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As the birthplace of the Nazi Party and the official Capital of the Movement, Munich assumed a high profile within the party's propaganda apparatus. While Berlin became the political and foreign policy centre of Hitler's Reich and Nuremberg the site of massive displays of national power during the annual party rallies, national and local party leaders launched a series of cultural initiatives to showcase Munich as the Capital of German Art. Munich hosted numerous festivals proclaiming a rebirth of German art and culture, as well as the regime's supposedly peaceful intentions for domestic and international audiences. To help achieve these goals, Nazi leaders staged a series of extravagant parades in Munich celebrating German cultural achievements. The parades provided an opportunity for the regime to monopolize Munich's public spaces through performances of its particular vision of German history, culture and national belonging. While such mass public spectacles had obvious propaganda potential, several constraints, most prominently Munich's existing spatial layout, limited the parades’ effectiveness.  相似文献   
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Summary.   This paper discusses the role of metals, salt, textiles, and slaves in the development of networks of reciprocal exchange that interlinked the élites of Etruscan Italy and Early Iron Age Gaul between the eighth and sixth centuries BC. Maritime and transalpine contact are considered separately. Certain regional specialisms in Gaul are discussed: metals in the west and centre, supporting prosperous HaD élites around the rim of the Massif Central, salt on coasts and in the east, perhaps in exchange for Italian textiles, and slaves perhaps especially from the sixth-century BC Aisne–Marne/Mont Lassois complex. A principal point is to establish the ubiquity and economic importance of women and children as domestic slaves both in Italy and Gaul and their consequent significance as valuable objects of élite exchange. Development in patterns of slave procurement during this period are considered.  相似文献   
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