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Bryan K. Miller Martin Furholt Jamsranjav Bayarsaikhan Tömörbaatar Tüvshinjargal Lennart Brandtstätter Joshua Wright 《Journal of Field Archaeology》2019,44(4):267-286
Walled sites attributed to the Xiongnu steppe empire (2nd century b.c.–1st century a.d.) constitute the earliest investments in explicitly non-mortuary built environments among pastoralists of the Mongolian Steppe. These permanent constructions are important precedents to the medieval towns of subsequent steppe empires, yet very little of the complete layouts and surrounding remains of the large enclosures are understood. Our investigations of the walled site at Kherlen-Bars in eastern Mongolia are among the first surveys to fully document all aspects above and below ground across an entire Iron Age walled site area. In addition to detailed documentation of the large structures, our geomagnetic prospections and digital elevation modeling brought to light numerous small sub-surface and subtle-surface features that show such early walled sites, often deemed virtually empty, to be far more complex and diachronic in their formation processes and possible functions. 相似文献
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Joshua Hagen 《Geografiska annaler. Series B, Human geography》2008,90(4):349-367
As the birthplace of the Nazi Party and the official Capital of the Movement, Munich assumed a high profile within the party's propaganda apparatus. While Berlin became the political and foreign policy centre of Hitler's Reich and Nuremberg the site of massive displays of national power during the annual party rallies, national and local party leaders launched a series of cultural initiatives to showcase Munich as the Capital of German Art. Munich hosted numerous festivals proclaiming a rebirth of German art and culture, as well as the regime's supposedly peaceful intentions for domestic and international audiences. To help achieve these goals, Nazi leaders staged a series of extravagant parades in Munich celebrating German cultural achievements. The parades provided an opportunity for the regime to monopolize Munich's public spaces through performances of its particular vision of German history, culture and national belonging. While such mass public spectacles had obvious propaganda potential, several constraints, most prominently Munich's existing spatial layout, limited the parades’ effectiveness. 相似文献
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