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945.
Abdelkader Ababneh 《Archaeologies》2016,12(1):38-72
The management of archaeological heritage is complex and problematic for site identity and local culture. Inattention to the array of values of heritage sites leads to the supremacy of a number of them and provides a controversy story of the archaeological site in question. Any heritage management and interpretation effort should correctly identify the different values of the site. Indeed, there is a need to manage and interpret the sites in a way to address the connection between the sites-based values and the associated and surrounding features. In current heritage management practice, values and values-based management are considered to be one of the most important approaches for the management of archaeological heritage. This study aims to understand how the values of the archaeological site of Umm Qais in northern Jordan can be adequately managed as both a natural and cultural landscape. At issue are conflicting views over the different values, their meaning and their uses by the different stakeholders. This research focuses on the ways in which these values are managed and interpreted to the public and whether it is done properly and in a fair manner. The fieldwork study led to a more complex understanding of how conflicting perceptions of values of Umm Qais as a national heritage site by the different stakeholders have affected implementation of management and interpretation projects. The results presented here indicate that the heritage management approach from the case study of Umm Qais focuses specifically on values associated with the physical archaeological aspect of the site, while those associated with the historic neighborhood of the site are neglected. The interpretation of the site has frequently focused on certain aspects of values at the expense of others. Information and insights gained from this study and specific suggestions for changing approaches are considered with regard to potential impacts on the management of the archaeological site and with regard to the public in general. 相似文献
946.
Angela Guzman Corredor Giulia Facelli Chandan Chinnagiri Gowda Emilio Roldan-Zamarron Jorge M. Branco 《International Journal of Architectural Heritage》2016,10(6):777-796
Companhia Aurifícia is located in Porto, Portugal, and was founded in 1864. It was a pioneer factory in the industrial production, casting, rolling, and stamping of metallic objects and laboured for about 150 years, in areas as jewelry, manufacture of parts in silver and gold or the production, and casting of various metals. In 1866, it began laboring in Rua dos Bragas, its present location, and in 2003 ceased all activities.Companhia Aurifícia is an industrial complex including several buildings, all located in the same block. It is a precious example of the industrial architecture in Porto, where the still existent retaining walls, structures, machinery, and decorative elements make it one of the last examples of 19th century industrial life of the city.This article aims to evaluate the safety condition of one of the buildings included in this industrial complex, in order to propose the necessary strengthening interventions. 相似文献
947.
M. Arif Gurel 《International Journal of Architectural Heritage》2016,10(8):1008-1024
This work concerns the stability of unreinforced masonry slender circular cross-sectional columns subjected to their own weight and eccentric vertical load. Cantilever columns are examined, considering that the material has infinitely linear elastic behavior in compression and has no tensile strength. For the analysis, an existing numerical model and solution procedure developed for the stability analysis of masonry elements with rectangular cross-section are utilized and adapted to the circular columns. For the instability of the columns, an appropriate criterion that relates the top lateral deflection to the intensity of the applied eccentric vertical load is employed. By considering a reference column, critical buckling load is obtained, behavior of the column interpreted and efficiency of the numerical model emphasized. Performing a nonlinear buckling analysis using a general purpose software on this reference column, obtained results are compared with those of the adapted procedure of the present study. Implementing parametric analyses on reference column, effects of the column slenderness, eccentricity of vertical load, elastic modulus, and self-weight on the buckling load are investigated. Presented calculation procedure provides a useful tool in order to calculate the critical loads or to check the stability of masonry circular columns. 相似文献
948.
F. V. Karantoni M. L. Papadopoulos S. J. Pantazopoulou 《International Journal of Architectural Heritage》2016,10(8):1055-1077
A framework for quick seismic assessment and retrofit of traditional unreinforced masonry (URM) structures is presented. The proposed methods build on simple principles of structural dynamics and are used as an alternative to detailed time-history analysis, in recognition of the prevailing need for simple and practical methods, compatible with the low-budget and the limited level of knowledge regarding materials, internal force paths, connectivity and condition of older URM structures. An objective is to identify areas in the building that are particularly susceptible to damage and for guiding the types of the required global interventions to improve seismic response. Demand and supply are expressed in terms of relative drift ratios that quantify the intensity of out-of-plane differential translation and in-plane shear distortion of masonry walls. A characteristic traditional building type of timber-laced masonry is used as a model structure for illustration of concepts. The morphology and geometry of the building correspond to a statistical sample of the actual traditional unreinforced masonry buildings (TURM) found in historical centers of many towns in the greater region of Northern Greece. The methodology is particularly useful for setting retrofit priorities and management of the collective seismic risk of historical entities. 相似文献
949.
This article explores the extent to which formal network analysis can be used to study aspects of entanglement, the latter referring to the collective sets of dependencies between humans and things. The data used were derived from the Neolithic sites of Boncuklu and Çatalhöyük in central Turkey. The first part of the analysis involves using formal network methods to chart the changing interactions between humans and things at these sites through time. The values of betweenness and centrality vary through time in ways that illuminate the known transformations at the site as, for example, domestic cattle are introduced. The ego networks for houses across four time periods at the two sites are also patterned in ways that contribute to an understanding of social and economic trends. In a second set of analyses, formal network methods are applied to intersecting operational chains, or chainworks. Finally, the dependencies between humans and things are evaluated by exploring the costs and benefits of particular material choices relative to larger entanglements. In conclusion, it is argued that three types of entanglement can be represented and explored using methods taken from the network sciences. The first type concerns the large number of relations that surround any particular human or thing. The second concerns the ways in which entanglements are organized. The third type of entanglement concerns the dialectic between dependence (potential through reliance) and dependency (constraint through reliance). 相似文献
950.
Carole Fritz Gilles Tosello Margaret W. Conkey 《Journal of Archaeological Method and Theory》2016,23(4):1307-1332
In an attempt to introduce concerns with social identities into the discussion and understanding of the making of what we call Paleolithic art, this article considers issues of gender, skill, apprenticeship, and tradition. We note that, as in every period of history, Paleolithic art can be seen as embedded in the society that studies it. Over the last 20 years, the research attention given to women in Paleolithic societies has grown considerably, leading us to ask what could have been the roles of women in Paleolithic art. On what criteria could we base a determination of those roles or of other social identities that were likely part of the making and viewing of Paleolithic art?Thanks to our microscopic analysis of engravings, it is possible to identify the skill level and expertise of the artists and thus to address the question of apprenticeship and how these techniques were transmitted. We observe many similarities that allow us to group together various works of art, sometimes from very distant sites, which indicate a movement of ideas, objects, and people. Are we talking about “imitation”? How can we define an “invention” within a social context strongly bound by traditions? 相似文献