and use of bronze metallurgy in the region, particularly in prehistoric Thailand. Although independent invention of copper smelting in Southeast Asia has not been considered likely by most regional archaeologists since the 1980s, the source of copper-base technology and the mechanisms of adoption remain poorly understood. Arguments claiming that the primary stimulus for the appearance of copper-base metallurgy in Southeast Asia came from early states in the Central Plain of China have dominated recent discussions, but anthropological approaches to technology transmission, adoption, and adaptation have yet to be systematically explored. After summarizing the current evidence for early bronze metallurgy in Thailand, this paper proposes an alternative to the predominant Sinocentric view of the source for Southeast Asian bronze technology. It will be proposed on both chronological and technological grounds that the first bronze metallurgy in Southeast Asia was derived from pre-Andronovo late third millennium BC Eurasian forest-steppe metals technology, and not from the second millennium, technologically distinctive, élite-sponsored bronze metallurgy of the Chinese Erlitou or Erligang Periods. Hypotheses for a transmission route and a research agenda for resolving debates on bronze origins in Southeast Asia are offered.  相似文献   
49.
Abstract

The cultural landscape of the town of Copacabana and nearby ancient sites on Lake Titicaca, Bolivia, have functioned as magnetic places of pilgrimage from Inka times to the present. They are analyzed as landscape constructions through the eyes of political and religious authorities as well as through those of the common pilgrims in a bottom-up perspective from Inka to Colonial times and to the present. Methodologies used are study of pertaining archaeological data and Colonial documents complemented by ethnographic interviews and participant observation. The data demonstrate how the past is redefined in the present as local heritage in a landscape perceived as Andean as well as Christian. Throughout Andean history, Copacabana has been the land terminal for pilgrims to set over to the Islands of the Sun and Moon to visit empowered shrines (wak’as) viewed as places of emergence of the Sun and the first humans. This pilgrimage was fabricated into state ideology by the Inka from ca. A.D.1450–1550. After the Spanish invasion, Copacabana became the seat of a widely revered Virgin who attracts pilgrims from all over Bolivia and southern Peru. Ethnographic fieldwork was conducted in early August 2015 and 2017 during one of the pilgrimages. Most visitors identify as pilgrim-tourists and many walk to five spatially distinct but thematically related wak’ as at which the past coalesces with the present and the secular with the divine in passionate and colorful performances for family wellbeing. Discussions center on the limited spatial control of the Catholic Church and on the growing practice of making new wak’as in Andean terms to the Virgin at selected landscape features outside of town as a form of popular heritage. Findings demonstrate that local Aymara people are not passive Colonial victims but selectively adopt from their conquerors what they hope may help alleviate poverty.  相似文献   
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